Hai-Feng Wei
- Cinematographer, director and producer
- 3 on MovieCove
What are Hai-Feng Wei's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Morality.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 2 · Serious 0 · Dark 1
A split, not a type: Grounded 1 · Stylized 2 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Hai-Feng Wei's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Hai-Feng Wei's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Not Scared to Die(1973)
Midcredits score: 12th percentile of all films
Police Woman(1973)
Midcredits score: 2nd percentile of all films
Snake Fist Fighter(1973)
Midcredits score: 18th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles in 1973.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Hai-Feng Wei's films land?
Their typical MovieCove film has a Midcredits score in the 12th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 21st percentile for acclaim.
- Below 25th3
Shape of the crowd
2 of their 3 titles are Mixed.
- Universally Panned1
- Mixed2
Reviewers score the cinematography 23/100 in their films, across 3 reviewed titles; fans 37, detractors 13. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Hai-Feng Wei work with?
People who share at least 2 of Hai-Feng Wei's MovieCove titles, grouped by what they did on them; Mu Chu shares the most, 3.
Directors
- Mu ChuShared titles: Not Scared to Die (1973), Police Woman (1973), Snake Fist Fighter (1973)See all 3 shared titles with Mu Chu
Actors
- Jackie ChanShared titles: Not Scared to Die (1973), Police Woman (1973), Snake Fist Fighter (1973)See all 3 shared titles with Jackie Chan
- Chiang NanShared titles: Not Scared to Die (1973), Police Woman (1973)See all 2 shared titles with Chiang Nan
- Qiu YuenShared titles: Not Scared to Die (1973), Police Woman (1973)See all 2 shared titles with Qiu Yuen
Editors
- Wing-Chan LeungShared titles: Not Scared to Die (1973), Police Woman (1973)See all 2 shared titles with Wing-Chan Leung