
Anton Floquet
Cinematographer, also director
- Cinematographer, also director
- 15 on MovieCove
What are Anton Floquet's films like?
Across their 15 MovieCove titles with a thematic analysis, their films lean Morality and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 2 · Serious 0 · Dark 1
Grounded 3 · Stylized 0 · Heightened 0
Gentle 0 · Charged 3 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 1 · Funny 1
A split, not a type: Slow burn 2 · Even-paced 0 · Relentless 1
Casual 2 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet5
- Ambiguous8
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Anton Floquet's films?
As of October 24, 2026, 9 of their 15 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Anton Floquet's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 15 with a MovieCove page.
Midcredits score: 57th percentile of all shows
Daughters of the Cult(2024)
Midcredits score: 22nd percentile of all shows
Midcredits score: 22nd percentile of all shows
Hip Hop Treasures(2023)
Midcredits score: 37th percentile of all shows (provisional, few ratings)
Women on Death Row(2023)
Midcredits score: 52nd percentile of all shows (provisional, few ratings)
Midcredits score: 12th percentile of all shows (provisional, few ratings)
Rock Camp(2021)
Midcredits score: 57th percentile of all films
The D'Amelio Show(2021)
Midcredits score: 1st percentile of all shows
Midcredits score: 41st percentile of all shows
Midcredits score: 58th percentile of all shows
Believer(2018)
Midcredits score: 85th percentile of all films
Surviving Marriage(2015)
Midcredits score: 19th percentile of all shows (provisional, few ratings)
Ice Loves Coco(2011)
Midcredits score: 4th percentile of all shows
Giuliana & Bill(2009)
Midcredits score: 9th percentile of all shows
The Million Dollar Kid(2000)
Midcredits score: 1st percentile of all films
Career shape
Across their 15 MovieCove titles from 2000 to 2025.
Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.
How do Anton Floquet's films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 54th percentile for acclaim.
- 75th and up1
- 50th to 74th4
- 25th to 49th2
- Below 25th8
Shape of the crowd
6 of their 15 titles are Divisive.
- Divisive6
- Cult Classic1
- Crowd Pleaser1
- Broadly Agreed2
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Anton Floquet work with?
People who share at least 2 of Anton Floquet's MovieCove titles, grouped by what they did on them; Sara Mast shares the most, 3.
Directors
- Sara MastShared titles: Stalking Samantha: 13 Years of Terror (2025), Daughters of the Cult (2024), Little Miss Innocent: Passion. Poison. Prison. (2024)See all 3 shared titles with Sara Mast
Composers and editors
- Adrienne SalisburyShared titles: Daughters of the Cult (2024), Little Miss Innocent: Passion. Poison. Prison. (2024)See all 2 shared titles with Adrienne Salisbury
- Rob TraeglerShared titles: Daughters of the Cult (2024), The DNA of Murder with Paul Holes (2019)See all 2 shared titles with Rob Traegler

- Robert Allen ElliottShared titles: The American Presidency with Bill Clinton (2022), The DNA of Murder with Paul Holes (2019)See all 2 shared titles with Robert Allen Elliott
- Antony BerriosShared titles: Smiley Face Killers: The Hunt for Justice (2019), The DNA of Murder with Paul Holes (2019)See all 2 shared titles with Antony Berrios
Producers
- Beth HoppeShared titles: Stalking Samantha: 13 Years of Terror (2025), Daughters of the Cult (2024), Little Miss Innocent: Passion. Poison. Prison. (2024)See all 3 shared titles with Beth Hoppe
- David SloanShared titles: Stalking Samantha: 13 Years of Terror (2025), Daughters of the Cult (2024), Little Miss Innocent: Passion. Poison. Prison. (2024)See all 3 shared titles with David Sloan

- Cerise FukujiShared titles: The American Presidency with Bill Clinton (2022), Smiley Face Killers: The Hunt for Justice (2019), The DNA of Murder with Paul Holes (2019)See all 3 shared titles with Cerise Fukuji

- Shelly TatroShared titles: Hip Hop Treasures (2023), Surviving Marriage (2015)See all 2 shared titles with Shelly Tatro
Mixed roles
- Ice-TShared titles: Hip Hop Treasures (2023), Ice Loves Coco (2011)See all 2 shared titles with Ice-T
