Robert Gordon Edwards

What are Robert Gordon Edwards' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert Gordon Edwards' films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.

• HBO Max1 title, browse their movies on this service
  • The Night Porter (1974) · producer
• The Criterion Channel1 title, browse their movies on this service
  • The Night Porter (1974) · producer

Subscription and free streaming for Robert Gordon Edwards' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 5 with a MovieCove page.

• 

  Il Conte Max (not in the MovieCove catalog yet)(1991)

  Delegated Producer
• 

  The Adventures of Baron Munchausen(1988)

  Executive In Charge Of Production

  Midcredits score: 87th percentile of all films87^th
• 

  Beyond Good and Evil(1977)

  Producer

  Midcredits score: 55th percentile of all films55^th
• 

  The Night Porter(1974)

  Producer

  Midcredits score: 68th percentile of all films68^th
• 

  Ludwig(1973)

  Executive Producer

  Midcredits score: 92nd percentile of all films92^nd
• 

  Death in Venice(1971)

  Executive Producer

  Midcredits score: 87th percentile of all films87^th

Career shape

A full career of 6 titles from 1971 to 1991.

Biggest box office

Death in Venice (1971)

$16K worldwide

Highest rated

Ludwig (1973)

Midcredits 92^nd

Most popular right now

The Night Porter (1974)

How do Robert Gordon Edwards' films land?

Their typical MovieCove film has a Midcredits score in the 87^th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 76^th percentile for acclaim.

Shape of the crowd

3 of their 5 titles are Crowd Pleasers.

131

• Universally Loved1
• Crowd Pleaser3
• Mixed1

Most divisive · producer

Beyond Good and Evil (1977)

61^st percentile spread · 19% rated it 4 or lower

Most loved · producer

Ludwig (1973)

Midcredits 92^nd · 80% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Robert Gordon Edwards work with?

People who share at least 2 of Robert Gordon Edwards' MovieCove titles, grouped by what they did on them; Liliana Cavani shares the most, 2.