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Guy East

Producer

Works as
Producer
Titles
56 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 41 days to Oct 27Down 36% in 30 days

What are Guy East's films like?

Across their 51 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy14 titlesTypical Midcredits score: 44th percentile
: browse their Comedy movies
Drama12 titlesTypical Midcredits score: 57th percentile
: browse their Drama movies
Action8 titlesTypical Midcredits score: 52nd percentile
: browse their Action movies
Crime5 titlesTypical Midcredits score: 40th percentile
: browse their Crime movies
Documentary5 titlesTypical Midcredits score: 95th percentile, at or above their average across these genres
: browse their Documentary movies
Biography3 titlesTypical Midcredits score: 82nd percentile, at or above their average across these genres
: browse their Biography movies
Adventure2 titlesTypical Midcredits score: 84th percentile, at or above their average across these genres
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
25%
Morality
21%
Survival
18%
Self
18%
Society
9%
Ideas
5%
Power
4%
Family bonds11 titles, browse their movies with this themeRomantic love11 titles, browse their movies with this themeSurvival10 titles, browse their movies with this themeIdentity10 titles, browse their movies with this themeDeception8 titles, browse their movies with this themeJustice5 titles, browse their movies with this themeGrief6 titles, browse their movies with this themeAmbition6 titles, browse their movies with this theme

What they feel like to watch

their average across 51 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 14 · Serious 14 · Dark 23

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 31 · Stylized 16 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 9 · Charged 21 · Intense 21

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 21 · Shifting 28 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 28 · Some laughs 16 · Funny 7

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 18 · Even-paced 30 · Relentless 3

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 17 · Engaged 25 · Full focus 9

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 17 · Affecting 18 · Heavy 16

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 32 · Open-ended 16 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
29
Melancholic
24
Dread
13
Bittersweet
12
Hopeful
10
Other
53

How their films linger

Bittersweet24 titles, browse their movies with this aftertasteHopeful13 titles, browse their movies with this aftertasteUnsettling10 titles, browse their movies with this aftertasteFeel-good9 titles, browse their movies with this aftertasteThought-provoking10 titles, browse their movies with this aftertasteHaunting11 titles, browse their movies with this aftertaste

How their films end · 10 with a twist

  • Happy11
  • Bittersweet27
  • Tragic2
  • Ambiguous11

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Guy East's films?

As of October 24, 2026, 32 of their 56 MovieCove titles stream on a subscription or free service, most on Tubi (17).

Also on these channels

Subscription and free streaming for Guy East's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

56 credits, 56 with a MovieCove page.

  • Pavarotti(2019)

    Executive Producer

    Midcredits score: 92nd percentile of all films

  • The Beatles: Eight Days a Week - The Touring Years(2016)

    Executive Producer

    Midcredits score: 97th percentile of all films

  • Pele: Birth of a Legend(2016)

    Executive Producer

    Midcredits score: 82nd percentile of all films

  • A Faster Horse(2015)

    Executive Producer

    Midcredits score: 73rd percentile of all films

  • Dark Places(2015)

    Producer

    Midcredits score: 40th percentile of all films

  • The Woman in Black 2: Angel of Death(2014)

    Executive Producer

    Midcredits score: 8th percentile of all films

  • A Walk Among the Tombstones(2014)

    Executive Producer

    Midcredits score: 58th percentile of all films

  • Begin Again(2013)

    Executive Producer

    Midcredits score: 91st percentile of all films

  • Alien Abduction(2014)

    Executive Producer

    Midcredits score: 18th percentile of all films

  • The Quiet Ones(2014)

    Producer

    Midcredits score: 12th percentile of all films

  • Parkland(2013)

    Executive Producer

    Midcredits score: 54th percentile of all films

  • Rush(2013)

    Executive Producer

    Midcredits score: 99th percentile of all films

  • Snitch(2013)

    Executive Producer

    Midcredits score: 51st percentile of all films

  • 1(2013)

    Producer

    Midcredits score: 95th percentile of all films

  • So Undercover(2012)

    Producer

    Midcredits score: 27th percentile of all films

  • End of Watch(2012)

    Executive Producer

    Midcredits score: 95th percentile of all films

  • The Woman in Black(2012)

    Executive Producer

    Midcredits score: 55th percentile of all films

  • Undefeated(2011)

    Executive Producer

    Midcredits score: 96th percentile of all films

  • The Ides of March(2011)

    Executive Producer

    Midcredits score: 82nd percentile of all films

  • The Resident(2011)

    Producer

    Midcredits score: 19th percentile of all films

  • The Way Back(2010)

    Executive Producer

    Midcredits score: 88th percentile of all films

  • Let Me In(2010)

    Producer

    Midcredits score: 83rd percentile of all films

  • Possession(2009)

    Producer

    Midcredits score: 24th percentile of all films

  • Amazing Journey: The Story of the Who(2007)

    Executive Producer

    Midcredits score: 97th percentile of all films

  • Suspect Zero(2004)

    Executive Producer

    Midcredits score: 29th percentile of all films

  • Mindhunters(2004)

    Executive Producer

    Midcredits score: 52nd percentile of all films

  • Masked and Anonymous(2003)

    Executive Producer

    Midcredits score: 29th percentile of all films

  • Terminator 3: Rise of the Machines(2003)

    Executive Producer

    Midcredits score: 52nd percentile of all films

  • The Life of David Gale(2003)

    Executive Producer

    Midcredits score: 88th percentile of all films

  • National Security(2003)

    Executive Producer

    Midcredits score: 28th percentile of all films

  • Dark Blue(2002)

    Executive Producer

    Midcredits score: 62nd percentile of all films

  • The Quiet American(2002)

    Executive Producer

    Midcredits score: 83rd percentile of all films

  • K-19: The Widowmaker(2002)

    Executive Producer

    Midcredits score: 68th percentile of all films

  • Iris(2001)

    Executive Producer

    Midcredits score: 79th percentile of all films

  • Blow Dry(2001)

    Executive Producer

    Midcredits score: 49th percentile of all films

  • The Wedding Planner(2001)

    Executive Producer

    Midcredits score: 25th percentile of all films

  • Enigma(2001)

    Executive Producer

    Midcredits score: 58th percentile of all films

  • Up at the Villa(2000)

    Co-Executive Producer

    Midcredits score: 38th percentile of all films

  • Where the Money Is(2000)

    Executive Producer

    Midcredits score: 47th percentile of all films

  • Love's Labour's Lost(2000)

    Executive Producer

    Midcredits score: 37th percentile of all films

  • Company Man(2000)

    Producer

    Midcredits score: 19th percentile of all films

  • Advice from a Caterpillar(1999)

    Executive Producer

    Midcredits score: 14th percentile of all films

  • Whatever Happened to Harold Smith?(1999)

    Producer

    Midcredits score: 56th percentile of all films

  • Hilary and Jackie(1998)

    Executive Producer

    Midcredits score: 87th percentile of all films

  • Playing by Heart(1998)

    Executive Producer

    Midcredits score: 74th percentile of all films

  • Clay Pigeons(1998)

    Executive Producer

    Midcredits score: 62nd percentile of all films

  • Sliding Doors(1998)

    Executive Producer

    Midcredits score: 68th percentile of all films

  • Larger Than Life(1996)

    Executive Producer

    Midcredits score: 26th percentile of all films

  • Jane Eyre(1996)

    Executive Producer

    Midcredits score: 71st percentile of all films

  • August(1996)

    Producer

    Midcredits score: 30th percentile of all films

  • Head Above Water(1996)

    Producer

    Midcredits score: 39th percentile of all films

  • Moondance(1994)

    Executive Producer

    Midcredits score: 42nd percentile of all films

  • My Family(1995)

    Producer

    Midcredits score: 89th percentile of all films

  • A Man of No Importance(1994)

    Executive Producer

    Midcredits score: 68th percentile of all films

  • Rapa Nui(1994)

    Executive Producer

    Midcredits score: 60th percentile of all films

  • Into the West(1992)

    Co-Executive Producer

    Midcredits score: 79th percentile of all films

Career shape

A full career of 49 titles from 1992 to 2019.

Biggest box office

Terminator 3: Rise of the Machines (2003)

$433M worldwide

Highest rated

The Beatles: Eight Days a Week - The Touring Years (2016)

Midcredits 97th

Most popular right now

Terminator 3: Rise of the Machines (2003)

By role

only this rolewith another role
Producing49 of 49: 49 only producing, 0 with another role · typical Midcredits score60th

By decade

1990s11 · crew2000s19 · crew2010s19 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Guy East's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 56; across their 51 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 51

Approval · how many liked their films

56thpercentile
Typical film, the median of 51

Reach · how many have seen their films

89thpercentile
Typical film, the median of 51

Midcredits score across 56 titles, by percentile

  • 75th and up18
  • 50th to 74th17
  • 25th to 49th14
  • Below 25th7

Shape of the crowd

26 of their 56 titles are Crowd Pleasers.

  • Universally Loved10
  • Cult Classic1
  • Crowd Pleaser26
  • Broadly Agreed8
  • Mixed11

Most divisive · producer

Masked and Anonymous (2003)

71st percentile spread · 30% rated it 4 or lower

Most loved · producer

Rush (2013)

Midcredits 99th · 92% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Guy East's work okay for kids?

Across up to 26 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore20 titles22–87 · median 61 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity26 titles11–61 · median 40 · moderatenear the median of all filmsMedian of all films: 32
Profanity22 titles25–77 · median 57 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs20 titles26–59 · median 36 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense19 titles21–86 · median 61 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Guy East work with?

People who share at least 2 of Guy East's MovieCove titles, grouped by what they did on them; Nigel Sinclair shares the most, 37.

Directors

Writers

Actors

Composers

Producers