From Wikipedia, the free encyclopedia Leslie Fenton (12 March 1902 – 25 March 1978) was an English-born American actor and film director. He appeared in 62 films between 1923 and 1945. Fenton was born on 12 March 1902 in Liverpool, Lancashire, England. He moved to America with his mother, Elizabeth Carter, and his brothers when he was six years old. They sailed as steerage passengers on board the R.M.S. Celtic. As a teenager, Leslie worked as an office clerk. He moved to New York and began a career on the stage. His film career began later with Fox Studios. He also directed 19 films between 1938 and 1951. He married American actress Ann Dvorak in 1932. Dvorak (Anna May McKim) moved to Britain with Fenton while he served in the British armed forces during the Second World War. The union was childless and ended in divorce in 1945. Fenton died 25 March 1978 in Montecito, California, aged 76. Some sources, including IMDb, incorrectly cite Frank Fenton, the noted screenwriter and novelist, as his younger brother. Frank Fenton's parents were actually John Fenton and Eveline Edgington (married Liverpool, 1900), as evidenced by the ship's manifest for the RMS Caronia (page 0817, line 0008), aboard which Frank Fenton arrived in the US on 21 April 1906.
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Biography from TMDB.
- March 12, 1902
- March 25, 1978 (aged 76)
- Liverpool, Lancashire, England, UK
- Actor and director
- 19 on MovieCove · 75 credits in all
What are Leslie Fenton's films like?
Across their 18 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 15
Light 12 · Serious 3 · Dark 3
Grounded 11 · Stylized 7 · Heightened 0
Gentle 4 · Charged 13 · Intense 1
A split, not a type: Steady 9 · Shifting 8 · Whiplash 1
Straight-faced 7 · Some laughs 8 · Funny 3
Slow burn 6 · Even-paced 11 · Relentless 1
Casual 7 · Engaged 11 · Full focus 0
Easy watch 11 · Affecting 5 · Heavy 2
Resolved 15 · Open-ended 3 · Ambiguous 0
Roles they play
Usually the Shadow: 2 of 5 analyzed roles.
- Shadowas Duke in Lady Killer (1933)
- Shadowas Gen. Saki Tenoki in Marie Galante (1934)
- Heraldas Tim Winthrop in Star of Midnight (1935)
- Heroas Barry Wilding in The House of Secrets (1936)
- Heraldas Dan Farrow in Boys Town (1938)
Moods and endings
- Happy9
- Bittersweet6
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Leslie Fenton's films?
As of October 24, 2026, 6 of their 19 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Leslie Fenton's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
75 credits, 19 with a MovieCove page.
Midcredits score: 40th percentile of all films
Streets of Laredo(1949)
Midcredits score: 66th percentile of all films
Whispering Smith(1948)
Midcredits score: 71st percentile of all films
Lulu Belle(1948)
Midcredits score: 29th percentile of all films
On Our Merry Way(1948)
Midcredits score: 37th percentile of all films
Saigon (not in the MovieCove catalog yet)(1947)

Pardon My Past (not in the MovieCove catalog yet)(1945)

Tomorrow, the World! (not in the MovieCove catalog yet)(1944)

The Saint's Vacation(1941)
Midcredits score: 29th percentile of all films
The Golden Fleecing(1940)
Midcredits score: 40th percentile of all films
The Man from Dakota (not in the MovieCove catalog yet)(1940)

Stronger Than Desire (not in the MovieCove catalog yet)(1939)

Tell No Tales (not in the MovieCove catalog yet)(1939)

Lady of the Tropics(1939)
Midcredits score: 49th percentile of all films
Boys Town(1938)
Midcredits score: 84th percentile of all films
A Criminal Is Born (not in the MovieCove catalog yet)(1938)

The Forgotten Step (not in the MovieCove catalog yet)(1938)

Miracle Money (not in the MovieCove catalog yet)(1938)

Captain Kidd's Treasure (not in the MovieCove catalog yet)(1938)

Soak the Poor (not in the MovieCove catalog yet)(1937)

China Passage (not in the MovieCove catalog yet)(1937)

The House of Secrets(1936)
Midcredits score: 14th percentile of all films
The Longest Night (not in the MovieCove catalog yet)(1936)

Sworn Enemy (not in the MovieCove catalog yet)(1936)

Murder on a Bridle Path(1936)
Midcredits score: 47th percentile of all films
Two in the Dark(1936)
Midcredits score: 51st percentile of all films
White Lies (not in the MovieCove catalog yet)(1935)

East of Java (not in the MovieCove catalog yet)(1935)

Men Without Names (not in the MovieCove catalog yet)(1935)

Chinatown Squad (not in the MovieCove catalog yet)(1935)

Stolen Harmony (not in the MovieCove catalog yet)(1935)

Star of Midnight(1935)
Midcredits score: 69th percentile of all films
The Casino Murder Case(1935)
Midcredits score: 46th percentile of all films
Strange Wives (not in the MovieCove catalog yet)(1934)

Marie Galante(1934)
Midcredits score: 17th percentile of all films
Fugitive Road (not in the MovieCove catalog yet)(1934)

Take the Stand (not in the MovieCove catalog yet)(1934)

I Believed in You (not in the MovieCove catalog yet)(1934)

Lady Killer(1933)
Midcredits score: 81st percentile of all films
Night Flight (not in the MovieCove catalog yet)(1933)

F.P.1 (not in the MovieCove catalog yet)(1933)

Air Mail (not in the MovieCove catalog yet)(1932)

Thunder Below (not in the MovieCove catalog yet)(1932)

The Strange Love of Molly Louvain (not in the MovieCove catalog yet)(1932)

The Famous Ferguson Case(1932)
Midcredits score: 60th percentile of all films
The Hatchet Man (not in the MovieCove catalog yet)(1932)

The Guilty Generation (not in the MovieCove catalog yet)(1931)

The Pagan Lady (not in the MovieCove catalog yet)(1931)

Murder at Midnight(1931)
Midcredits score: 26th percentile of all films
Kick In (not in the MovieCove catalog yet)(1931)

The Public Enemy(1931)
Midcredits score: 93rd percentile of all films
The Man Who Came Back (not in the MovieCove catalog yet)(1931)

Dynamite (not in the MovieCove catalog yet)(1929)

The Last Performance (not in the MovieCove catalog yet)(1929)

Woman Trap (not in the MovieCove catalog yet)(1929)

Paris Bound (not in the MovieCove catalog yet)(1929)

Broadway (not in the MovieCove catalog yet)(1929)

The Man I Love (not in the MovieCove catalog yet)(1929)

A Dangerous Woman (not in the MovieCove catalog yet)(1929)

Girls Gone Wild (not in the MovieCove catalog yet)(1929)

The Office Scandal (not in the MovieCove catalog yet)(1929)

The First Kiss (not in the MovieCove catalog yet)(1928)

The Drag Net (not in the MovieCove catalog yet)(1928)

The Showdown (not in the MovieCove catalog yet)(1928)

The Gateway of the Moon (not in the MovieCove catalog yet)(1928)

What Price Glory (not in the MovieCove catalog yet)(1926)

Black Paradise (not in the MovieCove catalog yet)(1926)

The Shamrock Handicap (not in the MovieCove catalog yet)(1926)

Sandy (not in the MovieCove catalog yet)(1926)

The Road to Glory (not in the MovieCove catalog yet)(1926)

The Ancient Mariner (not in the MovieCove catalog yet)(1925)

East Lynne (not in the MovieCove catalog yet)(1925)

Lazybones (not in the MovieCove catalog yet)(1925)

Thunder Mountain (not in the MovieCove catalog yet)(1925)

Havoc (not in the MovieCove catalog yet)(1925)
Career shape
Star power in the 79th percentile of 239,109 people with a billed film role, over a full career of 74 titles from 1925 to 1951.
Film career
- 1931Screen debut· The Public Enemy
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Leslie Fenton's films land?
Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 19; across their 18 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up3
- 50th to 74th5
- 25th to 49th9
- Below 25th2
Shape of the crowd
None of their 19 titles divides audiences: 8 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser8
- Broadly Agreed7
- Mixed3
Reviewers score the acting 64/100 in their films, across 18 reviewed titles; fans 74, detractors 41. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Leslie Fenton work with?
People who share at least 2 of Leslie Fenton's MovieCove titles, grouped by what they did on them; Charles Marquis Warren shares the most, 2.
Writers
- Charles Marquis WarrenShared titles: The Redhead and the Cowboy (1951), Streets of Laredo (1949)See all 2 shared titles with Charles Marquis Warren

- Karl KambShared titles: Lulu Belle (1948), Whispering Smith (1948)See all 2 shared titles with Karl Kamb
- Seton I. MillerShared titles: Two in the Dark (1936), Marie Galante (1934)See all 2 shared titles with Seton I. Miller

- Courtney TerrettShared titles: Marie Galante (1934), The Famous Ferguson Case (1932)See all 2 shared titles with Courtney Terrett
Actors
- Ray TealShared titles: The Redhead and the Cowboy (1951), Streets of Laredo (1949)See all 2 shared titles with Ray Teal

- Addison RichardsShared titles: Lulu Belle (1948), Boys Town (1938)See all 2 shared titles with Addison Richards

- Dorothy LamourShared titles: Lulu Belle (1948), On Our Merry Way (1948)See all 2 shared titles with Dorothy Lamour

- William DemarestShared titles: On Our Merry Way (1948), Whispering Smith (1948)See all 2 shared titles with William Demarest

Cinematographers and editors
- Archie MarshekShared titles: Streets of Laredo (1949), Whispering Smith (1948)See all 2 shared titles with Archie Marshek
- Ray RennahanShared titles: Streets of Laredo (1949), Whispering Smith (1948)See all 2 shared titles with Ray Rennahan
- Ernest LaszloShared titles: Lulu Belle (1948), On Our Merry Way (1948)See all 2 shared titles with Ernest Laszlo

- James SmithShared titles: Lulu Belle (1948), On Our Merry Way (1948)See all 2 shared titles with James Smith
Producers
- Benedict BogeausShared titles: Lulu Belle (1948), On Our Merry Way (1948)See all 2 shared titles with Benedict Bogeaus

- William SistromShared titles: The Saint's Vacation (1941), Murder on a Bridle Path (1936)See all 2 shared titles with William Sistrom
Mixed roles
- King VidorShared titles: Streets of Laredo (1949), On Our Merry Way (1948)See all 2 shared titles with King Vidor

- Darryl F. ZanuckShared titles: Lady Killer (1933), The Public Enemy (1931)See all 2 shared titles with Darryl F. Zanuck






