Richard Fielder

What are Richard Fielder's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Richard Fielder's films?

As of October 24, 2026, 2 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Sins of the Mother (1991) · writer · free
  • Red River (1988) · writer · free
• Prime Video1 title, browse their movies on this service
  • Sins of the Mother (1991) · writer
• The Roku Channel1 title, browse their movies on this service
  • Sins of the Mother (1991) · writer · free

Subscription and free streaming for Richard Fielder's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

• 

  Stolen Women, Captured Hearts(1997)

  Writer

  Midcredits score: 88th percentile of all films88^th
• 

  Sins of the Mother(1991)

  Writer

  Midcredits score: 52nd percentile of all films52^nd
• 

  Red River(1988)

  Writer

  Midcredits score: 48th percentile of all films48^th
• 

  The Courage and the Passion(1978)

  Writer

  Midcredits score: 60th percentile of all films (provisional, few ratings)~60^th
• 

  Wanted: The Sundance Woman(1976)

  Writer

  Midcredits score: 36th percentile of all films36^th
• 

  The Bull of the West(1972)

  Writer

  Midcredits score: 19th percentile of all films19^th
• 

  Adam's Woman(1970)

  Writer

  Midcredits score: 49th percentile of all films49^th
• 

  Marcus Welby, M.D.(1969)

  Show Writer

  Midcredits score: 47th percentile of all shows47^th
• 

  This Savage Land(1969)

  Writer

  Midcredits score: 26th percentile of all films26^th
• 

  A Distant Trumpet(1964)

  Writer

  Midcredits score: 56th percentile of all films56^th

Career shape

A full career of 1 title in 1970.

Highest rated

Stolen Women, Captured Hearts (1997)

Midcredits 88^th

Most popular right now

Marcus Welby, M.D. (1969)

How do Richard Fielder's films land?

Their typical MovieCove film has a Midcredits score in the 49^th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 48^th percentile for acclaim.

Shape of the crowd

6 of their 10 titles are Mixed.

36

• Cult Classic1
• Crowd Pleaser3
• Mixed6

Most divisive · writer

The Courage and the Passion (1978)

77^th percentile spread · 21% rated it 4 or lower

Most loved · writer

Stolen Women, Captured Hearts (1997)

Midcredits 88^th · 80% liked

Reviewers score the dialogue 38/100 and the plot and story 44/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Richard Fielder work with?

People who share at least 2 of Richard Fielder's MovieCove titles, grouped by what they did on them; Jerry London shares the most, 2.