Norman Foster
- Producer
- 3 on MovieCove
What are Norman Foster's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
A split, not a type: Light 1 · Serious 0 · Dark 2
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 3 · Shifting 0 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Norman Foster's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Norman Foster's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
The Old Man and the Sea(1990)
Midcredits score: 69th percentile of all films
The Last Days of Patton(1986)
Midcredits score: 56th percentile of all films
Midcredits score: 8th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1976 to 1990.
How do Norman Foster's films land?
Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 58th percentile for acclaim.
- 50th to 74th2
- Below 25th1
Shape of the crowd
2 of their 3 titles are Crowd Pleasers.
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Norman Foster work with?
People who share at least 2 of Norman Foster's MovieCove titles, grouped by what they did on them; Bill Blunden shares the most, 2.
Editors
- Bill BlundenShared titles: The Last Days of Patton (1986), The Bawdy Adventures of Tom Jones (1976)See all 2 shared titles with Bill Blunden
Producers
- Robert E. FuiszShared titles: The Old Man and the Sea (1990), The Last Days of Patton (1986)See all 2 shared titles with Robert E. Fuisz
- William F. StorkeShared titles: The Old Man and the Sea (1990), The Last Days of Patton (1986)See all 2 shared titles with William F. Storke