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Gregg Easterbrook

Gregg Easterbrook

Cinematographer

Works as
Cinematographer
Titles
9 on MovieCove · 12 credits in all
TMDB popularity, last 63 days to Oct 26Down 17% in 30 days

What are Gregg Easterbrook's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Society.

Themes

share of theme weight
Survival
36%
Society
25%
Power
14%
Bonds
10%
Self
8%
Morality
8%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 1 · Heightened 0

Gentle 1 · Charged 0 · Intense 3

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 1 · Engaged 3 · Full focus 0

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Dread
2
Contemplative
1
Thrilling
1
Hopeful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gregg Easterbrook's films?

As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Gregg Easterbrook's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 9 with a MovieCove page.

  • The Six Triple Eight(2024)

    Camera Operator

    Midcredits score: 73rd percentile of all films
  • Trial by Fire(2018)

    "A" Camera Operator · Camera Operator · Second Unit Director of Photography

    Midcredits score: 84th percentile of all films
  • In Dubious Battle(2016)

    Camera Operator

    Midcredits score: 44th percentile of all films
  • The Disappointments Room(2016)

    "B" Camera Operator

    Midcredits score: 2nd percentile of all films
  • Black Ballerina(2016)

    Cinematographer

    Midcredits score: 78th percentile of all films (provisional, few ratings)
  • Wicked Blood(2014)

    Cinematographer

    Midcredits score: 24th percentile of all films
  • 10 Rules for Sleeping Around(2013)

    Camera Operator

    Midcredits score: 1st percentile of all films
  • Rushlights(2013)

    Cinematographer

    Midcredits score: 47th percentile of all films
  • The Killing Jar(2010)

    Cinematographer

    Midcredits score: 33rd percentile of all films
  • Tooth and Nail (not in the MovieCove catalog yet)(2007)

    Cinematographer

  • Doomsday Man (not in the MovieCove catalog yet)(2000)

    Additional Photography

  • Urban Mythology (not in the MovieCove catalog yet)(2000)

    Cinematographer

Career shape

A full career of 9 titles from 2000 to 2024.

By role

only this rolewith another role
Cinematography4 of 9: 3 only cinematography, 1 with another roleOther crew6 of 9: 5 only other crew, 1 with another role · typical Midcredits score44th

By decade

2000s3 · crew2010s5 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Gregg Easterbrook's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 9; across a limited sample of 4 films with reception data, the typical film sits in the 32nd percentile for acclaim.

Acclaim · how much people like their films

32ndpercentile
Typical film, the median of 4

Approval · how many liked their films

51stpercentile
Typical film, the median of 4

Reach · how many have seen their films

67thpercentile
Typical film, the median of 4

Midcredits score across 9 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th3
  • Below 25th3

Reviewers score the cinematography 52/100 in their films, across 3 reviewed titles; fans 59, detractors 43. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gregg Easterbrook work with?

People who share at least 2 of Gregg Easterbrook's MovieCove titles, grouped by what they did on them; Mark Young shares the most, 2.

Directors

Actors

Composers

Producers