Timothy Gee
- Editor
- 9 on Motif · 13 credits in all
Known for
What are Timothy Gee's films like?
Across their 8 Motif titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 7
A split, not a type: Light 4 · Serious 3 · Dark 1
A split, not a type: Grounded 3 · Stylized 2 · Heightened 3
Gentle 0 · Charged 5 · Intense 3
Steady 4 · Shifting 4 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 3 · Funny 1
Slow burn 4 · Even-paced 4 · Relentless 0
Casual 3 · Engaged 4 · Full focus 1
Easy watch 3 · Affecting 4 · Heavy 1
Resolved 5 · Open-ended 1 · Ambiguous 2
Moods and endings
- Happy3
- Bittersweet3
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Timothy Gee's films?
As of October 24, 2026, 6 of their 9 Motif titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Timothy Gee's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
13 credits, 9 with a Motif page.
Salome's Last Dance(1988)
Midcredits score: 64th percentile of all films
Ordeal by Innocence(1984)
Midcredits score: 17th percentile of all films
State of Wonder (not in the Motif catalog yet)(1984)
Mir reicht's - ich steig aus (not in the Motif catalog yet)(1983)
The Sign of Four(1983)
Midcredits score: 55th percentile of all films
Clash of the Titans(1981)
Midcredits score: 77th percentile of all films
International Velvet(1978)
Midcredits score: 49th percentile of all films
Midcredits score: 80th percentile of all films
The Stepford Wives(1975)
Midcredits score: 77th percentile of all films
I Am a Dancer (not in the Motif catalog yet)(1972)
Long Ago, Tomorrow(1971)
Midcredits score: 74th percentile of all films
Battle of Britain(1969)
Midcredits score: 79th percentile of all films
Duffy (not in the Motif catalog yet)(1968)
Career shape
A full career of 12 titles from 1968 to 1988.
Biggest box office
Clash of the Titans (1981)
Highest rated
The Slipper and the Rose: The Story of Cinderella (1976)
Most popular right now
Clash of the Titans (1981)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
How do Timothy Gee's films land?
Their typical Motif film has a Midcredits score in the 74th percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 69th percentile for acclaim.
- 75th and up4
- 50th to 74th3
- 25th to 49th1
- Below 25th1
Shape of the crowd
7 of their 9 titles are Crowd Pleasers.
- Crowd Pleaser7
- Broadly Agreed1
- Mixed1
Reviewers score the pacing 41/100 in their films, across 8 reviewed titles; fans 49, detractors 25. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Timothy Gee's work okay for kids?
Across a limited sample of up to 3 Motif titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Timothy Gee work with?
People who share at least 2 of Timothy Gee's Motif titles, grouped by what they did on them; Bryan Forbes shares the most, 4.
Directors
- Bryan ForbesShared titles: International Velvet (1978), The Slipper and the Rose: The Story of Cinderella (1976), The Stepford Wives (1975), Long Ago, Tomorrow (1971)See all 4 shared titles with Bryan Forbes
- Desmond DavisShared titles: Ordeal by Innocence (1984), The Sign of Four (1983), Clash of the Titans (1981)See all 3 shared titles with Desmond Davis
Actors
- Nanette NewmanShared titles: International Velvet (1978), The Stepford Wives (1975), Long Ago, Tomorrow (1971)See all 3 shared titles with Nanette Newman
- Annette CrosbieShared titles: Ordeal by Innocence (1984), The Slipper and the Rose: The Story of Cinderella (1976)See all 2 shared titles with Annette Crosbie
- Christopher PlummerShared titles: Ordeal by Innocence (1984), International Velvet (1978)See all 2 shared titles with Christopher Plummer
Cinematographers
- Tony ImiShared titles: International Velvet (1978), The Slipper and the Rose: The Story of Cinderella (1976), Long Ago, Tomorrow (1971)See all 3 shared titles with Tony Imi
