K.K. Dodds
Actor · Born January 1, 1965 (61) · United States
K.K. Dodds was born in 1965. She is an actress, known for Soldier (1998), Spider-Man (2002) and Flatliners (1990).
Biography from IMDb.
- January 1, 1965 (61)
- United States
- Actor
- 17 on Motif · 19 credits in all
What are K.K. Dodds' films like?
Across their 5 Motif titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 0 · Serious 1 · Dark 2
Grounded 1 · Stylized 2 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 3 · Heavy 0
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch K.K. Dodds' films?
As of October 24, 2026, 12 of their 17 Motif titles stream on a subscription or free service.
Subscription and free streaming for K.K. Dodds' titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 17 with a Motif page.
Midcredits score: 53rd percentile of all shows
Love Hurts(2009)
Midcredits score: 23rd percentile of all films
Prison Break(2005)
Midcredits score: 96th percentile of all shows
Moral Orel(2005)
Midcredits score: 89th percentile of all shows
Spider-Man(2002)
Midcredits score: 95th percentile of all films
The Shield(2002)
Midcredits score: 98th percentile of all shows
Lost Souls(2000)
Midcredits score: 9th percentile of all films
Midcredits score: 80th percentile of all shows
Strong Medicine (not in the Motif catalog yet)(2000)
High Fidelity(2000)
Midcredits score: 91st percentile of all films
Being John Malkovich(1999)
Midcredits score: 97th percentile of all films
Midcredits score: 55th percentile of all films
Soldier(1998)
Midcredits score: 47th percentile of all films
A Life Less Ordinary(1997)
Midcredits score: 51st percentile of all films
Best Men(1997)
Midcredits score: 30th percentile of all films
Telling Lies in America(1997)
Midcredits score: 45th percentile of all films
Nash Bridges(1996)
Midcredits score: 41st percentile of all shows
Chicago Hope (not in the Motif catalog yet)(1994)
Flatliners(1990)
Midcredits score: 64th percentile of all films
Career shape
Star power in the 91st percentile of 239,109 people with a billed film role, over a full career of 18 titles from 1990 to 2010; peak year 1998.
Film career
Peak 1998 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1997Screen debut· Telling Lies in America
- 2002Career best· Spider-Man
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do K.K. Dodds' films land?
Their typical Motif film has a Midcredits score in the 51st percentile, the median of all 11; across a limited sample of 3 films with reception data, the typical film sits in the 44th percentile for acclaim.
- 75th and up7
- 50th to 74th4
- 25th to 49th4
- Below 25th2
Shape of the crowd
7 of their 17 titles are Crowd Pleasers.
- Universally Loved5
- Crowd Pleaser7
- Broadly Agreed1
- Mixed4
Reviewers score the acting 65/100 in their films, across 3 reviewed titles; fans 74, detractors 45. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does K.K. Dodds work with?
People who share at least 2 of K.K. Dodds' Motif titles, grouped by what they did on them; David Tuber shares the most, 2.
Directors
- David TuberShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with David Tuber
- Duke JohnsonShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Duke Johnson
- Savelen ForrestShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Savelen Forrest
- Scott AdsitShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Scott Adsit
Writers
- Dino StamatopoulosShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Dino Stamatopoulos
- Mark RiversShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Mark Rivers
- Nick WeidenfeldShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Nick Weidenfeld
Actors
- Britta PhillipsShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Britta Phillips
- Jay JohnstonShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Jay Johnston
- Jeff Bryan DavisShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Jeff Bryan Davis
- Tigger StamatopoulosShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Tigger Stamatopoulos
Editors
- Garret ElkinsShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Garret Elkins
Producers
- Alexander BulkleyShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Alexander Bulkley
- Corey CampodonicoShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Corey Campodonico
- Eric BlylerShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Eric Blyler
- Keith CroffordShared titles: Mary Shelley's Frankenhole (2010), Moral Orel (2005)See all 2 shared titles with Keith Crofford
