Harry Fine

What are Harry Fine's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Harry Fine's films?

As of October 24, 2026, 4 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (4).

• Tubi4 titles, browse their movies on this service
  • Twins of Evil (1971) · producer · free
  • The Vampire Lovers (1970) · writer, producer · free
  • Fright (1971) · producer · free
  • Lust for a Vampire (1971) · producer · free
• Prime Video2 titles, browse their movies on this service
  • Twins of Evil (1971) · producer
  • The Vampire Lovers (1970) · writer, producer
• The Roku Channel2 titles, browse their movies on this service
  • Twins of Evil (1971) · producer · free
  • Lust for a Vampire (1971) · producer · free

Subscription and free streaming for Harry Fine's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 9 with a MovieCove page.

• 

  Twins of Evil(1971)

  Producer

  Midcredits score: 65th percentile of all films65^th
• 

  Fright(1971)

  Producer

  Midcredits score: 35th percentile of all films35^th
• 

  Lust for a Vampire(1971)

  Producer

  Midcredits score: 29th percentile of all films29^th
• 

  The Rise and Rise of Michael Rimmer(1970)

  Producer

  Midcredits score: 75th percentile of all films75^th
• 

  The Vampire Lovers(1970)

  Adaptation · Producer

  Midcredits score: 59th percentile of all films59^th
• 

  The Long Day's Dying(1968)

  Producer

  Midcredits score: 56th percentile of all films56^th
• 

  Up the Junction (not in the MovieCove catalog yet)(1968)

  Associate Producer
• 

  The Penthouse (not in the MovieCove catalog yet)(1967)

  Producer
• 

  Three Bites of the Apple(1967)

  Associate Producer

  Midcredits score: 18th percentile of all films18^th
• 

  The Pleasure Girls (not in the MovieCove catalog yet)(1965)

  Producer
• 

  The Liquidator(1965)

  Producer

  Midcredits score: 40th percentile of all films40^th
• 

  The Sentimental Agent (not in the MovieCove catalog yet)(1963)

  Show 13 episodes · Director · Producer
• 

  Man of the World (not in the MovieCove catalog yet)(1962)

  Show 20 episodes · Producer
• 

  Dublin Nightmare (not in the MovieCove catalog yet)(1958)

  Casting
• 

  The Man Who Knew Too Much(1956)

  as Edington (uncredited)

  Midcredits score: 93rd percentile of all films93^rd
• 

  To Have and to Hold (not in the MovieCove catalog yet)(1951)

  as Robert
• 

  Another Shore (not in the MovieCove catalog yet)(1948)

  as Third Bystander (uncredited)
• 

  The Ghosts of Berkeley Square (not in the MovieCove catalog yet)(1947)

  as 1914 Colonel (uncredited)
• 

  Woman to Woman (not in the MovieCove catalog yet)(1947)

  as Observer
• 

  The Laughing Lady (not in the MovieCove catalog yet)(1946)

  as O'Hara
• 

  Guests of The Nation (not in the MovieCove catalog yet)(1935)

  Actor

Career shape

A full career of 20 titles from 1935 to 1971.

Highest rated

The Rise and Rise of Michael Rimmer (1970)

Midcredits 75^th

Most popular right now

The Vampire Lovers (1970)

How do Harry Fine's films land?

Their typical MovieCove film has a Midcredits score in the 56^th percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 46^th percentile for acclaim.

Shape of the crowd

5 of their 9 titles are Crowd Pleasers.

53

• Crowd Pleaser5
• Broadly Agreed3
• Mixed1

Most divisive · producer

The Long Day's Dying (1968)

51^st percentile spread · 12% rated it 4 or lower

Most loved · actor

The Man Who Knew Too Much (1956)

Midcredits 93^rd · 82% liked

Reviewers score the dialogue 49/100 and the plot and story 44/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Harry Fine's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Harry Fine work with?

People who share at least 2 of Harry Fine's MovieCove titles, grouped by what they did on them; Tudor Gates shares the most, 4.