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Louis Dolivet

Producer · Died August 12, 1989, aged 81 · Újradna, Beszterce-Naszód, Austria-Hungary [now Șanț, Bistrița-Năsăud, Romania]

Louis Dolivet born as Ludovici Udeanu (March 26, 1908 – August 1989) was an émigré writer, editor of Free World, film producer, and alleged Soviet spy born in Austria-Hungary, who later obtained French citizenship. From 1942 to 1949, he was married to Academy Award and Tony Award winning actress Beatrice Whitney Straight, of the prominent American Whitney family. Ludovic Brecher was born on March 26, 1908 in the Austro-Hungarian village of Újradna, Beszterce-Naszód County, now Șanț, Bistrița-Năsăud County, Romania. He became known as Louis Dolivet upon arriving in New York on January 6, 1939. Dolivet claimed to have fought for the French Air Force against the Nazis, before escaping to Manhattan sometime either just before or after the Fall of France in June 1940. The Pittsburgh Press reported that Dolivet, "on crutches because of a leg injury received shortly after France capitulated," spoke to a local gathering of the Foreign Policy Association in May 1941, where "the former French air gunner painted a sorrowful picture of conditions in occupied France." On the same occasion, Dolivet described injuring himself not in battle, but rather in a shipboard fall en route from Europe. During its existence from 1941 until 1946, Dolivet was the editor of Free World, a monthly magazine of the International Free World Association, published by Free World, Inc. in New York City. Free World was militantly anti-Fascist, articulating the perspective of left-liberal Popular Front intellectuals and international political figures who supported the Allies in World War II and championed the creation of the United Nations as a successor to the failed post-World War I League of Nations. Following the final issue of Free World in December 1946, Dolivet launched a new magazine called United Nations World, its first issue appearing in February 1947, which he eventually abandoned in 1950, having returned to France in 1949, and subsequently being banned from reentering the United States upon suspicion of having ties to Communism. United Nations World lasted under different editorship until 1953. Dolivet and his wife, an actress, frequently had Orson Welles and his wife Rita Hayworth over as guests when they lived at Dorothy Whitney Straight Elmhirst's Old Westbury, Long Island estate. Dolivet was said to have mentored Welles politically, and the two men developed a close friendship that began in the early 1940s. Dolivet and Welles collaborated on several projects, most notably the 1955 six-episode British television series Around the World with Orson Welles, and the film Mr. Arkadin, released that same year in Spain. A dispute over the making of Mr. Arkadin led to a falling-out between Welles and Dolivet. ... Source: Article "Louis Dolivet" from Wikipedia in English, licensed under CC-BY-SA 3.0.

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Biography from TMDB.

Born
March 26, 1908
Died
August 12, 1989 (aged 81)
From
Újradna, Beszterce-Naszód, Austria-Hungary [now Șanț, Bistrița-Năsăud, Romania]
Works as
Producer
Titles
5 on MovieCove · 8 credits in all
TMDB popularity, last 38 days to Oct 27Down 14% in 30 days

What are Louis Dolivet's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Society and Self.

Themes

share of theme weight
Society
30%
Self
19%
Power
14%
Bonds
13%
Survival
13%
Morality
11%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 2 · Stylized 1 · Heightened 2

Gentle 1 · Charged 2 · Intense 2

Steady 2 · Shifting 3 · Whiplash 0

A split, not a type: Straight-faced 4 · Some laughs 0 · Funny 1

Slow burn 4 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 3 · Full focus 1

Resolved 3 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
3
Contemplative
2
Joyful
1
Cold
1
Other
2

How their films end · 1 with a twist

  • Happy2
  • Bittersweet1
  • Tragic2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Louis Dolivet's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Louis Dolivet's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 5 with a MovieCove page.

  • Custer of the West(1967)

    Producer

    Midcredits score: 37th percentile of all films
  • Wasteland (not in the MovieCove catalog yet)(1960)

    Producer

  • The Savage Innocents(1960)

    Producer

    Midcredits score: 75th percentile of all films
  • High Journey (not in the MovieCove catalog yet)(1959)

    Executive Producer

  • My Uncle(1958)

    Line Producer

    Midcredits score: 95th percentile of all films
  • The Female(1958)

    Producer

    Midcredits score: 27th percentile of all films
  • Around the World with Orson Welles (not in the MovieCove catalog yet)(1955)

    Show 7 episodes · Producer

  • Confidential Report(1955)

    Producer

    Midcredits score: 83rd percentile of all films

Career shape

A full career of 6 titles from 1955 to 1967.

By role

only this rolewith another role
Producing6 of 6: 6 only producing, 0 with another role

By decade

1950s4 · crew1960s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Louis Dolivet's films land?

Their typical MovieCove film has a Midcredits score in the 75th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 74th percentile for acclaim.

Acclaim · how much people like their films

74thpercentile
Typical film, the median of 5

Approval · how many liked their films

74thpercentile
Typical film, the median of 5

Reach · how many have seen their films

63rdpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up3
  • 25th to 49th2

Shape of the crowd

None of their 5 titles divides audiences: 2 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Louis Dolivet work with?

People who share at least 2 of Louis Dolivet's MovieCove titles, grouped by what they did on them; Jean Bourgoin shares the most, 2.

Cinematographers

Producers