Guy Ducker
Guy was born in suburban London in 1972, where he attended a local comprehensive. After reading English including Medieval studies at Exeter University he went into the film industry as a runner. After a year and a half he realised that running was a good way of getting nowhere fast. He made the 12 minute short film "The Typewriter" on a total budget of £12, which was enough to earn him a place at film school in Bristol. At Bristol he met Dan Rack, who has worked on all of his subsequent films as Cameraman. The Bristol course was general, but intensive. Here Guy wrote and directed some projects and edited others. He left film school with a basic knowledge of Avid editing, which proved enough to launch him straight into being a First Assistant Editor on a feature film, such knowledge being scarce at the time. Since then he worked in that capacity and occasionally as Post-Production Supervisor on more than a dozen features, ranging from BAFTA winning art movies like "The Warrior" to Hollywood studio productions such as "Calendar Girls" giving him insight into the workings of a broad range of different styles of filmmaking. Meanwhile Guy was making contacts and raising money to make further short films. These shorts included "Delusion" and, most recently, "Telling Mark" which has screened at international film festivals and been sold to HBO. His time spent in feature film cutting rooms paid off on these projects, allowing him to shoot with economy and confidence material that actually cuts together. This time also gave him access to established Producers and Directors who were generous with their help and advice, and sometimes even cash. In between short film projects Guy devoted his time to the infinitely cheaper art of script-writing. Four spec feature scripts, "Breakdown", "The Book of Dreams", "The Bridge" and "Panoptes", and a prize winning short script have led to work writing on commission.
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Biography from TMDB.
- Editor
- 10 on MovieCove · 17 credits in all
What are Guy Ducker's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 2 · Serious 1 · Dark 3
A split, not a type: Grounded 3 · Stylized 1 · Heightened 2
A split, not a type: Gentle 0 · Charged 2 · Intense 4
Steady 2 · Shifting 4 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 0 · Funny 2
A split, not a type: Slow burn 4 · Even-paced 1 · Relentless 1
Casual 2 · Engaged 3 · Full focus 1
Easy watch 2 · Affecting 3 · Heavy 1
Resolved 4 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy2
- Bittersweet2
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Guy Ducker's films?
As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Guy Ducker's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 10 with a MovieCove page.
Midcredits score: 37th percentile of all films (provisional, few ratings)
Me, Myself and Di(2021)
Midcredits score: 13th percentile of all films
Dark Corners(2021)
Midcredits score: 4th percentile of all films
Crosseyed (not in the MovieCove catalog yet)(2019)
Tonight the World (not in the MovieCove catalog yet)(2019)
Tango One(2018)
Midcredits score: 16th percentile of all films
Midcredits score: 30th percentile of all films
The Tutor (not in the MovieCove catalog yet)(2017)
They Returned (not in the MovieCove catalog yet)(2015)
Midcredits score: 46th percentile of all films
Children of the Night(2014)
Midcredits score: 29th percentile of all films
Bonded by Blood(2010)
Midcredits score: 29th percentile of all films
Breach (not in the MovieCove catalog yet)(2009)
In Your Absence (not in the MovieCove catalog yet)(2008)
Missed (not in the MovieCove catalog yet)(2007)
Funky Monkey(2004)
Midcredits score: 14th percentile of all films
Calendar Girls(2003)
Midcredits score: 77th percentile of all films
Career shape
A full career of 17 titles from 2003 to 2022.
Biggest box office
Me, Myself and Di (2021)
Highest rated
We Still Kill the Old Way (2014)
Most popular right now
Tango One (2018)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Guy Ducker's films land?
Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 10; across their 6 films with reception data, the typical film sits in the 21st percentile for acclaim.
- 75th and up1
- 25th to 49th5
- Below 25th4
Shape of the crowd
6 of their 10 titles are Mixed.
- Divisive2
- Cult Classic1
- Crowd Pleaser1
- Mixed6
Reviewers score the pacing 48/100 in their films, across 5 reviewed titles; fans 63, detractors 26. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Guy Ducker work with?
People who share at least 2 of Guy Ducker's MovieCove titles, grouped by what they did on them; Sacha Bennett shares the most, 4.
Directors
- Sacha BennettShared titles: A Midsummer Night's Dream (2022), Me, Myself and Di (2021), Tango One (2018), We Still Kill the Old Way (2014)See all 4 shared titles with Sacha Bennett
Actors
- Tyger Drew-HoneyShared titles: A Midsummer Night's Dream (2022), Me, Myself and Di (2021)See all 2 shared titles with Tyger Drew-Honey
- Christopher EllisonShared titles: Tango One (2018), We Still Kill the Old Way (2014)See all 2 shared titles with Christopher Ellison
- Elijah BakerShared titles: Tango One (2018), We Still Kill the Old Way (2014)See all 2 shared titles with Elijah Baker
Composers and cinematographers
- Andrew BarnabasShared titles: A Midsummer Night's Dream (2022), Me, Myself and Di (2021)See all 2 shared titles with Andrew Barnabas
- Paul ArnoldShared titles: A Midsummer Night's Dream (2022), Me, Myself and Di (2021)See all 2 shared titles with Paul Arnold
- Ismael IssaShared titles: Tango One (2018), We Still Kill the Old Way (2014)See all 2 shared titles with Ismael Issa
Producers
- Patricia RybarczykShared titles: Me, Myself and Di (2021), Tango One (2018), We Still Kill the Old Way (2014)See all 3 shared titles with Patricia Rybarczyk