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Thom Enriquez

Writer

Works as
Writer
Titles
12 on MovieCove · 15 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 5% in 30 days

What are Thom Enriquez's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
32%
Bonds
25%
Morality
15%
Survival
11%
Ideas
11%
Society
7%
Self-worth2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeRedemption2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 0 · Stylized 3 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 5 · Intense 0

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 4 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 0 · Some laughs 3 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 4 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Triumphant
3
Joyful
3
Tense
2
Hopeful
2
Bittersweet
2
Other
5

How their films linger

Hopeful5 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end

  • Happy4
  • Bittersweet1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Thom Enriquez's films?

As of October 24, 2026, 11 of their 12 MovieCove titles stream on a subscription or free service, most on Disney+ (10).

Also on these channels

Subscription and free streaming for Thom Enriquez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 12 with a MovieCove page.

  • Over the Hedge(2006)

    Storyboard Artist

    Midcredits score: 72nd percentile of all films

  • Brother Bear(2003)

    Story

    Midcredits score: 81st percentile of all films

  • Dinosaur(2000)

    Head of Story

    Midcredits score: 58th percentile of all films

  • Mulan(1998)

    Story

    Midcredits score: 97th percentile of all films

  • Hercules(1997)

    Writer

    Midcredits score: 93rd percentile of all films

  • The Lion King(1994)

    Story

    Midcredits score: 99th percentile of all films

  • Trail Mix-Up (not in the MovieCove catalog yet)(1993)

    Visual Development

  • Beauty and the Beast(1991)

    Layout

    Midcredits score: 98th percentile of all films

  • The Prince and the Pauper(1990)

    Animation Director · Art Direction

    Midcredits score: 80th percentile of all films

  • Roller Coaster Rabbit (not in the MovieCove catalog yet)(1990)

    Producer

  • The Little Mermaid(1989)

    Storyboard

    Midcredits score: 94th percentile of all films

  • Tummy Trouble(1989)

    Art Direction

    Midcredits score: 83rd percentile of all films

  • Ghostbusters II(1989)

    Production Illustrator

    Midcredits score: 66th percentile of all films

  • Back to Neverland (not in the MovieCove catalog yet)(1989)

    Production Design · Story

  • Gummi Bears(1985)

    Show 1 episode · Storyboard

    Midcredits score: 72nd percentile of all shows

Career shape

A full career of 14 titles from 1985 to 2006.

Biggest box office

The Lion King (1994)

$979M worldwide

Highest rated

The Lion King (1994)

Midcredits 99th

By role

only this rolewith another role
Writing7 of 14: 6 only writing, 1 with another role · typical Midcredits score88thProducing1 of 14: 1 only producing, 0 with another roleOther crew7 of 14: 6 only other crew, 1 with another role · typical Midcredits score80th

By decade

1980s5 · crew1990s6 · crew2000s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Thom Enriquez's films land?

Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of all 11; across their 5 films with reception data, the typical film sits in the 93rd percentile for acclaim.

Acclaim · how much people like their films

93rdpercentile
Typical film, the median of 5

Approval · how many liked their films

89thpercentile
Typical film, the median of 5

Reach · how many have seen their films

99thpercentile
Typical film, the median of 5

Midcredits score across 12 titles, by percentile

  • 75th and up8
  • 50th to 74th4

Shape of the crowd

None of their 12 titles divides audiences: 8 are Crowd Pleasers.

  • Universally Loved4
  • Crowd Pleaser8

Most loved · writer

The Lion King (1994)

Midcredits 99th · 93% liked

Reviewers score the dialogue 60/100 and the plot and story 51/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Thom Enriquez's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity, profanity and alcohol & drugs run lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles36–49 · median 41 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity5 titles6–26 · median 16 · mildlighter than most filmsMedian of all films: 32
Profanity5 titles3–8 · median 4 · minimallighter than most filmsMedian of all films: 36
Alcohol & Drugs5 titles2–15 · median 5 · minimallighter than most filmsMedian of all films: 33
Frightening / Intense5 titles40–63 · median 48 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Thom Enriquez work with?

People who share at least 2 of Thom Enriquez's MovieCove titles, grouped by what they did on them; Don Dougherty shares the most, 3.

Writers

Actors

Editors

Producers

Mixed roles