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Lois Freeman-Fox

Editor

Works as
Editor
Titles
18 on MovieCove · 20 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 12% in 30 days

What are Lois Freeman-Fox's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy6 titlesTypical Midcredits score: 28th percentile
: browse their Comedy movies
Action4 titlesTypical Midcredits score: 24th percentile
: browse their Action movies
Animation3 titlesTypical Midcredits score: 55th percentile, at or above their average across these genres
: browse their Animation movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
34%
Self
19%
Morality
19%
Power
12%
Survival
7%
Society
5%
Ideas
5%
Family bonds7 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeFriendship3 titles, browse their movies with this themeComing of age4 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this themeCorruption2 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this themeFreedom2 titles, browse their movies with this theme

What they feel like to watch

their average across 17 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 12 · Serious 2 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 13 · Stylized 1 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 6 · Charged 8 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 7 · Shifting 7 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 5 · Some laughs 4 · Funny 8

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 11 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 10 · Engaged 5 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 14 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
7
Tense
5
Absurd
5
Thrilling
7
Warm
4
Other
17

How their films linger

Feel-good9 titles, browse their movies with this aftertasteFun8 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy8
  • Bittersweet5
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lois Freeman-Fox's films?

As of October 24, 2026, 8 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Lois Freeman-Fox's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 18 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Thru the Moebius Strip(2005)

    Editor

    Midcredits score: 19th percentile of all films

  • Kiss the Bride(2002)

    Editor

    Midcredits score: 20th percentile of all films

  • Osmosis Jones(2001)

    Editor

    Midcredits score: 55th percentile of all films

  • Fantasia 2000(1999)

    Editor

    Midcredits score: 82nd percentile of all films

  • You Know My Name(1999)

    Editor

    Midcredits score: 57th percentile of all films

  • Picture Bride(1994)

    Additional Editing

    Midcredits score: 68th percentile of all films

  • And the Band Played On(1993)

    Editor

    Midcredits score: 93rd percentile of all films

  • Daybreak(1993)

    Editor

    Midcredits score: 16th percentile of all films

  • Majority Rule (not in the MovieCove catalog yet)(1992)

    Editor

  • Stop! Or My Mom Will Shoot(1992)

    Editor

    Midcredits score: 8th percentile of all films

  • Problem Child 2(1991)

    Editor

    Midcredits score: 23rd percentile of all films

  • Air America(1990)

    Editor

    Midcredits score: 32nd percentile of all films

  • Turner & Hooch(1989)

    Editor

    Midcredits score: 46th percentile of all films

  • K-9(1989)

    Editor

    Midcredits score: 41st percentile of all films

  • Like Father Like Son(1987)

    Editor

    Midcredits score: 19th percentile of all films

  • The Last Innocent Man(1987)

    Editor

    Midcredits score: 46th percentile of all films

  • Stranded(1986)

    Editor

    Midcredits score: 33rd percentile of all films (provisional, few ratings)

  • Welcome to 18 (not in the MovieCove catalog yet)(1986)

    Editor

  • Teen Wolf(1985)

    Editor

    Midcredits score: 42nd percentile of all films

  • Private Practices: The Story of a Sex Surrogate(1985)

    Editor

    Midcredits score: 47th percentile of all films

Career shape

A full career of 18 titles from 1985 to 2002.

Biggest box office

Fantasia 2000 (1999)

$91M worldwide

Highest rated

And the Band Played On (1993)

Midcredits 93rd

Most popular right now

Osmosis Jones (2001)

By role

only this rolewith another role
Editing17 of 18: 17 only editing, 0 with another role · typical Midcredits score41stOther crew1 of 18: 1 only other crew, 0 with another role

By decade

1980s7 · crew1990s8 · crew2000s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Lois Freeman-Fox's films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 18; across their 17 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 17

Approval · how many liked their films

38thpercentile
Typical film, the median of 17

Reach · how many have seen their films

86thpercentile
Typical film, the median of 17

Midcredits score across 18 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th7
  • Below 25th6

Shape of the crowd

7 of their 18 titles are Mixed.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser4
  • Broadly Agreed5
  • Mixed7

Most divisive · editor

Thru the Moebius Strip (2005)

76th percentile spread · 34% rated it 4 or lower

Most loved · editor

And the Band Played On (1993)

Midcredits 93rd · 85% liked

Reviewers score the pacing 47/100 in their films, across 16 reviewed titles; fans 58, detractors 33. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Lois Freeman-Fox's work okay for kids?

Across up to 10 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles29–63 · median 43 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity10 titles19–51 · median 37 · moderatenear the median of all filmsMedian of all films: 32
Profanity8 titles18–77 · median 45 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs5 titles15–45 · median 30 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense6 titles25–51 · median 38 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Lois Freeman-Fox work with?

People who share at least 2 of Lois Freeman-Fox's MovieCove titles, grouped by what they did on them; Roger Spottiswoode shares the most, 5.

Directors

Actors

Composers, cinematographers and editors

Producers