Egon Eis
- Writer
- 10 on MovieCove · 33 credits in all
What are Egon Eis' films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 8
Light 6 · Serious 4 · Dark 0
A split, not a type: Grounded 7 · Stylized 2 · Heightened 1
Gentle 3 · Charged 5 · Intense 2
Steady 7 · Shifting 3 · Whiplash 0
Straight-faced 1 · Some laughs 7 · Funny 2
Slow burn 4 · Even-paced 4 · Relentless 2
Casual 4 · Engaged 4 · Full focus 2
Easy watch 9 · Affecting 1 · Heavy 0
Resolved 8 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy8
- Bittersweet2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Egon Eis' films?
As of October 24, 2026, 5 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Egon Eis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
33 credits, 10 with a MovieCove page.

The Train Killer (not in the MovieCove catalog yet)(1983)

The Inn on Dartmoor(1964)
Midcredits score: 29th percentile of all films
The White Spider (not in the MovieCove catalog yet)(1963)

Er kanns nicht lassen(1962)
Midcredits score: 67th percentile of all films
The Inn on the River(1962)
Midcredits score: 63rd percentile of all films
Secret of the Red Orchid(1962)
Midcredits score: 25th percentile of all films
The Devil's Daffodil(1961)
Midcredits score: 21st percentile of all films
Dead Eyes of London(1961)
Midcredits score: 55th percentile of all films
The Red Circle(1960)
Midcredits score: 42nd percentile of all films
Face of the Frog(1959)
Midcredits score: 52nd percentile of all films
Phantom of the Big Tent (not in the MovieCove catalog yet)(1954)

Mujeres que trabajan (not in the MovieCove catalog yet)(1953)

The Port of the Seven Sins (not in the MovieCove catalog yet)(1951)

Canasta Uruguaya (not in the MovieCove catalog yet)(1951)

Girls in Uniform (not in the MovieCove catalog yet)(1951)

Yo quiero ser tonta(1950)
Midcredits score: 28th percentile of all films (provisional, few ratings)
Huellas del pasado (not in the MovieCove catalog yet)(1950)

El rencor de la tierra (not in the MovieCove catalog yet)(1949)

La dama del velo (not in the MovieCove catalog yet)(1949)

La casa de la Troya(1948)
Midcredits score: 51st percentile of all films (provisional, few ratings)
Algo flota sobre el agua (not in the MovieCove catalog yet)(1948)

Embrujo antillano (not in the MovieCove catalog yet)(1946)

Prison Without Bars (not in the MovieCove catalog yet)(1938)

Coup de feu à l'aube (not in the MovieCove catalog yet)(1932)

A Shot at Dawn (not in the MovieCove catalog yet)(1932)

Victoria and Her Hussar (not in the MovieCove catalog yet)(1931)

Trapeze (not in the MovieCove catalog yet)(1931)

The Squeeker (not in the MovieCove catalog yet)(1931)

Express 13 (not in the MovieCove catalog yet)(1931)

Perpetrator Wanted (not in the MovieCove catalog yet)(1931)

The Copper (not in the MovieCove catalog yet)(1930)

The Shot in the Talker Studio (not in the MovieCove catalog yet)(1930)

The Tiger Murder Case (not in the MovieCove catalog yet)(1930)
Career shape
A full career of 33 titles from 1930 to 1983.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Egon Eis' films land?
Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 58th percentile for acclaim.
- 50th to 74th5
- 25th to 49th4
- Below 25th1
Shape of the crowd
4 of their 10 titles are Crowd Pleasers.
- Crowd Pleaser4
- Broadly Agreed4
- Mixed2
Reviewers score the dialogue 38/100 and the plot and story 48/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Egon Eis work with?
People who share at least 2 of Egon Eis' MovieCove titles, grouped by what they did on them; Edgar Wallace shares the most, 6.
Directors
- Alfred VohrerShared titles: The Inn on the River (1962), Dead Eyes of London (1961)See all 2 shared titles with Alfred Vohrer
Writers
- Edgar WallaceShared titles: Secret of the Red Orchid (1962), The Inn on the River (1962), Dead Eyes of London (1961), The Devil's Daffodil (1961), The Red Circle (1960), Face of the Frog (1959)See all 6 shared titles with Edgar Wallace

- Gerhard F. HummelShared titles: The Inn on the River (1962), The Devil's Daffodil (1961)See all 2 shared titles with Gerhard F. Hummel
- Manuel AltolaguirreShared titles: Yo quiero ser tonta (1950), La casa de la Troya (1948)See all 2 shared titles with Manuel Altolaguirre
Actors
- Eddi ArentShared titles: Secret of the Red Orchid (1962), The Inn on the River (1962), Dead Eyes of London (1961), The Red Circle (1960), Face of the Frog (1959)See all 5 shared titles with Eddi Arent

- Joachim FuchsbergerShared titles: The Inn on the River (1962), Dead Eyes of London (1961), The Devil's Daffodil (1961), Face of the Frog (1959)See all 4 shared titles with Joachim Fuchsberger

- Klaus KinskiShared titles: Secret of the Red Orchid (1962), The Inn on the River (1962), Dead Eyes of London (1961), The Devil's Daffodil (1961)See all 4 shared titles with Klaus Kinski

- Fritz RaspShared titles: Secret of the Red Orchid (1962), The Red Circle (1960), Face of the Frog (1959)See all 3 shared titles with Fritz Rasp

Composers, cinematographers and editors
- Peter ThomasShared titles: The Inn on Dartmoor (1964), Secret of the Red Orchid (1962), Face of the Frog (1959)See all 3 shared titles with Peter Thomas

- Karl LöbShared titles: The Inn on the River (1962), Dead Eyes of London (1961)See all 2 shared titles with Karl Löb
- Martin BöttcherShared titles: Er kanns nicht lassen (1962), The Inn on the River (1962)See all 2 shared titles with Martin Böttcher

- Margot JahnShared titles: The Red Circle (1960), Face of the Frog (1959)See all 2 shared titles with Margot Jahn
Producers
- Horst WendlandtShared titles: Secret of the Red Orchid (1962), The Inn on the River (1962), Dead Eyes of London (1961), The Devil's Daffodil (1961)See all 4 shared titles with Horst Wendlandt

- Preben PhilipsenShared titles: The Devil's Daffodil (1961), The Red Circle (1960), Face of the Frog (1959)See all 3 shared titles with Preben Philipsen