
Betty Field
Actor · Died September 13, 1973, aged 60 · Boston, Massachusetts, USA
From Wikipedia, the free encyclopedia Betty Field (February 8, 1913 – September 13, 1973) was an American film and stage actress. Through her father, she was a direct descendant of the Pilgrims John Alden and Priscilla Mullins. Born in Boston, Massachusetts to George Field and Katharine Lynch, Field began her acting career on the London stage in Howard Lindsay's farce, She Loves Me Not. Following its run she returned to the United States and appeared in several stage successes, before making her film debut in 1939. Her role as Mae, the sole female character, in Of Mice and Men (1939) established her as a dramatic actress. She starred opposite John Wayne in the 1941 film The Shepherd of the Hills. Field played supporting roles in films such as Kings Row (1942), in which she played a victim of incest, although that fact was not readily apparent due to the heavy censorship of the time. Field preferred performing on Broadway and appeared in Elmer Rice's Dream Girl and Jean Anouilh's The Waltz of the Toreadors, but returned to Hollywood regularly, appearing in Flesh and Fantasy (1943), The Southerner (1945), The Great Gatsby (1949), Picnic (1955), Bus Stop (1956), Peyton Place (1957), BUtterfield 8 (1960) and Birdman of Alcatraz (1962). Her final film role was in Coogan's Bluff in 1968. She also appeared on television. Description above from the Wikipedia article Betty Field, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Read moreShow less
Biography from TMDB.
- February 8, 1913
- September 13, 1973 (aged 60)
- Boston, Massachusetts, USA
- Actor
- 20 on MovieCove · 39 credits in all
What are Betty Field's films like?
Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 13
Light 2 · Serious 6 · Dark 6
Grounded 10 · Stylized 4 · Heightened 0
Gentle 2 · Charged 10 · Intense 2
Steady 5 · Shifting 8 · Whiplash 1
Straight-faced 11 · Some laughs 1 · Funny 2
A split, not a type: Slow burn 9 · Even-paced 4 · Relentless 1
Casual 5 · Engaged 9 · Full focus 0
Easy watch 3 · Affecting 6 · Heavy 5
Resolved 11 · Open-ended 3 · Ambiguous 0
Roles they play
Usually the Ally: 2 of 7 analyzed roles.
Show the 7 rolesHide the roles
- Heraldas Mae Jackson in Of Mice and Men (1939)
- Allyas Sammy Lane in The Shepherd of the Hills (1941)
- Heroas Henrietta in Flesh and Fantasy (1943)
- Allyas Nona Tucker in The Southerner (1945)
- Shapeshifteras Daisy Buchanan in The Great Gatsby (1949)
- Mentoras Flo Owens in Picnic (1955)
- Tricksteras Thelma in How to Save a Marriage and Ruin Your Life (1968)
Moods and endings
- Happy2
- Bittersweet8
- Tragic3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Betty Field's films?
As of October 24, 2026, 10 of their 20 MovieCove titles stream on a subscription or free service, most on Prime Video (7).
Subscription and free streaming for Betty Field's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
39 credits, 20 with a MovieCove page.

Coogan's Bluff(1968)
Midcredits score: 56th percentile of all films
The Outsider (not in the MovieCove catalog yet)(1968)
Midcredits score: 53rd percentile of all films
7 Women(1965)
Midcredits score: 75th percentile of all films
Going My Way (not in the MovieCove catalog yet)(1962)
Midcredits score: 97th percentile of all shows
Sam Benedict (not in the MovieCove catalog yet)(1962)

Birdman of Alcatraz(1962)
Midcredits score: 97th percentile of all films
Ben Casey (not in the MovieCove catalog yet)(1961)

Dr. Kildare (not in the MovieCove catalog yet)(1961)

BUtterfield 8(1960)
Midcredits score: 55th percentile of all films
Route 66(1960)
Midcredits score: 73rd percentile of all shows
Hound-Dog Man (not in the MovieCove catalog yet)(1959)

Naked City(1958)
Midcredits score: 82nd percentile of all shows
Peyton Place(1957)
Midcredits score: 85th percentile of all films
Bus Stop(1956)
Midcredits score: 50th percentile of all films
Picnic(1955)
Midcredits score: 76th percentile of all films
Midcredits score: 96th percentile of all shows
Climax! (not in the MovieCove catalog yet)(1954)

The Loretta Young Show(1953)
Midcredits score: 68th percentile of all shows
General Electric Theater (not in the MovieCove catalog yet)(1953)

Actors and Sin (not in the MovieCove catalog yet)(1952)

Hallmark Hall of Fame (not in the MovieCove catalog yet)(1951)
Lux Video Theatre (not in the MovieCove catalog yet)(1950)

Robert Montgomery Presents (not in the MovieCove catalog yet)(1950)

The Great Gatsby(1949)
Midcredits score: 58th percentile of all films
The Philco Television Playhouse (not in the MovieCove catalog yet)(1948)

The Southerner(1945)
Midcredits score: 83rd percentile of all films
Tomorrow, the World! (not in the MovieCove catalog yet)(1944)

The Great Moment (not in the MovieCove catalog yet)(1944)

Flesh and Fantasy(1943)
Midcredits score: 75th percentile of all films
Are Husbands Necessary? (not in the MovieCove catalog yet)(1942)

Kings Row(1942)
Midcredits score: 90th percentile of all films
Blues in the Night(1941)
Midcredits score: 67th percentile of all films
Midcredits score: 77th percentile of all films
Victory (not in the MovieCove catalog yet)(1940)

Seventeen (not in the MovieCove catalog yet)(1940)

Of Mice and Men(1939)
Midcredits score: 95th percentile of all films
What a Life (not in the MovieCove catalog yet)(1939)
Career shape
Star power in the 95th percentile of 239,109 people with a billed film role, over a full career of 39 titles from 1939 to 1968; peak year 1961.
Film career
Peak 1961 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1939Screen debut· Of Mice and Men
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Betty Field's films land?
Their typical MovieCove film has a Midcredits score in the 75th percentile, the median of all 15; across their 14 films with reception data, the typical film sits in the 71st percentile for acclaim.
- 75th and up12
- 50th to 74th8
Shape of the crowd
14 of their 20 titles are Crowd Pleasers.
- Universally Loved6
- Crowd Pleaser14
Reviewers score the acting 76/100 in their films, across 14 reviewed titles; fans 82, detractors 49. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Betty Field's work okay for kids?
Across up to 5 MovieCove titles with content scores, every category sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Betty Field work with?
People who share at least 2 of Betty Field's MovieCove titles, grouped by what they did on them; Joshua Logan shares the most, 2.
Directors
- Joshua LoganShared titles: Bus Stop (1956), Picnic (1955)See all 2 shared titles with Joshua Logan

Writers
- William IngeShared titles: Bus Stop (1956), Picnic (1955)See all 2 shared titles with William Inge

Actors
- Anna LeeShared titles: 7 Women (1965), Flesh and Fantasy (1943)See all 2 shared titles with Anna Lee

- Mildred DunnockShared titles: 7 Women (1965), BUtterfield 8 (1960)See all 2 shared titles with Mildred Dunnock

- Arthur O'ConnellShared titles: Bus Stop (1956), Picnic (1955)See all 2 shared titles with Arthur O'Connell

- Howard Da SilvaShared titles: The Great Gatsby (1949), Blues in the Night (1941)See all 2 shared titles with Howard Da Silva

Composers, cinematographers and editors
- Elmer BernsteinShared titles: 7 Women (1965), Birdman of Alcatraz (1962)See all 2 shared titles with Elmer Bernstein

- James Wong HoweShared titles: Picnic (1955), Kings Row (1942)See all 2 shared titles with James Wong Howe

- Ellsworth HoaglandShared titles: The Great Gatsby (1949), The Shepherd of the Hills (1941)See all 2 shared titles with Ellsworth Hoagland
Producers
- Hal B. WallisShared titles: Kings Row (1942), Blues in the Night (1941)See all 2 shared titles with Hal B. Wallis



