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Liana Ferri

Writer

Works as
Writer
Titles
10 on MovieCove · 44 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 5% in 30 days

What are Liana Ferri's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
40%
Bonds
26%
Self
16%
Power
10%
Society
8%
Romantic love2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 2 · Wry 0 · Earnest 2

Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 2 · Serious 2 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 3 · Intense 0

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 2 · Shifting 1 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 0 · Some laughs 2 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 0 · Even-paced 4 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Absurd
2
Warm
2
Romantic
1
Contemplative
1
Melancholic
1
Other
3

How their films linger

Feel-good2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Liana Ferri's films?

As of October 24, 2026, 3 of their 10 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Liana Ferri's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

44 credits, 10 with a MovieCove page.

  • The Noon Vigilante (not in the MovieCove catalog yet)(1975)

    Script Supervisor

  • Il presidente del Borgorosso Football Club (not in the MovieCove catalog yet)(1970)

    Script Supervisor

  • Come Have Coffee with Us(1970)

    Script Supervisor

    Midcredits score: 69th percentile of all films

  • Tears of Love (not in the MovieCove catalog yet)(1970)

    Script

  • Pensiero d'amore (not in the MovieCove catalog yet)(1969)

    Script Supervisor

  • I Married You for Fun (not in the MovieCove catalog yet)(1967)

    Script Supervisor

  • Io uccido, tu uccidi(1965)

    Script Supervisor

    Midcredits score: 13th percentile of all films

  • Easy Love (not in the MovieCove catalog yet)(1964)

    Script Supervisor

  • Hercules Against the Sons of the Sun (not in the MovieCove catalog yet)(1964)

    Script Supervisor

  • Messalina Against the Son of Hercules (not in the MovieCove catalog yet)(1964)

    Script Supervisor

  • The Reunion (not in the MovieCove catalog yet)(1963)

    Script Supervisor

  • Italienisches Capriccio (not in the MovieCove catalog yet)(1961)

    Writer

  • The Assassin (not in the MovieCove catalog yet)(1961)

    Actor

  • La Notte(1961)

    Script Supervisor

    Midcredits score: 97th percentile of all films

  • Letto a tre piazze(1960)

    as la moglie del portiere

    Midcredits score: 75th percentile of all films

  • Toto in Madrid (not in the MovieCove catalog yet)(1959)

    Script Supervisor

  • Love and Troubles (not in the MovieCove catalog yet)(1958)

    as madre di Teresa e Ivo

  • Toto in Paris (not in the MovieCove catalog yet)(1958)

    Script Supervisor

  • L'uomo dai calzoni corti (not in the MovieCove catalog yet)(1958)

    Screenplay

  • Totò, Vittorio and the Doctor (not in the MovieCove catalog yet)(1957)

    Script Supervisor

  • The Love Specialist (not in the MovieCove catalog yet)(1957)

    Screenplay

  • The Last Violence (not in the MovieCove catalog yet)(1957)

    Story

  • Oh! Sabella (not in the MovieCove catalog yet)(1957)

    Actor

  • The Dollars Are Coming! (not in the MovieCove catalog yet)(1957)

    Script Supervisor

  • Mi permette babbo! (not in the MovieCove catalog yet)(1956)

    Script Supervisor

  • Roman Tales(1955)

    Script Supervisor

    Midcredits score: 23rd percentile of all films

  • Beautiful But Dangerous(1955)

    Screenplay

    Midcredits score: 40th percentile of all films

  • La moglie è uguale per tutti(1955)

    Script Supervisor

    Midcredits score: 15th percentile of all films (provisional, few ratings)

  • Il vetturale del Moncenisio (not in the MovieCove catalog yet)(1954)

    Screenplay

  • Io sono la Primula Rossa (not in the MovieCove catalog yet)(1954)

    Script Supervisor

  • It Happened at the Police Station (not in the MovieCove catalog yet)(1954)

    Script Supervisor

  • Passionately (not in the MovieCove catalog yet)(1954)

    Screenplay

  • Il figlio dell'uomo (not in the MovieCove catalog yet)(1954)

    Dialogue

  • Giuseppe Verdi (not in the MovieCove catalog yet)(1953)

    Screenplay

  • It Happened in the Park(1953)

    Screenplay

    Midcredits score: 35th percentile of all films

  • Cinema of yesteryear (not in the MovieCove catalog yet)(1953)

    Script Supervisor

  • Farewell, My Beautiful Lady! (not in the MovieCove catalog yet)(1953)

    Script Supervisor

  • The Blind Woman of Sorrento (not in the MovieCove catalog yet)(1953)

    Writer

  • Immortal Melodies (not in the MovieCove catalog yet)(1952)

    Writer

  • The Machine to Kill Bad People(1952)

    Screenplay

    Midcredits score: 67th percentile of all films

  • L'invidia (not in the MovieCove catalog yet)(1952)

    Writer

  • The Seven Deadly Sins(1952)

    Screenplay

    Midcredits score: 50th percentile of all films

  • Porca miseria! (not in the MovieCove catalog yet)(1951)

    Script Supervisor

  • Women Without Names (not in the MovieCove catalog yet)(1950)

    Writer

Career shape

A full career of 44 titles from 1950 to 1975.

Highest rated

The Machine to Kill Bad People (1952)

Midcredits 67th

Most popular right now

It Happened in the Park (1953)

Film career

  • 1957Screen debut· Oh! Sabella

By role

only this rolewith another role
Acting4 of 44: 4 only acting, 0 with another roleWriting16 of 44: 16 only writing, 0 with another roleOther crew24 of 44: 24 only other crew, 0 with another role · typical Midcredits score23rd

By decade

1950s29 · 2 acting · 27 crew1960s11 · 2 acting · 9 crew1970s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Liana Ferri's films land?

Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 10; across a limited sample of 4 films with reception data, the typical film sits in the 50th percentile for acclaim.

Acclaim · how much people like their films

50thpercentile
Typical film, the median of 4

Approval · how many liked their films

40thpercentile
Typical film, the median of 4

Reach · how many have seen their films

41stpercentile
Typical film, the median of 4

Midcredits score across 10 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th2
  • Below 25th3

Shape of the crowd

None of their 10 titles divides audiences: 4 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser4
  • Broadly Agreed4
  • Mixed1

Most loved · actor

Letto a tre piazze (1960)

Midcredits 75th · 65% liked

Reviewers score the dialogue 55/100 and the plot and story 48/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Liana Ferri work with?

People who share at least 2 of Liana Ferri's MovieCove titles, grouped by what they did on them; Eduardo De Filippo shares the most, 3.

Directors

Writers

Actors

Composers and cinematographers

Mixed roles