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MovieCove

João Figueiras

Producer

Works as
Producer
Titles
4 on MovieCove · 31 credits in all

What are João Figueiras' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Society.

Themes

share of theme weight
Self
53%
Society
29%
Survival
12%
Bonds
6%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 1 · Stylized 0 · Heightened 3

Gentle 1 · Charged 2 · Intense 1

A split, not a type: Steady 2 · Shifting 0 · Whiplash 2

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 0 · Full focus 3

Resolved 1 · Open-ended 0 · Ambiguous 3

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Contemplative
3
Melancholic
3
Absurd
2
Dread
2
Tense
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch João Figueiras' films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for João Figueiras' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 4 with a MovieCove page.

  • Cabaret Maxime(2018)

    Co-Producer

    Midcredits score: 44th percentile of all films
  • Self Destructive Boys (not in the MovieCove catalog yet)(2018)

    Producer

  • Sunday (not in the MovieCove catalog yet)(2018)

    Co-Producer

  • Boys On Film 17: Love Is the Drug (not in the MovieCove catalog yet)(2017)

    Producer

  • Flores (not in the MovieCove catalog yet)(2017)

    Producer

  • Yeni Başlayanlar İçin Hayatta Kalma Sanatı (not in the MovieCove catalog yet)(2017)

    Co-Producer

  • In the Interstices of Reality or The Cinema of António de Macedo (not in the MovieCove catalog yet)(2016)

    Producer

  • The Ornithologist(2016)

    Producer

    Midcredits score: 55th percentile of all films
  • Pedro (not in the MovieCove catalog yet)(2016)

    Producer

  • André's Eyes (not in the MovieCove catalog yet)(2015)

    Producer

  • Driving Lesson (not in the MovieCove catalog yet)(2015)

    Producer

  • IEC Long (not in the MovieCove catalog yet)(2015)

    Producer

  • Goodnight Cinderella (not in the MovieCove catalog yet)(2014)

    Associate Producer

  • Versailles (not in the MovieCove catalog yet)(2013)

    Co-Producer

  • Midcredits score: 56th percentile of all films
  • The King's Body (not in the MovieCove catalog yet)(2012)

    Producer

  • Morning of Saint Anthony's Day (not in the MovieCove catalog yet)(2012)

    Producer

  • As the Flames Rose (not in the MovieCove catalog yet)(2012)

    Producer

  • Red Dawn (not in the MovieCove catalog yet)(2011)

    Producer

  • Hell (not in the MovieCove catalog yet)(2011)

    Producer

  • Civil War (not in the MovieCove catalog yet)(2010)

    Producer

  • The Flesh (not in the MovieCove catalog yet)(2010)

    Associate Producer

  • Pickpocket (not in the MovieCove catalog yet)(2010)

    Director

  • Urban Landscape with Girl and Plane (not in the MovieCove catalog yet)(2008)

    Director · Editor · Producer · Writer

  • China, China (not in the MovieCove catalog yet)(2007)

    Producer

  • The Girl with the Dead Hand (not in the MovieCove catalog yet)(2005)

    Producer

  • The Face You Deserve(2004)

    Producer

    Midcredits score: 45th percentile of all films
  • The Girl in the Mirror (not in the MovieCove catalog yet)(2004)

    Producer

  • In Between (not in the MovieCove catalog yet)(2001)

    Producer

  • Christmas Inventory (not in the MovieCove catalog yet)(2000)

    Producer

  • Meanwhile (not in the MovieCove catalog yet)(1999)

    Producer

Career shape

A full career of 31 titles from 1999 to 2018.

By role

only this rolewith another role
Directing2 of 31: 1 only directing, 1 with another roleWriting1 of 31: 0 only writing, 1 with another roleProducing30 of 31: 29 only producing, 1 with another roleEditing1 of 31: 0 only editing, 1 with another role

By decade

1990s1 · crew2000s7 · crew2010s23 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do João Figueiras' films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 4

Approval · how many liked their films

41stpercentile
Typical film, the median of 4

Reach · how many have seen their films

41stpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 50th to 74th2
  • 25th to 49th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does João Figueiras work with?

People who share at least 2 of João Figueiras' MovieCove titles, grouped by what they did on them; Rui Poças shares the most, 3.

Directors

Cinematographers and editors

Producers