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William Faris

Editor, producer and writer

Works as
Editor, producer and writer
Titles
4 on MovieCove · 11 credits in all
TMDB popularity, last 38 days to Oct 27Up 63% in 30 days

What are William Faris' films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 2 · Dark 0

Grounded 3 · Stylized 0 · Heightened 0

Gentle 3 · Charged 0 · Intense 0

A split, not a type: Steady 2 · Shifting 0 · Whiplash 1

Straight-faced 1 · Some laughs 2 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Absurd
2
Thrilling
1
Dread
1
Hopeful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch William Faris' films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for William Faris' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 4 with a MovieCove page.

  • Midcredits score: 76th percentile of all films
  • Five Bloody Graves (not in the MovieCove catalog yet)(1969)

    Editor

  • Ma Barker's Killer Brood (not in the MovieCove catalog yet)(1960)

    Producer

  • Guns Don't Argue!(1957)

    Producer · Writer

    Midcredits score: 8th percentile of all films
  • Killers from Space(1954)

    Editor

    Midcredits score: 2nd percentile of all films
  • Popular Science L-7-4 (not in the MovieCove catalog yet)(1948)

    Editor

  • Doctor Jim (not in the MovieCove catalog yet)(1947)

    Editor

  • Mr. Washington Goes to Town (not in the MovieCove catalog yet)(1942)

    Editor

  • Midcredits score: 15th percentile of all films
  • The Beast of Borneo (not in the MovieCove catalog yet)(1934)

    Editor

  • Aliens from Space (not in the MovieCove catalog yet)

    Film Processor

Career shape

A full career of 10 titles, 9 of them dated from 1934 to 1970.

By role

only this rolewith another role
Writing1 of 10: 0 only writing, 1 with another roleProducing2 of 10: 1 only producing, 1 with another roleEditing7 of 10: 7 only editing, 0 with another roleOther crew1 of 10: 1 only other crew, 0 with another role

By decade

1930s2 · crew1940s3 · crew1950s1 · crew1960s2 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do William Faris' films land?

Their typical MovieCove film has a Midcredits score in the 12th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 15th percentile for acclaim.

Acclaim · how much people like their films

15thpercentile
Typical film, the median of 3

Approval · how many liked their films

3rdpercentile
Typical film, the median of 3

Reach · how many have seen their films

16thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 75th and up1
  • Below 25th3

Reviewers score the pacing 30/100 in their films, across 3 reviewed titles; fans 48, detractors 20. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does William Faris work with?

People who share at least 2 of William Faris' MovieCove titles; Richard C. Kahn shares the most, 2.