Luis García Berlanga

What are Luis García Berlanga's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Luis García Berlanga's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, on The Criterion Channel (3).

• The Criterion Channel3 titles, browse their movies on this service
  • The Executioner (1963) · director, writer
  • The Rocket from Calabuch (1956) · director, writer
  • Todos a la cárcel (1993) · director, writer

Subscription and free streaming for Luis García Berlanga's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  París-Tombuctú(1999)

  Director · Writer

  Midcredits score: 32nd percentile of all films32^nd
• 

  Todos a la cárcel(1993)

  Director · Writer

  Midcredits score: 59th percentile of all films59^th
• 

  The Executioner(1963)

  Director · Writer

  Midcredits score: 97th percentile of all films97^th
• 

  The Rocket from Calabuch(1956)

  Director · Writer

  Midcredits score: 90th percentile of all films90^th

Career shape

Across a limited sample of 4 MovieCove titles from 1956 to 1999.

Highest rated

The Executioner (1963)

Midcredits 97^th

How do Luis García Berlanga's films land?

Their typical MovieCove film has a Midcredits score in the 75^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 72^nd percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

121

• Universally Loved1
• Crowd Pleaser2
• Mixed1

Most divisive · director, writer

Todos a la cárcel (1993)

55^th percentile spread · 11% rated it 4 or lower

Most loved · director, writer

The Executioner (1963)

Midcredits 97^th · 87% liked

Reviewers score the atmosphere 69/100 and the pacing 59/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Luis García Berlanga work with?

People who share at least 2 of Luis García Berlanga's MovieCove titles, grouped by what they did on them; Jorge Berlanga shares the most, 2.