John Ferris
- Editor
- 3 on MovieCove · 12 credits in all
What are John Ferris' films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Ideas.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
Grounded 3 · Stylized 0 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 2 · Full focus 1
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch John Ferris' films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for John Ferris' titles on MovieCove; rent and buy are not counted.
Filmography
12 credits, 3 with a MovieCove page.
Hidden Homicide (not in the MovieCove catalog yet)(1959)
The Nice Americans (not in the MovieCove catalog yet)(1958)
The House in the Woods(1957)
Midcredits score: 33rd percentile of all filmsFabian of the Yard (not in the MovieCove catalog yet)(1954)
The Last Appointment(1954)
Midcredits score: 31st percentile of all films
Death of an Angel (not in the MovieCove catalog yet)(1952)
Never Look Back (not in the MovieCove catalog yet)(1952)
Cloudburst(1951)
Midcredits score: 64th percentile of all films
The Rossiter Case (not in the MovieCove catalog yet)(1951)
The Lady Craved Excitement (not in the MovieCove catalog yet)(1950)
Someone at the Door (not in the MovieCove catalog yet)(1950)
The Man in Black (not in the MovieCove catalog yet)(1950)
Career shape
A full career of 12 titles from 1950 to 1959.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do John Ferris' films land?
Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 35th percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
Shape of the crowd
None of their 3 titles divides audiences: 1 is Crowd Pleaser.
- Crowd Pleaser1
- Broadly Agreed1
- Mixed1
Reviewers score the pacing 48/100 in their films, across 3 reviewed titles; fans 62, detractors 33. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does John Ferris work with?
People who share at least 2 of John Ferris' MovieCove titles; Francis Searle shares the most, 2.
- Francis SearleShared titles: The Last Appointment (1954), Cloudburst (1951)See all 2 shared titles with Francis Searle