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MovieCove

Robert Doudell

Producer

Works as
Producer
Titles
4 on MovieCove
Links
IMDb (opens in a new tab)

Known for

What are Robert Doudell's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
25%
Bonds
24%
Society
18%
Morality
17%
Survival
16%
Friendship2 titles, browse their movies with this themeAging2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 2 · Serious 1 · Dark 0

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 2 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 1 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 2 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 1 · Even-paced 2 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Warm
3
Tense
1
Joyful
1
Thrilling
1
Absurd
1
Other
4

How their films linger

Bittersweet3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert Doudell's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Robert Doudell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Eerie, Indiana(1991)

    Show Producer

    Midcredits score: 91st percentile of all shows

  • Driving Miss Daisy(1989)

    Producer

    Midcredits score: 89th percentile of all films

  • Spellbinder(1988)

    Producer

    Midcredits score: 37th percentile of all films

  • Cocoon(1985)

    Producer

    Midcredits score: 71st percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 1985 to 1991.

Biggest box office

Driving Miss Daisy (1989)

$146M worldwide

Highest rated

Eerie, Indiana (1991)

Midcredits 91st

By role

only this rolewith another role
Producing4 of 4: 4 only producing, 0 with another role

By decade

1980s3 · crew1990s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Robert Doudell's films land?

Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 3

Approval · how many liked their films

68thpercentile
Typical film, the median of 3

Reach · how many have seen their films

93rdpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th1

Shape of the crowd

None of their 4 titles divides audiences: 2 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2
  • Mixed1

Most loved · producer

Eerie, Indiana (1991)

Midcredits 91st · 89% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Robert Doudell's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 38 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Robert Doudell work with?

People who share at least 2 of Robert Doudell's MovieCove titles, grouped by what they did on them; Jessica Tandy shares the most, 2.

Actors

Producers