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Hanns Eckelkamp

Producer · Born February 28, 1927 (99) · Münster, Germany

Born
February 28, 1927 (99)
From
Münster, Germany
Works as
Producer
Titles
6 on MovieCove · 10 credits in all
TMDB popularity, last 38 days to Oct 27Down 32% in 30 days

What are Hanns Eckelkamp's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Power and Ideas.

Themes

share of theme weight
Power
35%
Ideas
26%
Morality
22%
Self
13%
Society
5%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 1 · Dark 3

A split, not a type: Grounded 1 · Stylized 1 · Heightened 3

A split, not a type: Gentle 1 · Charged 1 · Intense 3

A split, not a type: Steady 3 · Shifting 1 · Whiplash 1

A split, not a type: Straight-faced 4 · Some laughs 0 · Funny 1

A split, not a type: Slow burn 4 · Even-paced 0 · Relentless 1

Casual 2 · Engaged 2 · Full focus 1

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 2

Resolved 1 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Melancholic
3
Contemplative
2
Manic
1
Cold
1
Other
2

How their films end · 1 with a twist

  • Bittersweet1
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hanns Eckelkamp's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (4).

Subscription and free streaming for Hanns Eckelkamp's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 6 with a MovieCove page.

  • Rosa Luxemburg(1986)

    Thanks

    Midcredits score: 76th percentile of all films
  • The Cop & the Girl (not in the MovieCove catalog yet)(1985)

    Producer

  • Erendira(1983)

    Producer

    Midcredits score: 66th percentile of all films
  • Lola(1981)

    Co-Producer

    Midcredits score: 91st percentile of all films
  • Wie die Weltmeister (not in the MovieCove catalog yet)(1981)

    Co-Producer

  • Theo Against the Rest of the World (not in the MovieCove catalog yet)(1980)

    Co-Producer

  • Midcredits score: 96th percentile of all films
  • Satan's Brew(1976)

    Producer

    Midcredits score: 70th percentile of all films
  • People of Tomorrow (not in the MovieCove catalog yet)(1964)

    Producer

  • The Endless Night(1963)

    Producer

    Midcredits score: 72nd percentile of all films

Career shape

A full career of 8 titles from 1963 to 1986.

By role

only this rolewith another role
Producing7 of 8: 7 only producing, 0 with another roleOther crew1 of 8: 1 only other crew, 0 with another role

By decade

1960s2 · crew1970s1 · crew1980s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Hanns Eckelkamp's films land?

Their typical MovieCove film has a Midcredits score in the 74th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 76th percentile for acclaim.

Acclaim · how much people like their films

76thpercentile
Typical film, the median of 5

Approval · how many liked their films

71stpercentile
Typical film, the median of 5

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 5

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 50th to 74th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hanns Eckelkamp work with?

People who share at least 2 of Hanns Eckelkamp's MovieCove titles, grouped by what they did on them; Rainer Werner Fassbinder shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles