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Bramwell Fletcher

Bramwell Fletcher

Actor · Died June 22, 1988, aged 84 · Bradford, Yorkshire, England, UK

Bramwell Fletcher was born on February 20, 1904 in Bradford, Yorkshire, England. He was an actor, known for The Mummy (1932), Random Harvest (1942) and The Scarlet Pimpernel (1934). He was married to Lael Tucker Wertenbaker, Susan Robinson, Diana Barrymore and Helen Chandler. He died on June 22, 1988 in Westmoreland, New Hampshire, USA.

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Biography from TMDB.

Born
February 20, 1904
Died
June 22, 1988 (aged 84)
From
Bradford, Yorkshire, England, UK
Works as
Actor
Titles
7 on Motif · 32 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 4% in 30 days

What are Bramwell Fletcher's films like?

Across their 7 Motif titles with a thematic analysis, their films lean Self and Morality.

Genres

Drama4 titlesTypical Midcredits score: 77th percentile, at or above their average across these genres
: browse their Drama movies
Adventure2 titlesTypical Midcredits score: 73rd percentile
: browse their Adventure movies

Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
40%
Morality
22%
Bonds
17%
Power
12%
Survival
5%
Ideas
4%
Identity4 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 2 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 4 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 5 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 3 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 3 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 2 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 2 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 4 · Affecting 2 · Heavy 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 0 · Ambiguous 0

Roles they play

3 analyzed roles
Shadow
1 of 3
Ally
1 of 3
Herald
1 of 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Romantic
3
Melancholic
3
Dread
2
Thrilling
2
Bittersweet
3
Other
5

How their films linger

Bittersweet4 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy3
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bramwell Fletcher's films?

As of October 24, 2026, 4 of their 7 Motif titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Bramwell Fletcher's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 7 with a Motif page.

  • Dark Possession (not in the Motif catalog yet)(1954)

    as Governor Bell

  • Inner Sanctum (not in the Motif catalog yet)(1954)

    Show 1 episode · Actor

  • Confessions of a Nervous Man (not in the Motif catalog yet)(1953)

    as The Producer

  • King Lear (not in the Motif catalog yet)(1953)

    as Earl of Kent

  • General Electric Theater (not in the Motif catalog yet)(1953)

    Show 1 episode · as Mr. Green Mountain

  • Omnibus (not in the Motif catalog yet)(1952)

    Show 1 episode · as Earl of Kent

  • Hallmark Hall of Fame (not in the Motif catalog yet)(1951)

    Show 1 episode · Actor

  • Lux Video Theatre (not in the Motif catalog yet)(1950)

    Show 1 episode · as Doctor · as President Maynard

  • Robert Montgomery Presents (not in the Motif catalog yet)(1950)

    Show 2 episodes · as Dr. Reeves · as Frolio · as Henry Ormonroyd

  • Studio One (not in the Motif catalog yet)(1948)

    Show 4 episodes · as Dr. Alderton · as Governor Bell · as Mr. Wynteringham

  • The Philco Television Playhouse (not in the Motif catalog yet)(1948)

    Show 3 episodes · as Maxim de Winter

  • Immortal Sergeant (not in the Motif catalog yet)(1943)

    as Symes

  • Random Harvest(1942)

    as Harrison

    Midcredits score: 96th percentile of all films

  • White Cargo (not in the Motif catalog yet)(1942)

    as Wilbur Ashley

  • The Undying Monster (not in the Motif catalog yet)(1942)

    as Dr. Jeff Colbert

  • The Scarlet Pimpernel(1934)

    as The Priest

    Midcredits score: 86th percentile of all films

  • The Right To Romance (not in the Motif catalog yet)(1933)

    as Man with the Maceys

  • Only Yesterday (not in the Motif catalog yet)(1933)

    as Scott Hughes

  • The Monkey's Paw (not in the Motif catalog yet)(1933)

    as Herbert

  • The Mummy(1932)

    as Ralph Norton

    Midcredits score: 76th percentile of all films

  • The Face on the Barroom Floor (not in the Motif catalog yet)(1932)

    as Bill Bronson

  • A Bill of Divorcement(1932)

    as Gareth

    Midcredits score: 63rd percentile of all films

  • The Silent Witness (not in the Motif catalog yet)(1932)

    as Anthony Howard

  • Once a Lady (not in the Motif catalog yet)(1931)

    as Allen Corinth

  • Daughter of the Dragon (not in the Motif catalog yet)(1931)

    as Ronald Petrie

  • Men of the Sky (not in the Motif catalog yet)(1931)

    as Eric

  • Svengali(1931)

    as Billee

    Midcredits score: 68th percentile of all films

  • The Millionaire(1931)

    as Carter Andrews

    Midcredits score: 86th percentile of all films

  • Raffles(1930)

    as Bunny

    Midcredits score: 59th percentile of all films

  • So This Is London (not in the Motif catalog yet)(1930)

    as Alfred Honeycutt

  • To What Red Hell (not in the Motif catalog yet)(1929)

    as Jim Nolan

  • Chick (not in the Motif catalog yet)(1928)

    as Chick Beane

Career shape

Star power in the 85th percentile of 239,109 people with a billed film role, over a full career of 32 titles from 1928 to 1954.

Biggest box office

The Scarlet Pimpernel (1934)

$420K worldwide

Highest rated

Random Harvest (1942)

Midcredits 96th

Most popular right now

The Mummy (1932)

Film career

By role

only this rolewith another role
Acting32 of 32: 32 only acting, 0 with another role · typical Midcredits score76th

By decade

1920s2 · acting1930s15 · acting1940s6 · acting1950s9 · acting

Billing

usually 5th · top billed in 0% of 6 roles

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.

How do Bramwell Fletcher's films land?

Their typical Motif film has a Midcredits score in the 76th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 70th percentile for acclaim.

Acclaim · how much people like their films

70thpercentile
Typical film, the median of 7

Approval · how many liked their films

80thpercentile
Typical film, the median of 7

Reach · how many have seen their films

57thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up4
  • 50th to 74th3

Shape of the crowd

None of their 7 titles divides audiences: 5 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser5

Most loved · actor

Random Harvest (1942)

Midcredits 96th · 87% liked

Reviewers score the acting 82/100 in their films, across 7 reviewed titles; fans 86, detractors 56. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Bramwell Fletcher work with?

People who share at least 2 of Bramwell Fletcher's Motif titles, grouped by what they did on them; David Manners shares the most, 3.

Actors