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Hillard Elkins

Hillard Elkins

Producer, also actor · Died December 1, 2010, aged 81 · New York City, New York, USA

Hillard Elkins, a producer who broke down sexual barriers and created one of the biggest hits in Broadway history when he brought the erotic revue "Oh! Calcutta!" to the stage which ran for 20 years. Hilly as his friends called him started out in the mail room at William Morris in New York and quickly rose to become a top agent, heading the company's theatrical division. After forming his own company whose clients included Steve McQueen, James Coburn, Robert Culp, Mel Brooks, Charles Strouse and Lee Adams, Sammy Davis Jr. among others he set up as a producer and in short order developed a string of notable plays and films, including the musical "Golden Boy," the film "Alice's Restaurant" and the Broadway premieres of two plays by Athol Fugard which won double Tonys. With Al Goldin he made his Broadway debut in 1962 with "Come On Strong," A Garson Kanin comedy starring Carroll Baker and Van Johnson. He approached Sammy Davis Jr to take the starring role of the violinist turned prizefighter in a musical version of the Clifford Odets play "Golden Boy." He then lured Odets out of retirement to writ the book, which was revised after Odets death in Aug.1963 by William Gibson. It won four Tony nominations for best musical, best actor in a musical, best choreography and best producer of a musical. More seriously he produced the Ibsen plays "Hedda Gabler" and A Doll's House" in London, Broadway and opened the Kennedy Center in Washington with his then wife Claire Bloom. He went on to write his own chapter in the history of the 1960s counterculture when he produced Ken Tynan's musical sex revue "Oh! Calcutta! and with Arthur Penn as director he produced the film version of Arlo Gutherie's "Alice's Restaurant". In 1960 he created his first production company, Elkins Productions International. His frenetic style and knack for juggling multiple theater and film projects simultaneously was captured in the 1972 book "The Producer" an inside look at show business by Christopher Davis. His producing projects over the years included "The Rothschilds" 1970 starring Hal Linden and Jill Clayburgh. Sammy Davis Jr. "Stop the World", Ben Vereen's Pippin, Leonard Bernstein's Candide, The Huberman Festival in Israel, Gore Vidal's Richard Nixon, The Leary-Liddy debates, Quentin Crisp and Georgia Brown in Concert as well as numerous films including the Elaine May-Walter Matthau comedy "A New Leaf" (1971) and "Richard Pryor: Live in Concert(1979)praised by Pauline Kael as probably he greatest of all recorded-performance films. He is survived by his wife Sandi Love, his two sons Johnny and Daniel and granddaughter Ellen.

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Biography from IMDb.

Born
October 18, 1929
Died
December 1, 2010 (aged 81)
From
New York City, New York, USA
Works as
Producer, also actor
Titles
13 on MovieCove · 18 credits in all
TMDB popularity, last 38 days to Oct 27Down 12% in 30 days

What are Hillard Elkins' films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 10 · Stylized 0 · Heightened 2

Gentle 3 · Charged 8 · Intense 1

Steady 5 · Shifting 6 · Whiplash 1

A split, not a type: Straight-faced 8 · Some laughs 2 · Funny 2

Slow burn 8 · Even-paced 4 · Relentless 0

Casual 7 · Engaged 5 · Full focus 0

A split, not a type: Easy watch 6 · Affecting 2 · Heavy 4

Resolved 11 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
7
Tense
5
Contemplative
4
Hopeful
3
Melancholic
3
Other
10

How their films end · 2 with a twist

  • Happy5
  • Bittersweet4
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hillard Elkins' films?

As of October 24, 2026, 6 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Hillard Elkins' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 13 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • For Love of Liberty: The Story of America's Black Patriots (not in the MovieCove catalog yet)(2010)

    Show 2 episodes · Executive Producer

  • Steve McQueen: The Essence of Cool(2005)

    Producer · as Self

    Midcredits score: 84th percentile of all films
  • In His Father's Shoes(1997)

    Executive Producer

    Midcredits score: 54th percentile of all films
  • To Dance with Olivia(1997)

    Executive Producer

    Midcredits score: 59th percentile of all films
  • Sex, Censorship and the Silver Screen (not in the MovieCove catalog yet)(1996)

    Show 6 episodes · Co-Executive Producer

  • Inside (not in the MovieCove catalog yet)(1996)

    Producer

  • Midcredits score: 61st percentile of all films
  • Midcredits score: 24th percentile of all films (provisional, few ratings)
  • A Father for Charlie(1995)

    Executive Producer

    Midcredits score: 73rd percentile of all films
  • Midcredits score: 25th percentile of all films (provisional, few ratings)
  • Midcredits score: 22nd percentile of all films
  • The Deadly Game (not in the MovieCove catalog yet)(1982)

    Producer

  • Pippin: His Life and Times(1982)

    Executive Producer

    Midcredits score: 87th percentile of all films
  • Richard Pryor: Live in Concert (not in the MovieCove catalog yet)(1979)

    Producer

  • A Doll's House(1973)

    Producer

    Midcredits score: 50th percentile of all films
  • Oh! Calcutta!(1972)

    Producer

    Midcredits score: 10th percentile of all films
  • A New Leaf(1971)

    Producer

    Midcredits score: 91st percentile of all films
  • Alice's Restaurant(1969)

    Producer

    Midcredits score: 55th percentile of all films

Career shape

A full career of 15 titles from 1969 to 2010.

By role

only this rolewith another role
Producing15 of 15: 15 only producing, 0 with another role · typical Midcredits score57th

By decade

1960s1 · crew1970s3 · crew1980s2 · crew1990s7 · crew2000s1 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Hillard Elkins' films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 12

Approval · how many liked their films

57thpercentile
Typical film, the median of 12

Reach · how many have seen their films

37thpercentile
Typical film, the median of 12

Midcredits score across 13 titles, by percentile

  • 75th and up3
  • 50th to 74th6
  • 25th to 49th1
  • Below 25th3

Reviewers score the acting 75/100 in their films, across 7 reviewed titles; fans 81, detractors 48. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hillard Elkins work with?

People who share at least 2 of Hillard Elkins' MovieCove titles, grouped by what they did on them; Louis Gossett Jr. shares the most, 6.

Directors

Writers

Actors

Composers and editors

Producers