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John Feist

Director and writer

Works as
Director and writer
Titles
6 on MovieCove · 7 credits in all

What are John Feist's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Society and Ideas.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 1 · Dark 0

Grounded 5 · Stylized 0 · Heightened 0

Gentle 5 · Charged 0 · Intense 0

Steady 5 · Shifting 0 · Whiplash 0

Straight-faced 4 · Some laughs 1 · Funny 0

Slow burn 4 · Even-paced 1 · Relentless 0

Casual 5 · Engaged 0 · Full focus 0

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
4
Warm
3
Contemplative
3
Joyful
1
Triumphant
1

How their films end

  • Happy4
  • Bittersweet1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Feist's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service, most on Prime Video (5).

Subscription and free streaming for John Feist's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 6 with a MovieCove page.

  • Tanzania: The Royal Tour (not in the MovieCove catalog yet)(2022)

    Show 1 episode · Director

  • Poland: The Royal Tour(2019)

    Director · Writer

    Midcredits score: 91st percentile of all films (provisional, few ratings)
  • Midcredits score: 97th percentile of all films (provisional, few ratings)
  • Ecuador: The Royal Tour(2016)

    Director · Writer

    Midcredits score: 66th percentile of all films (provisional, few ratings)
  • Israel: The Royal Tour(2014)

    Director · Writer

    Midcredits score: 71st percentile of all films
  • Mexico: The Royal Tour(2011)

    Director · Writer

    Midcredits score: 76th percentile of all films (provisional, few ratings)
  • Survivor(2000)

    Show 414 episodes · Producer

    Midcredits score: 62nd percentile of all shows

Career shape

A full career of 4 titles from 2000 to 2022.

By role

only this rolewith another role
Directing3 of 4: 2 only directing, 1 with another roleWriting1 of 4: 0 only writing, 1 with another roleProducing1 of 4: 1 only producing, 0 with another role

By decade

2000s1 · crew2010s2 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do John Feist's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 5

Approval · how many liked their films

80thpercentile
Typical film, the median of 5

Reach · how many have seen their films

1stpercentile
Typical film, the median of 5

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 50th to 74th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does John Feist work with?

People who share at least 2 of John Feist's MovieCove titles, grouped by what they did on them; Gary Pollak shares the most, 4.

Writers

Editors

Producers