Antonio Fos
- Writer
- 3 on MovieCove · 33 credits in all
What are Antonio Fos' films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
Light 0 · Serious 1 · Dark 2
Grounded 1 · Stylized 1 · Heightened 1
Gentle 0 · Charged 0 · Intense 3
Steady 0 · Shifting 3 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 1 · Even-paced 1 · Relentless 1
Casual 0 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 1 · Open-ended 2 · Ambiguous 0
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Antonio Fos' films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Antonio Fos' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
33 credits, 3 with a MovieCove page.
De hombre a hombre (not in the MovieCove catalog yet)(1985)
Terror on the Midnight Train (not in the MovieCove catalog yet)(1980)
Visanteta, estáte quieta (not in the MovieCove catalog yet)(1979)
El virgo de Visanteta (not in the MovieCove catalog yet)(1979)
El hombre que yo quiero (not in the MovieCove catalog yet)(1978)
The Wonderful World of Sex (not in the MovieCove catalog yet)(1978)
The Frenchman's Garden (not in the MovieCove catalog yet)(1978)
The Transsexual (not in the MovieCove catalog yet)(1977)
Tengamos la guerra en paz (not in the MovieCove catalog yet)(1977)
The Kidnapping (not in the MovieCove catalog yet)(1976)
Call girl: la vida privada de una señorita bien (not in the MovieCove catalog yet)(1976)
Esclava te doy (not in the MovieCove catalog yet)(1976)
No quiero perder la honra (not in the MovieCove catalog yet)(1975)
El mejor regalo (not in the MovieCove catalog yet)(1975)
Polvo eres... (not in the MovieCove catalog yet)(1974)
El insólito embarazo de los Martínez (not in the MovieCove catalog yet)(1974)
Death Will Have Your Eyes (not in the MovieCove catalog yet)(1974)
Las señoritas de mala compañía (not in the MovieCove catalog yet)(1973)
Volveré a nacer (not in the MovieCove catalog yet)(1973)
Murder in a Blue World(1973)
Midcredits score: 30th percentile of all films
The Vampires' Night Orgy (not in the MovieCove catalog yet)(1973)
No One Heard the Scream (not in the MovieCove catalog yet)(1973)
A Candle for the Devil(1973)
Midcredits score: 36th percentile of all films
Holy God, Here Comes the Passatore! (not in the MovieCove catalog yet)(1973)
Sentence of God (not in the MovieCove catalog yet)(1972)
Naked Girl Killed in the Park (not in the MovieCove catalog yet)(1972)
The Cannibal Man(1972)
Midcredits score: 56th percentile of all films
The Glass Ceiling (not in the MovieCove catalog yet)(1971)
Cuadrilátero (not in the MovieCove catalog yet)(1970)
Your Sweet Body to Kill (not in the MovieCove catalog yet)(1970)
The Legion of No Return (not in the MovieCove catalog yet)(1969)
The Edge of Fear (not in the MovieCove catalog yet)(1967)
Her and Fear (not in the MovieCove catalog yet)(1964)
Career shape
A full career of 33 titles from 1964 to 1985.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Antonio Fos' films land?
Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
Shape of the crowd
None of their 3 titles divides audiences: 3 are Mixed.
- Mixed3
Reviewers score the dialogue 37/100 and the plot and story 45/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Antonio Fos work with?
People who share at least 2 of Antonio Fos' MovieCove titles, grouped by what they did on them; Eloy de la Iglesia shares the most, 2.
Directors
- Eloy de la IglesiaShared titles: Murder in a Blue World (1973), The Cannibal Man (1972)See all 2 shared titles with Eloy de la Iglesia
Actors
- Fernando HilbeckShared titles: A Candle for the Devil (1973), Murder in a Blue World (1973)See all 2 shared titles with Fernando Hilbeck
- Fernando Sánchez PolackShared titles: Murder in a Blue World (1973), The Cannibal Man (1972)See all 2 shared titles with Fernando Sánchez Polack
- Montserrat JulióShared titles: A Candle for the Devil (1973), Murder in a Blue World (1973)See all 2 shared titles with Montserrat Julió
Editors
- José Luis MatesanzShared titles: Murder in a Blue World (1973), The Cannibal Man (1972)See all 2 shared titles with José Luis Matesanz