George Feltenstein

What are George Feltenstein's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Society and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch George Feltenstein's films?

As of October 24, 2026, 1 of their 13 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for George Feltenstein's titles on MovieCove; rent and buy are not counted.

Filmography

27 credits, 13 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

• 

  North by Northwest: One for the Ages (not in the MovieCove catalog yet)(2009)

  Executive Producer
• 

  1939: Hollywood's Greatest Year(2009)

  Producer

  Midcredits score: 96th percentile of all films96^th
• 

  The Master's Touch: Hitchcock's Signature Style(2009)

  Producer

  Midcredits score: 91st percentile of all films91^st
• 

  Public Enemies: The Golden Age of the Gangster Film(2008)

  Executive Producer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood(2008)

  Producer

  Midcredits score: 86th percentile of all films86^th
• Royal Wedding: June, Judy and Jane (not in the MovieCove catalog yet)(2007)

  Executive Producer
• 

  Brando(2007)

  Thanks

  Midcredits score: 96th percentile of all films96^th
• 

  Stardust: The Bette Davis Story(2006)

  Producer

  Midcredits score: 97th percentile of all films97^th
• 

  Garbo (not in the MovieCove catalog yet)(2005)

  Executive Producer
• 

  The Adventures of Errol Flynn(2005)

  Producer

  Midcredits score: 88th percentile of all films88^th
• 

  Cary Grant: A Class Apart (not in the MovieCove catalog yet)(2004)

  Executive Producer
• 

  Checking Out: Grand Hotel(2004)

  Producer

  Midcredits score: 5th percentile of all films5^th
• Cole Porter in Hollywood: True Love (not in the MovieCove catalog yet)(2003)

  Co-Executive Producer
• Cole Porter in Hollywood: Ça c'est l'amour (not in the MovieCove catalog yet)(2003)

  Co-Executive Producer
• 

  Cole Porter in Hollywood: Satin and Silk (not in the MovieCove catalog yet)(2003)

  Co-Executive Producer
• Cole Porter in Hollywood: Too Darn Hot (not in the MovieCove catalog yet)(2003)

  Executive Producer
• 

  The John Garfield Story(2003)

  Producer

  Midcredits score: 88th percentile of all films88^th
• 

  Joan Crawford: The Ultimate Movie Star(2002)

  Executive Producer

  Midcredits score: 77th percentile of all films77^th
• 

  Added Attractions: The Hollywood Shorts Story(2002)

  Producer

  Midcredits score: 71st percentile of all films (provisional, few ratings)~71^st
• 

  Glorious Technicolor(1998)

  Executive In Charge Of Production · Music Supervisor

  Midcredits score: 91st percentile of all films91^st
• 

  Behind the Scenes with 'Goldfinger' (not in the MovieCove catalog yet)(1995)

  Executive Producer
• 

  The Goldfinger Phenomenon (not in the MovieCove catalog yet)(1995)

  Executive Producer
• 

  Meet Me in St. Louis: The Making of an American Classic (not in the MovieCove catalog yet)(1994)

  Creative Consultant
• 

  You Must Remember This: A Tribute to 'Casablanca' (not in the MovieCove catalog yet)(1992)

  Executive Producer
• 

  Elvis: That's the Way It Is(1970)

  Producer

  Midcredits score: 98th percentile of all films98^th
• 

  Hideous Progeny: The Curse of Frankenstein and the English Gothic Tradition (not in the MovieCove catalog yet)

  Executive Producer
• 

  The Resurrection Men: Hammer, Frankenstein and the Rebirth of the Horror Film (not in the MovieCove catalog yet)

  Executive Producer

Career shape

A full career of 18 titles, 16 of them dated from 1992 to 2009.

Biggest box office

Elvis: That's the Way It Is (1970)

$34K worldwide

Highest rated

Elvis: That's the Way It Is (1970)

Midcredits 98^th

How do George Feltenstein's films land?

Their typical MovieCove film has a Midcredits score in the 88^th percentile, the median of all 13; across their 11 films with reception data, the typical film sits in the 86^th percentile for acclaim.

Shape of the crowd

6 of their 13 titles are Universally Loved.

6232

• Universally Loved6
• Divisive2
• Crowd Pleaser3
• Mixed2

Most divisive · producer

Joan Crawford: The Ultimate Movie Star (2002)

93^rd percentile spread · 28% rated it 4 or lower

Most loved · producer

Elvis: That's the Way It Is (1970)

Midcredits 98^th · 87% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does George Feltenstein work with?

People who share at least 2 of George Feltenstein's MovieCove titles, grouped by what they did on them; Michael Crawford shares the most, 5.