- Director and writer
- 5 on MovieCove
What are François Dupeyron's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 2 · Serious 0 · Dark 3
Grounded 4 · Stylized 1 · Heightened 0
Gentle 1 · Charged 4 · Intense 0
Steady 4 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 1
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 3
Resolved 3 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch François Dupeyron's films?
As of October 29, 2026, none of François Dupeyron's 5 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for François Dupeyron's titles on MovieCove; rent and buy are not counted.
Filmography
5 credits, 5 with a MovieCove page.
Too Close to Our Son(2015)
Midcredits score: 45th percentile of all films
Trésor(2009)
Midcredits score: 5th percentile of all films
Monsieur Ibrahim(2003)
Midcredits score: 88th percentile of all films
The Officer's Ward(2001)
Midcredits score: 89th percentile of all films
Midcredits score: 50th percentile of all films
Career shape
Across their 5 MovieCove titles from 1988 to 2015.
How do François Dupeyron's films land?
Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
2 of their 5 titles are Crowd Pleasers.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser2
- Mixed1
Reviewers score the atmosphere 71/100 and the pacing 48/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does François Dupeyron work with?
People who share at least 2 of François Dupeyron's MovieCove titles, grouped by what they did on them; Dominique Faysse shares the most, 3.
Actors
- Isabelle RenauldShared titles: Monsieur Ibrahim (2003), The Officer's Ward (2001)See all 2 shared titles with Isabelle Renauld
Editors
- Dominique FaysseShared titles: Monsieur Ibrahim (2003), The Officer's Ward (2001), Strange Place for an Encounter (1988)See all 3 shared titles with Dominique Faysse
Producers
- Laurent PétinShared titles: Monsieur Ibrahim (2003), The Officer's Ward (2001)See all 2 shared titles with Laurent Pétin
- Michèle PétinShared titles: Monsieur Ibrahim (2003), The Officer's Ward (2001)See all 2 shared titles with Michèle Pétin
