Finley Peter Dunne

What are Finley Peter Dunne's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Finley Peter Dunne's films?

As of October 24, 2026, none of Finley Peter Dunne's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Finley Peter Dunne's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Magnificent Obsession(1954)

  Writer

  Midcredits score: 82nd percentile of all films82^nd
• 

  Dracula's Daughter(1936)

  Writer

  Midcredits score: 51st percentile of all films51^st
• 

  Magnificent Obsession(1935)

  Writer

  Midcredits score: 81st percentile of all films81^st
• 

  Under Pressure(1935)

  Writer

  Midcredits score: 49th percentile of all films49^th
• 

  Imitation of Life(1934)

  Writer

  Midcredits score: 90th percentile of all films90^th

Career shape

Across their 5 MovieCove titles from 1934 to 1954.

Biggest box office

Magnificent Obsession (1954)

$7.9K worldwide

Highest rated

Imitation of Life (1934)

Midcredits 90^th

Most popular right now

Magnificent Obsession (1954)

How do Finley Peter Dunne's films land?

Their typical MovieCove film has a Midcredits score in the 81^st percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 79^th percentile for acclaim.

Shape of the crowd

None of their 5 titles divides audiences: 3 are Crowd Pleasers.

131

• Universally Loved1
• Crowd Pleaser3
• Mixed1

Most loved · writer

Imitation of Life (1934)

Midcredits 90^th · 82% liked

Reviewers score the dialogue 55/100 and the plot and story 55/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Finley Peter Dunne work with?

People who share at least 2 of Finley Peter Dunne's MovieCove titles, grouped by what they did on them; Sarah Y. Mason shares the most, 3.