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Karl Ehrlich

Producer · Died February 8, 1962, aged 65 · Wien, Austria

Born
October 17, 1896
Died
February 8, 1962 (aged 65)
From
Wien, Austria
Works as
Producer
Titles
5 on MovieCove · 18 credits in all

What are Karl Ehrlich's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 1 · Dark 0

Grounded 1 · Stylized 3 · Heightened 0

Gentle 4 · Charged 0 · Intense 0

Steady 4 · Shifting 0 · Whiplash 0

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 4 · Even-paced 0 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Romantic
4
Warm
4
Joyful
2
Melancholic
1
Bittersweet
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Karl Ehrlich's films?

As of October 24, 2026, all 5 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Karl Ehrlich's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 5 with a MovieCove page.

  • Die Halbzarte (not in the MovieCove catalog yet)(1959)

    Production Manager

  • The House of the Three Girls (not in the MovieCove catalog yet)(1958)

    Producer

  • Midcredits score: 73rd percentile of all films
  • Scherben bringen Glück (not in the MovieCove catalog yet)(1957)

    Producer

  • Midcredits score: 75th percentile of all films
  • Sissi(1955)

    Producer

    Midcredits score: 85th percentile of all films
  • Die Deutschmeister (not in the MovieCove catalog yet)(1955)

    Executive Producer

  • The Story of Vickie(1954)

    Producer · Production Manager

    Midcredits score: 59th percentile of all films
  • Du bist die Welt für mich (not in the MovieCove catalog yet)(1953)

    Producer

  • April 1, 2000 (not in the MovieCove catalog yet)(1952)

    Executive Producer

  • Vienna Waltzes (not in the MovieCove catalog yet)(1951)

    Producer

  • Der Seelenbräu (not in the MovieCove catalog yet)(1950)

    Producer

  • The Angel with the Trumpet (not in the MovieCove catalog yet)(1948)

    Producer

  • Silhouettes (not in the MovieCove catalog yet)(1936)

    Production Director

  • Lover Divine (not in the MovieCove catalog yet)(1933)

    Production Manager

  • The Upright Sinner (not in the MovieCove catalog yet)(1931)

    Production Manager

  • Berlin-Alexanderplatz: The Story of Franz Biberkopf (not in the MovieCove catalog yet)(1931)

    Production Manager

  • The Hands of Orlac(1924)

    Production Manager

    Midcredits score: 81st percentile of all films

Career shape

A full career of 18 titles from 1924 to 1959.

By role

only this rolewith another role
Producing12 of 18: 11 only producing, 1 with another roleOther crew7 of 18: 6 only other crew, 1 with another role

By decade

1920s1 · crew1930s4 · crew1940s1 · crew1950s12 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Karl Ehrlich's films land?

Their typical MovieCove film has a Midcredits score in the 75th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 4

Approval · how many liked their films

65thpercentile
Typical film, the median of 4

Reach · how many have seen their films

84thpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up3
  • 50th to 74th2

Shape of the crowd

None of their 5 titles divides audiences: 5 are Crowd Pleasers.

  • Crowd Pleaser5

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Karl Ehrlich work with?

People who share at least 2 of Karl Ehrlich's MovieCove titles, grouped by what they did on them; Ernst Marischka shares the most, 4.

Directors

Actors

Composers, cinematographers and editors