Gilles Morris-Dumoulin
- Writer
- 3 on MovieCove · 7 credits in all
What are Gilles Morris-Dumoulin's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 0 · Serious 1 · Dark 2
Grounded 0 · Stylized 3 · Heightened 0
Gentle 0 · Charged 0 · Intense 3
Steady 0 · Shifting 2 · Whiplash 1
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 0 · Even-paced 2 · Relentless 1
Casual 0 · Engaged 2 · Full focus 1
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Gilles Morris-Dumoulin's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Gilles Morris-Dumoulin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 3 with a MovieCove page.
A Place Among the Living (not in the MovieCove catalog yet)(2003)
Eagles Over London(1969)
Midcredits score: 31st percentile of all films
Beru and These Women (not in the MovieCove catalog yet)(1968)
Fort Yuma Gold(1966)
Midcredits score: 33rd percentile of all films
Let the Shooters Shoot (not in the MovieCove catalog yet)(1964)
As If It Were Raining (not in the MovieCove catalog yet)(1963)
The Road to Shame(1959)
Midcredits score: 47th percentile of all films
Career shape
A full career of 7 titles from 1959 to 2003.
How do Gilles Morris-Dumoulin's films land?
Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 25th to 49th3
Shape of the crowd
None of their 3 titles divides audiences: 2 are Broadly Agreed.
- Broadly Agreed2
- Mixed1
Reviewers score the plot and story 52/100 in their films, across 3 reviewed titles; fans 65, detractors 33. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Gilles Morris-Dumoulin work with?
People who share at least 2 of Gilles Morris-Dumoulin's MovieCove titles, grouped by what they did on them; Georges Roitfeld shares the most, 3.
Producers
- Georges RoitfeldShared titles: Eagles Over London (1969), Fort Yuma Gold (1966), The Road to Shame (1959)See all 3 shared titles with Georges Roitfeld
- Edmondo AmatiShared titles: Eagles Over London (1969), Fort Yuma Gold (1966)See all 2 shared titles with Edmondo Amati
- Maurizio AmatiShared titles: Eagles Over London (1969), Fort Yuma Gold (1966)See all 2 shared titles with Maurizio Amati
