Guy Elmes
- Writer
- 10 on MovieCove · 22 credits in all
What are Guy Elmes' films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 10
Light 2 · Serious 4 · Dark 4
Grounded 3 · Stylized 7 · Heightened 0
Gentle 1 · Charged 6 · Intense 3
Steady 2 · Shifting 7 · Whiplash 1
Straight-faced 8 · Some laughs 1 · Funny 1
Slow burn 4 · Even-paced 6 · Relentless 0
A split, not a type: Casual 6 · Engaged 2 · Full focus 2
Easy watch 4 · Affecting 5 · Heavy 1
Resolved 9 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy5
- Bittersweet2
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Guy Elmes' films?
As of October 24, 2026, 8 of their 10 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Guy Elmes' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 10 with a MovieCove page.

Double Take(2001)
Midcredits score: 25th percentile of all films
Midcredits score: 29th percentile of all films
White Fang(1973)
Midcredits score: 43rd percentile of all films
The Night Visitor(1971)
Midcredits score: 68th percentile of all films
The Invincible Six (not in the MovieCove catalog yet)(1970)

Submarine X-1(1968)
Midcredits score: 18th percentile of all films
El Greco (not in the MovieCove catalog yet)(1966)

The Mystery of the Indian Temple (not in the MovieCove catalog yet)(1963)

Kali-Yug, Goddess of Vengeance (not in the MovieCove catalog yet)(1963)

Conquered City (not in the MovieCove catalog yet)(1962)

Pontius Pilate (not in the MovieCove catalog yet)(1962)
Stranglehold (not in the MovieCove catalog yet)(1962)

Joseph and His Brethren(1961)
Midcredits score: 26th percentile of all filmsHello London (not in the MovieCove catalog yet)(1960)

Mission in Morocco (not in the MovieCove catalog yet)(1959)

Nor the Moon by Night (not in the MovieCove catalog yet)(1958)

Across the Bridge(1957)
Midcredits score: 84th percentile of all films
Bang! You're Dead (not in the MovieCove catalog yet)(1954)

The Stranger's Hand(1954)
Midcredits score: 38th percentile of all films
Counterspy (not in the MovieCove catalog yet)(1953)

Bad Blonde(1953)
Midcredits score: 27th percentile of all films
Outpost in Malaya(1952)
Midcredits score: 28th percentile of all films
Career shape
A full career of 22 titles from 1952 to 2001.

Biggest box office
Double Take (2001)

Highest rated
Across the Bridge (1957)

Most popular right now
White Fang (1973)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Guy Elmes' films land?
Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 36th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th7
- Below 25th1
Shape of the crowd
5 of their 10 titles are Broadly Agreed.
- Crowd Pleaser2
- Broadly Agreed5
- Mixed3
Reviewers score the dialogue 41/100 and the plot and story 47/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Guy Elmes work with?
People who share at least 2 of Guy Elmes' MovieCove titles, grouped by what they did on them; Graham Greene shares the most, 3.
Directors
- Ken AnnakinShared titles: Across the Bridge (1957), Outpost in Malaya (1952)See all 2 shared titles with Ken Annakin

Writers
- Graham GreeneShared titles: Double Take (2001), Across the Bridge (1957), The Stranger's Hand (1954)See all 3 shared titles with Graham Greene

- Denis FreemanShared titles: Double Take (2001), Across the Bridge (1957)See all 2 shared titles with Denis Freeman
Actors
- Trevor HowardShared titles: The Night Visitor (1971), The Stranger's Hand (1954)See all 2 shared titles with Trevor Howard

Editors
- Alfred RoomeShared titles: Across the Bridge (1957), Outpost in Malaya (1952)See all 2 shared titles with Alfred Roome
Producers
- John StaffordShared titles: Across the Bridge (1957), The Stranger's Hand (1954), Outpost in Malaya (1952)See all 3 shared titles with John Stafford
- Earl St. JohnShared titles: Across the Bridge (1957), Outpost in Malaya (1952)See all 2 shared titles with Earl St. John




