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Sergio Garrone

Sergio Garrone

Writer, director and producer · Died July 12, 2023, aged 98 · Rome, Italy

Sergio Garrone (15 April 1925 – 12 July 2023) was an Italian director, screenwriter and film producer. Born in Rome, the brother of the actor Riccardo, Garrone began his career in 1948 working as assistant director, documentary filmmaker, and production assistant. In 1953, he abandoned the cinema industry, but in 1965 he resurfaced as a producer of low-budget genre films. Starting from 1968, Garrone was also active as a director and a screenwriter, specializing in the Spaghetti Western genre. He was usually credited as Willy S. Regan. Garrone died in July 2023, at the age of 98.

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Biography from TMDB.

Born
April 15, 1925
Died
July 12, 2023 (aged 98)
From
Rome, Italy
Works as
Writer, director and producer
Titles
8 on MovieCove · 27 credits in all
TMDB popularity, last 38 days to Oct 27Down 23% in 30 days

What are Sergio Garrone's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Power and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 5 · Heightened 0

Gentle 0 · Charged 5 · Intense 3

Steady 1 · Shifting 6 · Whiplash 1

Straight-faced 5 · Some laughs 2 · Funny 1

Slow burn 1 · Even-paced 7 · Relentless 0

A split, not a type: Casual 5 · Engaged 1 · Full focus 2

Resolved 6 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Thrilling
5
Dread
2
Absurd
1
Melancholic
1

How their films end · 2 with a twist

  • Happy2
  • Bittersweet4
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sergio Garrone's films?

As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Sergio Garrone's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 8 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Hell Penitentiary (not in the MovieCove catalog yet)(1984)

    Writer

  • Midcredits score: 4th percentile of all films
  • Last Harem (not in the MovieCove catalog yet)(1981)

    Director · Writer

  • La pagella (not in the MovieCove catalog yet)(1980)

    Writer

  • And Give Us Our Daily Sex (not in the MovieCove catalog yet)(1979)

    Screenplay

  • Killer's Gold (not in the MovieCove catalog yet)(1979)

    Director · Story · Writer

  • Nude Odeon (not in the MovieCove catalog yet)(1978)

    Producer

  • SS Lager 5: L'inferno delle donne(1977)

    Director · Idea · Screenplay · Story · Writer

    Midcredits score: 11th percentile of all films
  • SS Experiment Love Camp (not in the MovieCove catalog yet)(1976)

    Director · Script

  • La clinica dell'amore (not in the MovieCove catalog yet)(1976)

    Writer

  • The Exorciccio (not in the MovieCove catalog yet)(1975)

    Production Manager

  • The Hand That Feeds the Dead (not in the MovieCove catalog yet)(1974)

    Director · Writer

  • The Big Bust-Out(1972)

    Producer · Writer

    Midcredits score: 8th percentile of all films
  • Vendetta at Dawn (not in the MovieCove catalog yet)(1971)

    Director · Screenplay

  • Midcredits score: 8th percentile of all films
  • Kill Django...Kill First (not in the MovieCove catalog yet)(1971)

    Director · Screenplay

  • The Dove Must Not Fly (not in the MovieCove catalog yet)(1970)

    Director · Writer

  • The Blonde Connection(1969)

    Screenplay · Story

    Midcredits score: 8th percentile of all films
  • Django the Bastard (not in the MovieCove catalog yet)(1969)

    Director · Writer

  • No Room to Die(1969)

    Director · Story · Writer

    Midcredits score: 35th percentile of all films
  • They Paid with Bullets: Chicago 1929 (not in the MovieCove catalog yet)(1969)

    Screenplay

  • Five for Hell(1969)

    Story

    Midcredits score: 18th percentile of all films
  • No Graves on Boot Hill (not in the MovieCove catalog yet)(1968)

    Director · Writer

  • If You Want to Live... Shoot! (not in the MovieCove catalog yet)(1968)

    Director

  • Killer Kid(1967)

    Producer · Screenplay · Story

    Midcredits score: 29th percentile of all films
  • The Last Killer (not in the MovieCove catalog yet)(1967)

    Producer

  • Degueyo (not in the MovieCove catalog yet)(1966)

    Producer · Story · Writer

Career shape

A full career of 27 titles from 1966 to 1984.

By role

only this rolewith another role
Directing12 of 27: 1 only directing, 11 with another roleWriting22 of 27: 9 only writing, 13 with another role · typical Midcredits score10thProducing5 of 27: 2 only producing, 3 with another roleOther crew2 of 27: 1 only other crew, 1 with another role

27 titles, 14 with more than one role — writing and directing overlap on 10 of them.

By decade

1960s10 · crew1970s13 · crew1980s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Sergio Garrone's films land?

Their typical MovieCove film has a Midcredits score in the 10th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 16th percentile for acclaim.

Acclaim · how much people like their films

16thpercentile
Typical film, the median of 8

Approval · how many liked their films

11thpercentile
Typical film, the median of 8

Reach · how many have seen their films

37thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 25th to 49th2
  • Below 25th6

Reviewers score the dialogue 22/100 and the plot and story 29/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Sergio Garrone work with?

People who share at least 2 of Sergio Garrone's MovieCove titles, grouped by what they did on them; Cesare Bianchini shares the most, 3.

Actors

Composers, cinematographers and editors