Everett Dodd
Editor · Died July 2, 1981, aged 73 · Iowa, USA
- August 5, 1907
- July 2, 1981 (aged 73)
- Iowa, USA
- Editor
- 3 on MovieCove · 30 credits in all
What are Everett Dodd's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Survival.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 2 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
Gentle 0 · Charged 3 · Intense 0
Steady 1 · Shifting 1 · Whiplash 1
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Everett Dodd's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Everett Dodd's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
30 credits, 3 with a MovieCove page.
Frankenstein's Daughter(1958)
Midcredits score: 7th percentile of all films
Missile to the Moon(1958)
Midcredits score: 5th percentile of all films
A Lust to Kill(1958)
Midcredits score: 17th percentile of all films
The Story of the Animated Drawing (not in the MovieCove catalog yet)(1955)
So You Want to Be Popular (not in the MovieCove catalog yet)(1949)
So You Want to Be in Pictures (not in the MovieCove catalog yet)(1947)
So You're Going to Be a Father (not in the MovieCove catalog yet)(1947)
Jammin' the Blues (not in the MovieCove catalog yet)(1944)
Good Old Corn (not in the MovieCove catalog yet)(1943)
The Man Killers (not in the MovieCove catalog yet)(1943)
Ozzie Nelson and His Orchestra (not in the MovieCove catalog yet)(1943)
March On, America! (not in the MovieCove catalog yet)(1942)
Spanish Fiesta (not in the MovieCove catalog yet)(1942)
The Gay Parisian (not in the MovieCove catalog yet)(1942)
At the Stroke of Twelve (not in the MovieCove catalog yet)(1941)
Singapore Woman (not in the MovieCove catalog yet)(1941)
Ladies Must Live (not in the MovieCove catalog yet)(1940)
Alex in Wonderland (not in the MovieCove catalog yet)(1940)
The Royal Rodeo (not in the MovieCove catalog yet)(1939)
The Monroe Doctrine (not in the MovieCove catalog yet)(1939)
Slapsie Maxie's (not in the MovieCove catalog yet)(1939)
The Bill of Rights (not in the MovieCove catalog yet)(1939)
Quiet, Please (not in the MovieCove catalog yet)(1939)
Torchy Runs for Mayor (not in the MovieCove catalog yet)(1939)
Lincoln in the White House (not in the MovieCove catalog yet)(1939)
Swingtime in the Movies (not in the MovieCove catalog yet)(1938)
The Declaration of Independence (not in the MovieCove catalog yet)(1938)
Blondes at Work (not in the MovieCove catalog yet)(1938)
Here, Prince (not in the MovieCove catalog yet)(1932)
The Silent Partner (not in the MovieCove catalog yet)(1931)
Career shape
A full career of 30 titles from 1931 to 1958.
How do Everett Dodd's films land?
Their typical MovieCove film has a Midcredits score in the 7th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 12th percentile for acclaim.
- Below 25th3
Shape of the crowd
2 of their 3 titles are Universally Panned.
- Universally Panned2
- Broadly Agreed1
Reviewers score the pacing 28/100 in their films, across 3 reviewed titles; fans 35, detractors 20. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Everett Dodd work with?
People who share at least 2 of Everett Dodd's MovieCove titles, grouped by what they did on them; Richard E. Cunha shares the most, 2.
Directors
- Richard E. CunhaShared titles: Frankenstein's Daughter (1958), Missile to the Moon (1958)See all 2 shared titles with Richard E. Cunha
Writers
- H.E. BarrieShared titles: Frankenstein's Daughter (1958), Missile to the Moon (1958)See all 2 shared titles with H.E. Barrie
Composers and cinematographers
- Meredith M. NicholsonShared titles: Frankenstein's Daughter (1958), Missile to the Moon (1958)See all 2 shared titles with Meredith M. Nicholson
- Nicholas CarrasShared titles: Frankenstein's Daughter (1958), Missile to the Moon (1958)See all 2 shared titles with Nicholas Carras
Producers
- Marc FredericShared titles: Frankenstein's Daughter (1958), Missile to the Moon (1958)See all 2 shared titles with Marc Frederic