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Ulrich Felsberg

Ulrich Felsberg

Producer · Born January 1, 1952 (74)

Born
January 1, 1952 (74)
Works as
Producer
Titles
27 on MovieCove · 41 credits in all

What are Ulrich Felsberg's films like?

Across their 27 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 27 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 10 · Dark 12

A split, not a type: Grounded 15 · Stylized 8 · Heightened 4

Gentle 7 · Charged 16 · Intense 4

Steady 9 · Shifting 16 · Whiplash 2

Straight-faced 20 · Some laughs 5 · Funny 2

A split, not a type: Slow burn 12 · Even-paced 14 · Relentless 1

Casual 4 · Engaged 20 · Full focus 3

Easy watch 7 · Affecting 12 · Heavy 8

A split, not a type: Resolved 11 · Open-ended 8 · Ambiguous 8

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
15
Contemplative
13
Melancholic
14
Warm
5
Romantic
5
Other
21

How their films end · 1 with a twist

  • Happy3
  • Bittersweet10
  • Tragic3
  • Ambiguous11

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ulrich Felsberg's films?

As of October 24, 2026, 12 of their 27 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Ulrich Felsberg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

41 credits, 27 with a MovieCove page.

  • It's a Free World...(2007)

    Executive Producer

    Midcredits score: 81st percentile of all films
  • The Wind That Shakes the Barley(2006)

    Executive Producer

    Midcredits score: 95th percentile of all films
  • A Fond Kiss(2004)

    Executive Producer

    Midcredits score: 80th percentile of all films
  • The Blues (not in the MovieCove catalog yet)(2003)

    Show 1 episode · Executive Producer

  • The Soul of a Man(2003)

    Producer

    Midcredits score: 85th percentile of all films
  • Deux (not in the MovieCove catalog yet)(2002)

    Producer

  • June Moon (not in the MovieCove catalog yet)(2002)

    Producer

  • Midcredits score: 68th percentile of all films
  • 24 Hours in the Life of a Woman (not in the MovieCove catalog yet)(2002)

    Co-Producer

  • Bend It Like Beckham(2002)

    Executive Producer

    Midcredits score: 72nd percentile of all films
  • Sweet Sixteen(2002)

    Producer

    Midcredits score: 93rd percentile of all films
  • Midcredits score: 85th percentile of all films
  • Bunuel and King Solomon's Table (not in the MovieCove catalog yet)(2001)

    Producer

  • Me Without You(2001)

    Co-Producer

    Midcredits score: 73rd percentile of all films
  • The Navigators(2001)

    Co-Producer

    Midcredits score: 81st percentile of all films
  • Princesa(2001)

    Producer

    Midcredits score: 61st percentile of all films
  • H3 (not in the MovieCove catalog yet)(2001)

    Producer

  • Liam (not in the MovieCove catalog yet)(2001)

    Co-Producer

  • Bread and Roses(2000)

    Executive Producer

    Midcredits score: 76th percentile of all films
  • The Waiting List (not in the MovieCove catalog yet)(2000)

    Co-Producer

  • Nora (not in the MovieCove catalog yet)(2000)

    Co-Producer

  • The Million Dollar Hotel(2000)

    Executive Producer

    Midcredits score: 40th percentile of all films
  • Gangster No. 1(2000)

    Producer

    Midcredits score: 71st percentile of all films
  • Buena Vista Social Club(1999)

    Executive Producer · Producer

    Midcredits score: 95th percentile of all films
  • Vigo (not in the MovieCove catalog yet)(1998)

    Co-Producer

  • My Name Is Joe(1998)

    Executive Producer

    Midcredits score: 92nd percentile of all films
  • The End of Violence(1997)

    Executive Producer

    Midcredits score: 31st percentile of all films
  • Airbag(1997)

    Co-Producer

    Midcredits score: 75th percentile of all films
  • The Break(1997)

    Producer

    Midcredits score: 27th percentile of all films
  • Carla's Song (not in the MovieCove catalog yet)(1996)

    Co-Producer

  • Le Polygraphe (not in the MovieCove catalog yet)(1996)

    Producer

  • Beyond the Clouds(1995)

    Co-Producer

    Midcredits score: 60th percentile of all films
  • Land and Freedom(1995)

    Executive Producer

    Midcredits score: 94th percentile of all films
  • Guantanamera(1995)

    Producer

    Midcredits score: 74th percentile of all films
  • Lisbon Story(1994)

    Producer

    Midcredits score: 88th percentile of all films
  • Maries Lied(1994)

    Producer

    Midcredits score: 32nd percentile of all films
  • Madregilda (not in the MovieCove catalog yet)(1993)

    Producer

  • Faraway, So Close!(1993)

    Producer

    Midcredits score: 84th percentile of all films
  • The Absence(1992)

    Producer

    Midcredits score: 40th percentile of all films (provisional, few ratings)
  • Midcredits score: 79th percentile of all films
  • Notebook on Cities and Clothes (not in the MovieCove catalog yet)(1989)

    Executive Producer

Career shape

A full career of 34 titles from 1989 to 2007.

By role

only this rolewith another role
Producing34 of 34: 34 only producing, 0 with another role · typical Midcredits score78th

By decade

1980s1 · crew1990s14 · crew2000s19 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ulrich Felsberg's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 27; across their 27 films with reception data, the typical film sits in the 73rd percentile for acclaim.

Acclaim · how much people like their films

73rdpercentile
Typical film, the median of 27

Approval · how many liked their films

76thpercentile
Typical film, the median of 27

Reach · how many have seen their films

78thpercentile
Typical film, the median of 27

Midcredits score across 27 titles, by percentile

  • 75th and up15
  • 50th to 74th7
  • 25th to 49th5

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ulrich Felsberg's work okay for kids?

Across up to 9 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 75 · intenseMedian of all films: 44
Sex & Nudity9 titles27–59 · median 43 · moderateheavier than most filmsMedian of all films: 32
Profanity4 titlesmedian 88 · severeMedian of all films: 36
Alcohol & Drugs3 titlesmedian 43 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 81 · severeMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Ulrich Felsberg work with?

People who share at least 2 of Ulrich Felsberg's MovieCove titles, grouped by what they did on them; Wim Wenders shares the most, 10.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles