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Nathan Easterling

Nathan Easterling

Editor · Born November 25, 1972 (53)

Nathan Easterling was born on 25 November 1972. He is an editor, known for The Last Thing He Told Me (2023), We Were Liars (2025) and Castle Rock (2018).

Biography from IMDb.

Born
November 25, 1972 (53)
Works as
Editor
Titles
12 on MovieCove · 14 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 31% in 30 days

What are Nathan Easterling's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
34%
Self
23%
Society
17%
Bonds
12%
Power
12%
Morality
2%
Survival3 titles, browse their movies with this themeCommunity2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 1 · Serious 1 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 1 · Charged 1 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 0 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Dread
4
Melancholic
2
Joyful
1
Absurd
1
Other
1

How their films linger

Unsettling5 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy1
  • Bittersweet1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nathan Easterling's films?

As of October 24, 2026, 10 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for Nathan Easterling's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 12 with a MovieCove page.

  • Off Campus(2026)

    Show 2 episodes · Editor

    Midcredits score: 89th percentile of all shows

  • The Last Thing He Told Me(2023)

    Show 4 episodes · Editor

    Midcredits score: 23rd percentile of all shows

  • Lisey's Story(2021)

    Show 2 episodes · Editor

    Midcredits score: 11th percentile of all shows

  • Dare Me(2019)

    Show Editor

    Midcredits score: 45th percentile of all shows

  • The Body (not in the MovieCove catalog yet)(2018)

    Editor

  • Paralyzed (not in the MovieCove catalog yet)(2012)

    Editor

  • Private Valentine: Blonde & Dangerous(2008)

    Editor

    Midcredits score: 17th percentile of all films

  • Day of the Dead(2008)

    Editor

    Midcredits score: 7th percentile of all films

  • Hollow Man II(2006)

    Editor

    Midcredits score: 4th percentile of all films

  • The Breed(2006)

    Editor

    Midcredits score: 16th percentile of all films

  • Cursed(2005)

    Assistant Editor

    Midcredits score: 17th percentile of all films

  • Scream 3(2000)

    Assistant Editor

    Midcredits score: 34th percentile of all films

  • River Made to Drown In(1997)

    Second Second Assistant Director

    Midcredits score: 20th percentile of all films

  • Wishmaster(1997)

    Assistant Editor

    Midcredits score: 40th percentile of all films

Career shape

A full career of 13 titles from 1997 to 2026.

Biggest box office

The Breed (2006)

$1.7M worldwide

Highest rated

Dare Me (2019)

Midcredits 45th

Most popular right now

Lisey's Story (2021)

By role

only this rolewith another role
Editing9 of 13: 9 only editing, 0 with another role · typical Midcredits score16thOther crew4 of 13: 4 only other crew, 0 with another role

By decade

1990s2 · crew2000s6 · crew2010s2 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Nathan Easterling's films land?

Their typical MovieCove film has a Midcredits score in the 17th percentile, the median of all 8; across a limited sample of 4 films with reception data, the typical film sits in the 16th percentile for acclaim.

Acclaim · how much people like their films

16thpercentile
Typical film, the median of 4

Approval · how many liked their films

10thpercentile
Typical film, the median of 4

Reach · how many have seen their films

90thpercentile
Typical film, the median of 4

Midcredits score across 12 titles, by percentile

  • 75th and up1
  • 25th to 49th3
  • Below 25th8

Shape of the crowd

9 of their 12 titles are Mixed.

  • Crowd Pleaser1
  • Broadly Agreed2
  • Mixed9

Most divisive · editor

Private Valentine: Blonde & Dangerous (2008)

74th percentile spread · 48% rated it 4 or lower

Most loved · editor

Off Campus (2026)

Midcredits 89th · 85% liked

Reviewers score the pacing 46/100 in their films, across 4 reviewed titles; fans 63, detractors 30. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Nathan Easterling's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore4 titlesmedian 77 · intenseMedian of all films: 44
Sex & Nudity4 titlesmedian 43 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Nathan Easterling work with?

People who share at least 2 of Nathan Easterling's MovieCove titles, grouped by what they did on them; Steve Miner shares the most, 2.

Directors

Composers and cinematographers

Producers