Robin Estridge
Writer · Died October 24, 2002, aged 82 · London, England, UK
- May 1, 1920
- October 24, 2002 (aged 82)
- London, England, UK
- Writer
- 8 on MovieCove · 18 credits in all
What are Robin Estridge's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 2 · Serious 3 · Dark 3
A split, not a type: Grounded 6 · Stylized 1 · Heightened 1
Gentle 0 · Charged 4 · Intense 4
Steady 4 · Shifting 4 · Whiplash 0
Straight-faced 7 · Some laughs 1 · Funny 0
Slow burn 4 · Even-paced 4 · Relentless 0
Casual 1 · Engaged 7 · Full focus 0
Easy watch 3 · Affecting 3 · Heavy 2
Resolved 7 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet2
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robin Estridge's films?
As of October 24, 2026, 2 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Robin Estridge's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 8 with a MovieCove page.
Day of the Assassin (not in the MovieCove catalog yet)(1979)
The Professionals (not in the MovieCove catalog yet)(1977)
Permission to Kill (not in the MovieCove catalog yet)(1975)
Eye of the Devil(1966)
Midcredits score: 50th percentile of all films
The Boy Cried Murder (not in the MovieCove catalog yet)(1966)
The Soldier(1966)
Midcredits score: 17th percentile of all films (provisional, few ratings)
Drums of Africa(1963)
Midcredits score: 4th percentile of all films
Escape from Zahrain (not in the MovieCove catalog yet)(1962)
No Kidding (not in the MovieCove catalog yet)(1960)
North West Frontier(1959)
Midcredits score: 82nd percentile of all films
Dublin Nightmare (not in the MovieCove catalog yet)(1958)
Dangerous Exile(1957)
Midcredits score: 21st percentile of all films
Campbell's Kingdom(1957)
Midcredits score: 55th percentile of all films
Checkpoint (not in the MovieCove catalog yet)(1956)
Above Us the Waves(1955)
Midcredits score: 65th percentile of all films
Break in the Circle(1955)
Midcredits score: 5th percentile of all films
The Young Lovers (not in the MovieCove catalog yet)(1954)
A Day to Remember (not in the MovieCove catalog yet)(1953)
Career shape
A full career of 18 titles from 1953 to 1979.
Biggest box office
Eye of the Devil (1966)
Highest rated
North West Frontier (1959)
Most popular right now
Eye of the Devil (1966)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Robin Estridge's films land?
Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 75th and up1
- 50th to 74th3
- Below 25th4
Shape of the crowd
3 of their 8 titles are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed2
- Mixed3
Reviewers score the dialogue 37/100 and the plot and story 45/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Robin Estridge work with?
People who share at least 2 of Robin Estridge's MovieCove titles, grouped by what they did on them; Earl St. John shares the most, 4.
Directors
- J. Lee ThompsonShared titles: Eye of the Devil (1966), North West Frontier (1959)See all 2 shared titles with J. Lee Thompson
- Ralph ThomasShared titles: Campbell's Kingdom (1957), Above Us the Waves (1955)See all 2 shared titles with Ralph Thomas
Actors
- James Robertson JusticeShared titles: Campbell's Kingdom (1957), Above Us the Waves (1955)See all 2 shared titles with James Robertson Justice
Cinematographers and editors
- Frederick WilsonShared titles: North West Frontier (1959), Campbell's Kingdom (1957)See all 2 shared titles with Frederick Wilson
- Geoffrey UnsworthShared titles: North West Frontier (1959), Dangerous Exile (1957)See all 2 shared titles with Geoffrey Unsworth
- Ernest StewardShared titles: Campbell's Kingdom (1957), Above Us the Waves (1955)See all 2 shared titles with Ernest Steward
Producers
- Earl St. JohnShared titles: North West Frontier (1959), Campbell's Kingdom (1957), Dangerous Exile (1957), Above Us the Waves (1955)See all 4 shared titles with Earl St. John
- Philip N. KrasneShared titles: The Soldier (1966), Drums of Africa (1963)See all 2 shared titles with Philip N. Krasne