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Albert Elms

Composer · Died October 16, 2009, aged 89 · Milton, Kent, England, UK

Born
February 28, 1920
Died
October 16, 2009 (aged 89)
From
Milton, Kent, England, UK
Works as
Composer
Titles
6 on MovieCove · 25 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 21% in 30 days

What are Albert Elms' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Themes

share of theme weight
Morality
48%
Self
23%
Bonds
14%
Ideas
14%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 4 · Intense 0

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 0 · Shifting 4 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 0 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 3 · Even-paced 1 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Contemplative
2
Dread
1
Thrilling
1
Bittersweet
1

How their films linger

Bittersweet2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Albert Elms' films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Albert Elms' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 6 with a MovieCove page.

  • The Aweful Mr Goodall (not in the MovieCove catalog yet)(1974)

    Show 6 episodes · Composer

  • Love Thy Neighbour (not in the MovieCove catalog yet)(1973)

    Composer

  • The Prisoner(1967)

    Show 17 episodes · Composer

    Midcredits score: 92nd percentile of all shows

  • Bindle (One of Them Days) (not in the MovieCove catalog yet)(1966)

    Composer · Conductor

  • The Young Jacobites (not in the MovieCove catalog yet)(1963)

    Show 3 episodes · Composer

  • The Breaking Point (not in the MovieCove catalog yet)(1961)

    Composer · Conductor

  • Bluebeard's 10 Honeymoons (not in the MovieCove catalog yet)(1960)

    Composer

  • Rockets in the Dunes (not in the MovieCove catalog yet)(1960)

    Composer · Music Director

  • Man Accused (not in the MovieCove catalog yet)(1959)

    Composer

  • The Child and the Killer (not in the MovieCove catalog yet)(1959)

    Composer

  • The Great Van Robbery(1959)

    Composer

    Midcredits score: 20th percentile of all films

  • The Secret Man (not in the MovieCove catalog yet)(1958)

    Composer

  • Links of Justice (not in the MovieCove catalog yet)(1958)

    Composer

  • A Woman Possessed(1958)

    Composer

    Midcredits score: 23rd percentile of all films

  • Moment of Indiscretion (not in the MovieCove catalog yet)(1958)

    Composer

  • A Woman of Mystery (not in the MovieCove catalog yet)(1958)

    Composer

  • Son of a Stranger (not in the MovieCove catalog yet)(1958)

    Composer

  • The Depraved (not in the MovieCove catalog yet)(1957)

    Composer

  • Strangers' Meeting (not in the MovieCove catalog yet)(1957)

    Composer

  • Three Sundays to Live (not in the MovieCove catalog yet)(1957)

    Composer

  • The Man Without a Body (not in the MovieCove catalog yet)(1957)

    Composer

  • Satellite in the Sky(1956)

    Composer

    Midcredits score: 16th percentile of all films

  • Manfish (not in the MovieCove catalog yet)(1956)

    Composer

  • Alias John Preston(1955)

    Composer

    Midcredits score: 18th percentile of all films

  • The Adventures of Robin Hood(1955)

    Show 2 episodes · Composer

    Midcredits score: 71st percentile of all shows

Career shape

A full career of 24 titles from 1955 to 1974.

Highest rated

Satellite in the Sky (1956)

Midcredits 16th

By role

only this rolewith another role
Music24 of 24: 21 only music, 3 with another role · typical Midcredits score23rdOther crew3 of 24: 0 only other crew, 3 with another role

24 titles, 3 with more than one role — music and other crew overlap on 3 of them.

By decade

1950s16 · crew1960s6 · crew1970s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Albert Elms' films land?

Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 26th percentile for acclaim.

Acclaim · how much people like their films

26thpercentile
Typical film, the median of 4

Approval · how many liked their films

19thpercentile
Typical film, the median of 4

Reach · how many have seen their films

17thpercentile
Typical film, the median of 4

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • Below 25th4

Shape of the crowd

None of their 6 titles divides audiences: 2 are Broadly Agreed.

  • Universally Loved1
  • Crowd Pleaser1
  • Broadly Agreed2
  • Mixed2

Most loved · composer

The Prisoner (1967)

Midcredits 92nd · 88% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Albert Elms work with?

People who share at least 2 of Albert Elms' MovieCove titles, grouped by what they did on them; Edward J. Danziger shares the most, 4.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles