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MovieCove

Egon Eis

Writer

Works as
Writer
Titles
10 on MovieCove · 33 credits in all
TMDB popularity, last 38 days to Oct 27Down 20% in 30 days

What are Egon Eis' films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
66%
Bonds
13%
Power
8%
Ideas
7%
Self
4%
Society
3%

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 4 · Dark 0

A split, not a type: Grounded 7 · Stylized 2 · Heightened 1

Gentle 3 · Charged 5 · Intense 2

Steady 7 · Shifting 3 · Whiplash 0

Straight-faced 1 · Some laughs 7 · Funny 2

Slow burn 4 · Even-paced 4 · Relentless 2

Casual 4 · Engaged 4 · Full focus 2

Resolved 8 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Warm
4
Thrilling
4
Joyful
2
Absurd
1
Other
3

How their films end · 6 with a twist

  • Happy8
  • Bittersweet2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Egon Eis' films?

As of October 24, 2026, 5 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Egon Eis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 10 with a MovieCove page.

  • The Train Killer (not in the MovieCove catalog yet)(1983)

    Writer

  • Midcredits score: 29th percentile of all films
  • The White Spider (not in the MovieCove catalog yet)(1963)

    Writer

  • Er kanns nicht lassen(1962)

    Screenplay

    Midcredits score: 67th percentile of all films
  • The Inn on the River(1962)

    Screenplay

    Midcredits score: 63rd percentile of all films
  • Secret of the Red Orchid(1962)

    Screenplay

    Midcredits score: 25th percentile of all films
  • Midcredits score: 21st percentile of all films
  • Dead Eyes of London(1961)

    Screenplay

    Midcredits score: 55th percentile of all films
  • The Red Circle(1960)

    Screenplay

    Midcredits score: 42nd percentile of all films
  • Face of the Frog(1959)

    Screenplay

    Midcredits score: 52nd percentile of all films
  • Phantom of the Big Tent (not in the MovieCove catalog yet)(1954)

    Writer

  • Mujeres que trabajan (not in the MovieCove catalog yet)(1953)

    Story

  • The Port of the Seven Sins (not in the MovieCove catalog yet)(1951)

    Associate Producer · Story

  • Canasta Uruguaya (not in the MovieCove catalog yet)(1951)

    Writer

  • Girls in Uniform (not in the MovieCove catalog yet)(1951)

    Writer

  • Midcredits score: 28th percentile of all films (provisional, few ratings)
  • Huellas del pasado (not in the MovieCove catalog yet)(1950)

    Screenplay

  • El rencor de la tierra (not in the MovieCove catalog yet)(1949)

    Writer

  • La dama del velo (not in the MovieCove catalog yet)(1949)

    Writer

  • Midcredits score: 51st percentile of all films (provisional, few ratings)
  • Algo flota sobre el agua (not in the MovieCove catalog yet)(1948)

    Writer

  • Embrujo antillano (not in the MovieCove catalog yet)(1946)

    Writer

  • Prison Without Bars (not in the MovieCove catalog yet)(1938)

    Writer

  • Coup de feu à l'aube (not in the MovieCove catalog yet)(1932)

    Writer

  • A Shot at Dawn (not in the MovieCove catalog yet)(1932)

    Writer

  • Victoria and Her Hussar (not in the MovieCove catalog yet)(1931)

    Writer

  • Trapeze (not in the MovieCove catalog yet)(1931)

    Writer

  • The Squeeker (not in the MovieCove catalog yet)(1931)

    Screenplay

  • Express 13 (not in the MovieCove catalog yet)(1931)

    Writer

  • Perpetrator Wanted (not in the MovieCove catalog yet)(1931)

    Screenplay

  • The Copper (not in the MovieCove catalog yet)(1930)

    Screenplay

  • The Shot in the Talker Studio (not in the MovieCove catalog yet)(1930)

    Writer

  • The Tiger Murder Case (not in the MovieCove catalog yet)(1930)

    Writer

Career shape

A full career of 33 titles from 1930 to 1983.

By role

only this rolewith another role
Writing33 of 33: 32 only writing, 1 with another role · typical Midcredits score47thProducing1 of 33: 0 only producing, 1 with another role

By decade

1930s11 · crew1940s5 · crew1950s8 · crew1960s8 · crew1980s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Egon Eis' films land?

Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 10

Approval · how many liked their films

34thpercentile
Typical film, the median of 10

Reach · how many have seen their films

44thpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 50th to 74th5
  • 25th to 49th4
  • Below 25th1

Reviewers score the dialogue 38/100 and the plot and story 48/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Egon Eis work with?

People who share at least 2 of Egon Eis' MovieCove titles, grouped by what they did on them; Edgar Wallace shares the most, 6.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers