Maurice Fellous
- Cinematographer
- 15 on MovieCove
What are Maurice Fellous' films like?
Across their 15 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
A split, not a type: Ironic 3 · Wry 4 · Earnest 7
A split, not a type: Light 8 · Serious 2 · Dark 5
Grounded 4 · Stylized 8 · Heightened 3
Gentle 2 · Charged 10 · Intense 3
A split, not a type: Steady 8 · Shifting 7 · Whiplash 0
A split, not a type: Straight-faced 5 · Some laughs 4 · Funny 6
Slow burn 5 · Even-paced 8 · Relentless 2
Casual 8 · Engaged 7 · Full focus 0
Easy watch 8 · Affecting 4 · Heavy 3
Resolved 12 · Open-ended 1 · Ambiguous 2
Moods and endings
- Happy7
- Bittersweet3
- Tragic3
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Maurice Fellous' films?
As of October 28, 2026, none of Maurice Fellous' 15 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Maurice Fellous' titles on MovieCove; rent and buy are not counted.
Filmography
15 credits, 15 with a MovieCove page.
Midcredits score: 74th percentile of all films
Faceless(1988)
Midcredits score: 38th percentile of all films
À chacun son enfer(1977)
Midcredits score: 80th percentile of all films
Now We've Seen It All!(1976)
Midcredits score: 41st percentile of all films
Someone Is Bleeding(1974)
Midcredits score: 35th percentile of all films
Some Too Quiet Gentlemen(1973)
Midcredits score: 32nd percentile of all films
Cops Is Cops(1972)
Midcredits score: 47th percentile of all films
The Road to Salina(1970)
Midcredits score: 70th percentile of all films
Pasha(1968)
Midcredits score: 73rd percentile of all films
Jerk à Istanbul(1967)
Midcredits score: 3rd percentile of all films
Let's Not Get Angry(1966)
Midcredits score: 73rd percentile of all films
Dandelions by the Roots(1964)
Midcredits score: 30th percentile of all films
The Great Spy Chase(1964)
Midcredits score: 77th percentile of all films
Crooks in Clover(1963)
Midcredits score: 96th percentile of all films
The Seventh Juror(1962)
Midcredits score: 92nd percentile of all films
Career shape
Across their 15 MovieCove titles from 1962 to 1993.
Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.
How do Maurice Fellous' films land?
Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 15; across their 15 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up4
- 50th to 74th4
- 25th to 49th6
- Below 25th1
Shape of the crowd
None of their 15 titles divides audiences: 7 are Crowd Pleasers.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser7
- Broadly Agreed4
- Mixed2
Reviewers score the cinematography 66/100 in their films, across 9 reviewed titles; fans 72, detractors 40. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Maurice Fellous work with?
People who share at least 2 of Maurice Fellous' MovieCove titles, grouped by what they did on them; Michelle David shares the most, 12.
Directors
- Georges LautnerShared titles: Now We've Seen It All! (1976), Someone Is Bleeding (1974), Some Too Quiet Gentlemen (1973), Cops Is Cops (1972), The Road to Salina (1970), Pasha (1968), Let's Not Get Angry (1966), Dandelions by the Roots (1964), The Great Spy Chase (1964), Crooks in Clover (1963), The Seventh Juror (1962)See all 11 shared titles with Georges Lautner

Writers
- Michel AudiardShared titles: Pasha (1968), Let's Not Get Angry (1966), Dandelions by the Roots (1964), The Great Spy Chase (1964), Crooks in Clover (1963)See all 5 shared titles with Michel Audiard

- Albert SimoninShared titles: Pasha (1968), The Great Spy Chase (1964), Crooks in Clover (1963)See all 3 shared titles with Albert Simonin

- Francis VeberShared titles: Now We've Seen It All! (1976), Cops Is Cops (1972)See all 2 shared titles with Francis Veber

- Albert KantofShared titles: Some Too Quiet Gentlemen (1973), Dandelions by the Roots (1964)See all 2 shared titles with Albert Kantof
Actors
- Robert DalbanShared titles: Some Too Quiet Gentlemen (1973), Cops Is Cops (1972), Pasha (1968), Let's Not Get Angry (1966), Crooks in Clover (1963), The Seventh Juror (1962)See all 6 shared titles with Robert Dalban

- Mireille DarcShared titles: Someone Is Bleeding (1974), Cops Is Cops (1972), Let's Not Get Angry (1966), Dandelions by the Roots (1964), The Great Spy Chase (1964)See all 5 shared titles with Mireille Darc

- Francis BlancheShared titles: Dandelions by the Roots (1964), The Great Spy Chase (1964), Crooks in Clover (1963), The Seventh Juror (1962)See all 4 shared titles with Francis Blanche

- Henri GuybetShared titles: Now We've Seen It All! (1976), Some Too Quiet Gentlemen (1973), Cops Is Cops (1972)See all 3 shared titles with Henri Guybet

Composers and editors
- Michelle DavidShared titles: Now We've Seen It All! (1976), Someone Is Bleeding (1974), Some Too Quiet Gentlemen (1973), Cops Is Cops (1972), The Road to Salina (1970), Pasha (1968), Jerk à Istanbul (1967), Let's Not Get Angry (1966), Dandelions by the Roots (1964), The Great Spy Chase (1964), Crooks in Clover (1963), The Seventh Juror (1962)See all 12 shared titles with Michelle David
- Philippe SardeShared titles: Now We've Seen It All! (1976), Someone Is Bleeding (1974)See all 2 shared titles with Philippe Sarde

- Eddie VartanShared titles: Some Too Quiet Gentlemen (1973), Cops Is Cops (1972)See all 2 shared titles with Eddie Vartan
- Bernard GérardShared titles: The Road to Salina (1970), Let's Not Get Angry (1966)See all 2 shared titles with Bernard Gérard

Producers
- Alain PoiréShared titles: Now We've Seen It All! (1976), Some Too Quiet Gentlemen (1973), Cops Is Cops (1972), Pasha (1968), The Great Spy Chase (1964), Crooks in Clover (1963)See all 6 shared titles with Alain Poiré
