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Edward S. Feldman

Producer · Died October 2, 2020, aged 91 · The Bronx, New York, USA

Oscar nominee · Primetime Emmy nominee · BAFTA Award nominee

Edward S. Feldman (September 5, 1929 – October 2, 2020) was an American film and television producer.

Biography from TMDB.

Born
September 5, 1929
Died
October 2, 2020 (aged 91)
From
The Bronx, New York, USA
Works as
Producer
Titles
35 on MovieCove · 42 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Down 20% in 30 days

What are Edward S. Feldman's films like?

Across their 35 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Genres

Drama12 titlesTypical Midcredits score: 48th percentile, at or above their average across these genres
: browse their Drama movies
Comedy7 titlesTypical Midcredits score: 24th percentile
: browse their Comedy movies
Adventure5 titlesTypical Midcredits score: 35th percentile
: browse their Adventure movies
Action3 titlesTypical Midcredits score: 40th percentile
: browse their Action movies
Biography2 titlesTypical Midcredits score: 59th percentile, at or above their average across these genres
: browse their Biography movies
Crime2 titlesTypical Midcredits score: 73rd percentile, at or above their average across these genres
: browse their Crime movies
Horror2 titlesTypical Midcredits score: 46th percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
28%
Survival
22%
Self
22%
Morality
18%
Society
7%
Power
2%
Ideas
1%
Family bonds11 titles, browse their movies with this themeIdentity6 titles, browse their movies with this themeRomantic love5 titles, browse their movies with this themeSacrifice5 titles, browse their movies with this themeJustice5 titles, browse their movies with this themeTrauma5 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeComing of age4 titles, browse their movies with this theme

What they feel like to watch

their average across 34 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 14 · Serious 9 · Dark 11

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 23 · Stylized 6 · Heightened 5

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 6 · Charged 20 · Intense 8

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 13 · Shifting 17 · Whiplash 4

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 17 · Some laughs 12 · Funny 5

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 18 · Even-paced 16 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 16 · Engaged 16 · Full focus 2

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 15 · Affecting 6 · Heavy 13

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 28 · Open-ended 6 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
18
Melancholic
13
Dread
8
Warm
9
Thrilling
10
Other
39

How their films linger

Feel-good13 titles, browse their movies with this aftertasteHopeful10 titles, browse their movies with this aftertasteFun10 titles, browse their movies with this aftertasteHaunting9 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertasteUnsettling6 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy15
  • Bittersweet12
  • Tragic4
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Edward S. Feldman's films?

As of October 24, 2026, 21 of their 35 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Edward S. Feldman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

42 credits, 35 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • The Hitcher: How Do These Movies Get Made? (not in the MovieCove catalog yet)(2003)

    Actor

  • K-19: The Widowmaker(2002)

    Producer

    Midcredits score: 68th percentile of all films

  • 102 Dalmatians(2000)

    Producer

    Midcredits score: 13th percentile of all films

  • The Truman Show(1998)

    Producer

    Midcredits score: 99th percentile of all films

  • 101 Dalmatians(1996)

    Executive Producer

    Midcredits score: 35th percentile of all films

  • The Jungle Book(1994)

    Producer

    Midcredits score: 46th percentile of all films

  • My Father the Hero(1994)

    Executive Producer

    Midcredits score: 24th percentile of all films

  • Honey, I Blew Up the Kid(1992)

    Producer · as Las Vegas Couple (as Ed Feldman)

    Midcredits score: 13th percentile of all films

  • Forever Young(1992)

    Producer

    Midcredits score: 55th percentile of all films

  • The Doctor(1991)

    Executive Producer

    Midcredits score: 76th percentile of all films

  • Green Card(1990)

    Executive Producer

    Midcredits score: 49th percentile of all films

  • Wired (not in the MovieCove catalog yet)(1989)

    Producer

  • Near Dark(1987)

    Executive Producer

    Midcredits score: 78th percentile of all films

  • The Golden Child(1986)

    Producer

    Midcredits score: 40th percentile of all films

  • Hamburger: The Motion Picture(1986)

    Producer

    Midcredits score: 19th percentile of all films

  • The Hitcher(1986)

    Executive Producer

    Midcredits score: 82nd percentile of all films

  • Explorers(1985)

    Producer

    Midcredits score: 60th percentile of all films

  • Midas Valley (not in the MovieCove catalog yet)(1985)

    Executive Producer

  • Obsessed with a Married Woman(1985)

    Executive Producer

    Midcredits score: 30th percentile of all films

  • Witness(1985)

    Producer

    Midcredits score: 91st percentile of all films

  • Hot Dog... The Movie(1984)

    Producer · as Man in Bar (uncredited)

    Midcredits score: 20th percentile of all films

  • Not in Front of the Children (not in the MovieCove catalog yet)(1982)

    Executive Producer

  • The Sender(1982)

    Producer

    Midcredits score: 38th percentile of all films

  • Six Pack(1982)

    Executive Producer

    Midcredits score: 53rd percentile of all films

  • Charles & Diana: A Royal Love Story(1982)

    Producer

    Midcredits score: 10th percentile of all films

  • 300 Miles for Stephanie (not in the MovieCove catalog yet)(1981)

    Executive Producer

  • Flamingo Road (not in the MovieCove catalog yet)(1981)

    Show 37 episodes · Producer

  • The Last Married Couple in America(1980)

    Producer

    Midcredits score: 23rd percentile of all films

  • Valentine (not in the MovieCove catalog yet)(1979)

    Executive Producer

  • King(1978)

    Show 3 episodes · Executive Producer

    Midcredits score: 76th percentile of all shows

  • The Other Side of the Mountain: Part II(1978)

    Producer

    Midcredits score: 56th percentile of all films

  • 21 Hours at Munich(1976)

    Executive Producer

    Midcredits score: 55th percentile of all films

  • Two-Minute Warning(1976)

    Producer

    Midcredits score: 45th percentile of all films

  • Smash-Up on Interstate 5(1976)

    Executive Producer

    Midcredits score: 41st percentile of all films

  • The Other Side of the Mountain(1975)

    Producer

    Midcredits score: 62nd percentile of all films

  • My Father's House(1975)

    Executive Producer

    Midcredits score: 91st percentile of all films (provisional, few ratings)

  • The Stranger Who Looks Like Me(1974)

    Executive Producer

    Midcredits score: 25th percentile of all films (provisional, few ratings)

  • Pioneer Woman(1973)

    Executive Producer

    Midcredits score: 34th percentile of all films

  • Save the Tiger(1973)

    Producer

    Midcredits score: 76th percentile of all films

  • Moon of the Wolf(1972)

    Executive Producer

    Midcredits score: 14th percentile of all films

  • Fuzz(1972)

    Executive Producer

    Midcredits score: 20th percentile of all films

  • What's the Matter with Helen?(1971)

    Executive Producer

    Midcredits score: 54th percentile of all films

Career shape

A full career of 39 titles from 1971 to 2003.

Biggest box office

101 Dalmatians (1996)

$321M worldwide

Highest rated

The Truman Show (1998)

Midcredits 99th

Film career

By role

only this rolewith another role
Acting3 of 39: 1 only acting, 2 with another roleProducing38 of 39: 36 only producing, 2 with another role · typical Midcredits score46th

By decade

1970s13 · crew1980s16 · 1 acting · 16 crew1990s7 · 1 acting · 7 crew2000s3 · 1 acting · 2 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

5 major nominations and no wins, 1977–1999.

  1. 1999
    • BAFTA Award, nominated · Best Film
  2. 1986
    • Oscar, nominated · Best Picture
    • BAFTA Award, nominated · Best Film
  3. 1978
    • Primetime Emmy, nominated · Outstanding Limited Series
  4. 1977
    • Primetime Emmy, nominated · Outstanding Special - Drama or Comedy

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Edward S. Feldman's films land?

Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of all 34; across their 34 films with reception data, the typical film sits in the 49th percentile for acclaim.

Acclaim · how much people like their films

49thpercentile
Typical film, the median of 34

Approval · how many liked their films

42ndpercentile
Typical film, the median of 34

Reach · how many have seen their films

71stpercentile
Typical film, the median of 34

Midcredits score across 35 titles, by percentile

  • 75th and up8
  • 50th to 74th8
  • 25th to 49th10
  • Below 25th9

Shape of the crowd

16 of their 35 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser16
  • Broadly Agreed7
  • Mixed10

Most divisive · producer

Charles & Diana: A Royal Love Story (1982)

85th percentile spread · 41% rated it 4 or lower

Most loved · producer

The Truman Show (1998)

Midcredits 99th · 92% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Edward S. Feldman's work okay for kids?

Across up to 17 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore12 titles13–79 · median 36 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity17 titles9–49 · median 22 · mildnear the median of all filmsMedian of all films: 32
Profanity13 titles28–63 · median 40 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs12 titles19–39 · median 30 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense13 titles11–78 · median 41 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Edward S. Feldman work with?

People who share at least 2 of Edward S. Feldman's MovieCove titles, grouped by what they did on them; Charles Fox shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers