
Daniel Emilfork
Actor · Died October 17, 2006, aged 82 · Providencia, Santiago, Metropolitan Region, Chile
Daniel Emilfork Berenstein (April 7, 1924 – October 17, 2006) was a Chilean stage and film actor. Emilfork was born in Providencia, Chile after his Jewish socialist parents from Kiev fled a pogrom in Odessa. At age 25, he left Chile and settled in France, because, according to his friend Alejandro Jodorowsky, he didn't feel comfortable being a homosexual man in Chile. Emilfork's face was out of the norm and had made him a choice character actor for films such as The City of Lost Children (1995). He specialized in roles of villains. Previously he had played in The Devil's Nightmare (1971), Travels with My Aunt (1972) and Fellini's Casanova (1976), in Roman Polanski's Pirates (1986) and in Taxandria (1994). He carried on acting up until his death, his last film appearing in 2007. Emilfork's voice and accent when speaking French was extremely striking and unique. He died in Paris, France. Description above from the Wikipedia article Daniel Emilfork licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- April 7, 1924
- October 17, 2006 (aged 82)
- Providencia, Santiago, Metropolitan Region, Chile
- Actor
- 20 on MovieCove · 61 credits in all
Known for
What are Daniel Emilfork's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
A split, not a type: Ironic 3 · Wry 2 · Earnest 7
A split, not a type: Light 7 · Serious 1 · Dark 4
A split, not a type: Grounded 1 · Stylized 4 · Heightened 7
Gentle 5 · Charged 5 · Intense 2
Steady 5 · Shifting 5 · Whiplash 2
Straight-faced 4 · Some laughs 4 · Funny 4
Slow burn 9 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 8 · Full focus 1
Easy watch 8 · Affecting 3 · Heavy 1
A split, not a type: Resolved 5 · Open-ended 1 · Ambiguous 6
Roles they play
- Shadowas Krank in The City of Lost Children (1995)
Moods and endings
- Happy4
- Bittersweet3
- Tragic1
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daniel Emilfork's films?
As of October 24, 2026, 3 of their 20 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Daniel Emilfork's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
61 credits, 20 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

The Accursed Kings (not in the MovieCove catalog yet)(2005)

Taxandria (not in the MovieCove catalog yet)(1996)
Midcredits score: 92nd percentile of all films
The Flying Dutchman (not in the MovieCove catalog yet)(1995)

Lou Didn’t Say No (not in the MovieCove catalog yet)(1994)

The First Circle (not in the MovieCove catalog yet)(1992)

Halloween Monster Bash (not in the MovieCove catalog yet)(1991)

The Tribulations of Balthazar Kober (not in the MovieCove catalog yet)(1988)

La Fée Carabine (not in the MovieCove catalog yet)(1988)
Riviera (not in the MovieCove catalog yet)(1987)

The Passage (not in the MovieCove catalog yet)(1986)

Pirates(1986)
Midcredits score: 44th percentile of all films
The Beautiful Prisoner(1983)
Midcredits score: 56th percentile of all films
The Apartment Murders (not in the MovieCove catalog yet)(1982)
Midcredits score: 46th percentile of all films
Subversion (not in the MovieCove catalog yet)(1979)
Midcredits score: 57th percentile of all films
The Thief of Baghdad(1978)
Midcredits score: 38th percentile of all films
Fellini's Casanova(1976)
Midcredits score: 80th percentile of all films
Chéri-Bibi (not in the MovieCove catalog yet)(1974)

Travels with My Aunt(1972)
Midcredits score: 53rd percentile of all films
Kill! Kill! Kill! Kill!(1971)
Midcredits score: 17th percentile of all films
The Devil's Nightmare (not in the MovieCove catalog yet)(1971)

Noon and Midnight (not in the MovieCove catalog yet)(1970)
Reportage sur un squelette ou Masques et bergamasques (not in the MovieCove catalog yet)(1970)

The Hand (not in the MovieCove catalog yet)(1969)

Graf Yoster gibt sich die Ehre (not in the MovieCove catalog yet)(1967)

The Unknown Man of Shandigor (not in the MovieCove catalog yet)(1967)

Lotosblüten für Miss Quon (not in the MovieCove catalog yet)(1967)

Trans-Europ-Express(1966)
Midcredits score: 79th percentile of all films
Lady L(1965)
Midcredits score: 27th percentile of all films
Dis-moi qui tuer(1965)
Midcredits score: 2nd percentile of all films (provisional, few ratings)
The Liquidator(1965)
Midcredits score: 40th percentile of all films
L'Or du duc (not in the MovieCove catalog yet)(1965)

Le commissaire mène l’enquête (not in the MovieCove catalog yet)(1965)

What's New Pussycat(1965)
Midcredits score: 45th percentile of all films
Mission to Venice (not in the MovieCove catalog yet)(1964)

Jeff Gordon, Secret Agent (not in the MovieCove catalog yet)(1964)

L'assassin viendra ce soir (not in the MovieCove catalog yet)(1964)

Nutty, Naughty Chateau (not in the MovieCove catalog yet)(1963)

OSS 117 Is Unleashed (not in the MovieCove catalog yet)(1963)

Ballad for a Hoodlum (not in the MovieCove catalog yet)(1963)

Seul... à corps perdu (not in the MovieCove catalog yet)(1963)

Who Stole the Body?(1963)
Midcredits score: 6th percentile of all films (provisional, few ratings)
The Doll (not in the MovieCove catalog yet)(1962)

Le rendez-vous de minuit(1962)
Midcredits score: 29th percentile of all films (provisional, few ratings)
The Triumph of Michael Strogoff (not in the MovieCove catalog yet)(1961)

Danger in the Middle East (not in the MovieCove catalog yet)(1960)

Pantalaskas (not in the MovieCove catalog yet)(1960)

Riff Raff Girls (not in the MovieCove catalog yet)(1959)

Goha(1958)
Midcredits score: 35th percentile of all films
The Motorcycle Cops (not in the MovieCove catalog yet)(1959)

Hardboiled Egg Time (not in the MovieCove catalog yet)(1958)

Sans famille (not in the MovieCove catalog yet)(1958)

The Parisian(1957)
Midcredits score: 46th percentile of all films
The Spies (not in the MovieCove catalog yet)(1957)

No Sun in Venice (not in the MovieCove catalog yet)(1957)

Girl on the Third Floor (not in the MovieCove catalog yet)(1955)

Frou-Frou (not in the MovieCove catalog yet)(1955)

School for Love(1955)
Midcredits score: 14th percentile of all films
Tower of Lust(1955)
Midcredits score: 25th percentile of all films
Career shape
Star power in the 93rd percentile of 239,109 people with a billed film role, over a full career of 61 titles from 1955 to 2005; peak year 1995.
Film career
Peak 1995 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1957Screen debut· The Spies
- 1995Career best· The City of Lost Children
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Daniel Emilfork's films land?
Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 20; across their 12 films with reception data, the typical film sits in the 46th percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th10
- Below 25th4
Shape of the crowd
8 of their 20 titles are Mixed.
- Universally Loved1
- Universally Panned2
- Crowd Pleaser4
- Broadly Agreed5
- Mixed8
Reviewers score the acting 68/100 in their films, across 8 reviewed titles; fans 79, detractors 40. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Daniel Emilfork work with?
People who share at least 2 of Daniel Emilfork's MovieCove titles, grouped by what they did on them; Michel Auclair shares the most, 3.
Directors
- Alain Robbe-GrilletShared titles: The Beautiful Prisoner (1983), Trans-Europ-Express (1966)See all 2 shared titles with Alain Robbe-Grillet

Actors
- Michel AuclairShared titles: The Beautiful Prisoner (1983), Deux heures moins le quart avant Jésus-Christ (1982), Le rendez-vous de minuit (1962)See all 3 shared titles with Michel Auclair

- Darry CowlShared titles: Deux heures moins le quart avant Jésus-Christ (1982), Who Stole the Body? (1963)See all 2 shared titles with Darry Cowl

Editors
- Bob WadeShared titles: The Beautiful Prisoner (1983), Trans-Europ-Express (1966)See all 2 shared titles with Bob Wade
Producers
- Anatole DaumanShared titles: The Beautiful Prisoner (1983), Le rendez-vous de minuit (1962)See all 2 shared titles with Anatole Dauman
