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William Frye

William Frye

Producer

Works as
Producer
Titles
6 on MovieCove · 23 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 27% in 30 days

What are William Frye's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Society and Bonds.

Genres

Action3 titlesTypical Midcredits score: 31st percentile
: browse their Action movies
Comedy3 titlesTypical Midcredits score: 58th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Society
25%
Bonds
21%
Morality
20%
Self
11%
Survival
9%
Ideas
9%
Power
5%
Community3 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 3 · Serious 2 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 3 · Charged 1 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 2 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 3 · Some laughs 0 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 4 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Warm
3
Joyful
2
Absurd
2
Hopeful
2
Other
3

How their films linger

Hopeful3 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy4
  • Bittersweet2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch William Frye's films?

As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for William Frye's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

23 credits, 6 with a MovieCove page.

  • Raise the Titanic(1980)

    Producer

    Midcredits score: 22nd percentile of all films

  • Superdome (not in the MovieCove catalog yet)(1978)

    Producer

  • Airport '77(1977)

    Producer

    Midcredits score: 31st percentile of all films

  • Airport 1975(1974)

    Producer

    Midcredits score: 31st percentile of all films

  • The Elevator (not in the MovieCove catalog yet)(1974)

    Producer

  • Linda (not in the MovieCove catalog yet)(1973)

    Producer

  • She Cried Murder (not in the MovieCove catalog yet)(1973)

    Producer

  • Amanda Fallon (not in the MovieCove catalog yet)(1973)

    Executive Producer

  • The Victim (not in the MovieCove catalog yet)(1972)

    Producer

  • The Longest Night (not in the MovieCove catalog yet)(1972)

    Producer

  • The Screaming Woman (not in the MovieCove catalog yet)(1972)

    Producer

  • The Other Man (not in the MovieCove catalog yet)(1970)

    Producer

  • Where Angels Go Trouble Follows!(1968)

    Producer

    Midcredits score: 58th percentile of all films

  • The Trouble with Angels(1966)

    Producer

    Midcredits score: 89th percentile of all films

  • The Incredible Doktor Markesan (not in the MovieCove catalog yet)(1962)

    Producer

  • The Storm (not in the MovieCove catalog yet)(1962)

    Producer

  • The Grim Reaper (not in the MovieCove catalog yet)(1961)

    Producer

  • Thriller (not in the MovieCove catalog yet)(1960)

    Show 1 episode · Producer

  • The Slowest Gun in the West(1960)

    Executive Producer

    Midcredits score: 57th percentile of all films

  • Startime (not in the MovieCove catalog yet)(1959)

    Show 2 episodes · Producer

  • Strange Witness (not in the MovieCove catalog yet)(1958)

    Producer

  • Suspicion (not in the MovieCove catalog yet)(1957)

    Show 1 episode · Producer

  • General Electric Theater (not in the MovieCove catalog yet)(1953)

    Show 3 episodes · Producer

Career shape

A full career of 23 titles from 1953 to 1980.

Biggest box office

The Trouble with Angels (1966)

$9 worldwide

Highest rated

The Trouble with Angels (1966)

Midcredits 89th

Most popular right now

Airport '77 (1977)

By role

only this rolewith another role
Producing23 of 23: 23 only producing, 0 with another role · typical Midcredits score44th

By decade

1950s4 · crew1960s7 · crew1970s11 · crew1980s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do William Frye's films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 6

Approval · how many liked their films

43rdpercentile
Typical film, the median of 6

Reach · how many have seen their films

79thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

2 of their 6 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2
  • Broadly Agreed2
  • Mixed1

Most divisive · producer

Raise the Titanic (1980)

50th percentile spread · 33% rated it 4 or lower

Most loved · producer

The Trouble with Angels (1966)

Midcredits 89th · 79% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does William Frye work with?

People who share at least 2 of William Frye's MovieCove titles, grouped by what they did on them; J. Terry Williams shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers