Roger Dormoy
- Cinematographer
- 4 on MovieCove
What are Roger Dormoy's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 3
Light 3 · Serious 1 · Dark 0
A split, not a type: Grounded 3 · Stylized 1 · Heightened 0
Gentle 3 · Charged 1 · Intense 0
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 0 · Some laughs 3 · Funny 1
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 4 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Roger Dormoy's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on Tubi (1).
Subscription and free streaming for Roger Dormoy's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Boulevard(1960)
Midcredits score: 64th percentile of all films
My Brother from Senegal(1953)
Midcredits score: 22nd percentile of all films (provisional, few ratings)
A Tale of Five Women(1951)
Midcredits score: 10th percentile of all films
I Love Only You(1949)
Midcredits score: 21st percentile of all films (provisional, few ratings)
Career shape
Across a limited sample of 4 MovieCove titles from 1949 to 1960.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Roger Dormoy's films land?
Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 30th percentile for acclaim.
- 50th to 74th1
- Below 25th3
Shape of the crowd
2 of their 4 titles are Mixed.
- Crowd Pleaser1
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Roger Dormoy work with?
People who share at least 2 of Roger Dormoy's MovieCove titles, grouped by what they did on them; Guy Lacourt shares the most, 3.
Actors
- Annette PoivreShared titles: My Brother from Senegal (1953), I Love Only You (1949)See all 2 shared titles with Annette Poivre
- Louis de FunèsShared titles: My Brother from Senegal (1953), I Love Only You (1949)See all 2 shared titles with Louis de Funès
- Raymond BussièresShared titles: My Brother from Senegal (1953), I Love Only You (1949)See all 2 shared titles with Raymond Bussières
Producers
- Guy LacourtShared titles: My Brother from Senegal (1953), A Tale of Five Women (1951), I Love Only You (1949)See all 3 shared titles with Guy Lacourt