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Moctesuma Esparza

Moctesuma Esparza

Producer, also actor · Born March 12, 1949 (77) · Los Angeles, California, USA

Oscar nominee · Primetime Emmy nominee

Moctesuma Esparza (born March 12, 1949) is an American producer, entertainment executive, entrepreneur and community activist. He is the chief executive officer of Maya Cinemas, a theater chain servicing to the United States Latino audience. He is also a partner with Carolyn Caldera in the company Esparza/Caldera Entertainment. He founded film distribution and production company Maya Entertainment in 2007. Esparza is a promoter of Latino films, and many of his films focus on Chicano themes. He has produced over twenty films, several of them for television, and has won over 200 awards. A participant in the 1960s-era movement for the civil rights and equality of Mexican Americans, Esparza continues to work with educational, cultural, and professional organizations, especially those that aim to educate Latinos in the business of media production.

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Biography from TMDB.

Born
March 12, 1949 (77)
From
Los Angeles, California, USA
Works as
Producer, also actor
Titles
19 on MovieCove · 25 credits in all
TMDB popularity, last 156 days to Oct 27Down 44% in 30 days

What are Moctesuma Esparza's films like?

Across their 19 MovieCove titles with a thematic analysis, their films lean Morality and Society.

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 8 · Serious 5 · Dark 6

Grounded 9 · Stylized 9 · Heightened 1

Gentle 2 · Charged 14 · Intense 3

A split, not a type: Steady 10 · Shifting 6 · Whiplash 3

A split, not a type: Straight-faced 10 · Some laughs 4 · Funny 5

Slow burn 7 · Even-paced 11 · Relentless 1

A split, not a type: Casual 9 · Engaged 8 · Full focus 2

A split, not a type: Easy watch 8 · Affecting 6 · Heavy 5

Resolved 14 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Absurd
5
Melancholic
6
Joyful
5
Hopeful
3
Other
21

How their films end · 4 with a twist

  • Happy5
  • Bittersweet9
  • Tragic2
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Moctesuma Esparza's films?

As of October 24, 2026, 10 of their 19 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for Moctesuma Esparza's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 19 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Midcredits score: 31st percentile of all films
  • The Dreamer Cinderella(2026)

    Executive Producer

    Midcredits score: 72nd percentile of all films (provisional, few ratings)
  • Due Justice(2023)

    Producer

    Midcredits score: 8th percentile of all films
  • Como Caído Del Cielo(2019)

    Producer

    Midcredits score: 73rd percentile of all films
  • Taco Shop(2018)

    Producer

    Midcredits score: 7th percentile of all films
  • Without Men(2011)

    Executive Producer

    Midcredits score: 4th percentile of all films
  • Midcredits score: 18th percentile of all films
  • One Hot Summer (not in the MovieCove catalog yet)(2009)

    Executive Producer

  • Hoxsey: When Healing Becomes a Crime (not in the MovieCove catalog yet)(2005)

    Co-Producer

  • Gods and Generals(2003)

    Executive Producer

    Midcredits score: 47th percentile of all films
  • Introducing Dorothy Dandridge(1999)

    Executive Producer

    Midcredits score: 79th percentile of all films
  • Butter(1998)

    Executive Producer

    Midcredits score: 11th percentile of all films
  • Selena(1997)

    Producer

    Midcredits score: 83rd percentile of all films
  • Death in Granada(1996)

    Producer · as Angry Man

    Midcredits score: 45th percentile of all films
  • The Avenging Angel(1995)

    Executive Producer

    Midcredits score: 36th percentile of all films
  • The Cisco Kid(1994)

    Executive Producer · as Bishop

    Midcredits score: 27th percentile of all films
  • Gettysburg(1993)

    Producer

    Midcredits score: 93rd percentile of all films
  • The Ambulance(1990)

    Producer

    Midcredits score: 42nd percentile of all films
  • Midcredits score: 75th percentile of all films
  • The Telephone(1988)

    Producer

    Midcredits score: 14th percentile of all films
  • Radioactive Dreams(1984)

    Producer

    Midcredits score: 47th percentile of all films
  • The Ballad of Gregorio Cortez (not in the MovieCove catalog yet)(1983)

    Producer

  • American Playhouse (not in the MovieCove catalog yet)(1982)

    Show 1 episode · Producer

  • Villa Alegre (not in the MovieCove catalog yet)(1974)

    Show 65 episodes · Producer

  • Desert Runner (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 23 titles, 22 of them dated from 1974 to 2025.

By role

only this rolewith another role
Acting2 of 23: 0 only acting, 2 with another roleProducing23 of 23: 21 only producing, 2 with another role · typical Midcredits score42nd

By decade

1970s1 · crew1980s5 · crew1990s8 · 2 acting · 8 crew2000s3 · crew2010s2 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

2 major nominations and no wins, 1978–2000.

  1. 2000
    • Primetime Emmy, nominated · Outstanding Made for Television Movie
  2. 1978
    • Oscar, nominated · Best Documentary, Short Subjects

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Moctesuma Esparza's films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 19; across their 19 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 19

Approval · how many liked their films

41stpercentile
Typical film, the median of 19

Reach · how many have seen their films

62ndpercentile
Typical film, the median of 19

Midcredits score across 19 titles, by percentile

  • 75th and up4
  • 50th to 74th2
  • 25th to 49th7
  • Below 25th6

Shape of the crowd

11 of their 19 titles are Mixed.

  • Universally Loved1
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser4
  • Broadly Agreed1
  • Mixed11

Reviewers score the acting 63/100 in their films, across 17 reviewed titles; fans 76, detractors 36. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Moctesuma Esparza's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 29 · mildMedian of all films: 32
Profanity3 titlesmedian 45 · moderateMedian of all films: 36

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Moctesuma Esparza work with?

People who share at least 2 of Moctesuma Esparza's MovieCove titles, grouped by what they did on them; Robert Katz shares the most, 9.

Actors

Composers and cinematographers

Producers