Roberto Gerardi
Cinematographer · Died January 2, 1995, aged 75 · Roma, Italy
- October 18, 1919
- January 2, 1995 (aged 75)
- Roma, Italy
- Cinematographer
- 26 on MovieCove · 85 credits in all
What are Roberto Gerardi's films like?
Across their 20 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 2 · Earnest 15
A split, not a type: Light 10 · Serious 6 · Dark 4
Grounded 7 · Stylized 11 · Heightened 2
Gentle 8 · Charged 9 · Intense 3
A split, not a type: Steady 12 · Shifting 5 · Whiplash 3
Straight-faced 4 · Some laughs 10 · Funny 6
A split, not a type: Slow burn 10 · Even-paced 9 · Relentless 1
Casual 14 · Engaged 4 · Full focus 2
Easy watch 13 · Affecting 2 · Heavy 5
Resolved 13 · Open-ended 3 · Ambiguous 4
Moods and endings
- Happy7
- Bittersweet5
- Tragic4
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Roberto Gerardi's films?
As of October 24, 2026, 10 of their 26 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (5).
Subscription and free streaming for Roberto Gerardi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
85 credits, 26 with a MovieCove page.
The Comics (not in the MovieCove catalog yet)(1990)
Fratelli d'Italia (not in the MovieCove catalog yet)(1989)
Arrivederci e grazie (not in the MovieCove catalog yet)(1988)
Un'australiana a Roma(1987)
Midcredits score: 19th percentile of all films
Killer vs Killers (not in the MovieCove catalog yet)(1985)
The Violent Breed (not in the MovieCove catalog yet)(1984)
Aurora (not in the MovieCove catalog yet)(1984)
Io tigro, tu tigri, egli tigra (not in the MovieCove catalog yet)(1978)
To Be Twenty(1978)
Midcredits score: 39th percentile of all films
Blood and Diamonds (not in the MovieCove catalog yet)(1978)
Pane, burro e marmellata (not in the MovieCove catalog yet)(1977)
Love in 4 Easy Lessons (not in the MovieCove catalog yet)(1976)
Nick the Sting(1976)
Midcredits score: 42nd percentile of all films
Midcredits score: 19th percentile of all films
That Movement Which I Love So Much (not in the MovieCove catalog yet)(1976)
Africa Express(1975)
Midcredits score: 19th percentile of all films
End of the Game(1975)
Midcredits score: 39th percentile of all films
Loaded Guns(1975)
Midcredits score: 10th percentile of all films
Quick Trial (not in the MovieCove catalog yet)(1974)
The Last 4 Days(1974)
Midcredits score: 64th percentile of all films
Codice d'amore orientale (not in the MovieCove catalog yet)(1974)
Midcredits score: 15th percentile of all films
A Way of Being a Woman (not in the MovieCove catalog yet)(1973)
Un amore così fragile, così violento (not in the MovieCove catalog yet)(1973)
The Black Decameron (not in the MovieCove catalog yet)(1972)
The Master and Margaret(1972)
Midcredits score: 49th percentile of all films
This Kind of Love (not in the MovieCove catalog yet)(1972)
In Love, Every Pleasure Has Its Pain (not in the MovieCove catalog yet)(1971)
Il provinciale (not in the MovieCove catalog yet)(1971)
Lady Caliph (not in the MovieCove catalog yet)(1970)
The Wind's Fierce(1970)
Midcredits score: 25th percentile of all films
On the Day of the Lord (not in the MovieCove catalog yet)(1970)
Slap Happy (not in the MovieCove catalog yet)(1969)
Check to the Queen (not in the MovieCove catalog yet)(1969)
Midcredits score: 16th percentile of all films
Detective Belli (not in the MovieCove catalog yet)(1969)
Midcredits score: 23rd percentile of all films
Faustina (not in the MovieCove catalog yet)(1968)
Il marito è mio e l'ammazzo quando mi pare (not in the MovieCove catalog yet)(1968)
With Love, Sophia (not in the MovieCove catalog yet)(1967)
Night Is Made for Stealing (not in the MovieCove catalog yet)(1967)
Don Juan in Sicily (not in the MovieCove catalog yet)(1967)
Dick Smart 2.007 (not in the MovieCove catalog yet)(1967)
Make Love, Not War (not in the MovieCove catalog yet)(1966)
Our Husbands (not in the MovieCove catalog yet)(1966)
Adultery Italian Style (not in the MovieCove catalog yet)(1966)
Madamigella di Maupin(1966)
Midcredits score: 38th percentile of all films
A Maiden for the Prince (not in the MovieCove catalog yet)(1965)
Thrilling (not in the MovieCove catalog yet)(1965)
The Dolls (not in the MovieCove catalog yet)(1965)
Marriage Italian Style(1964)
Midcredits score: 94th percentile of all films
Controsesso (not in the MovieCove catalog yet)(1964)
Sophia Loren in Rome (not in the MovieCove catalog yet)(1964)
3 notti d'amore(1964)
Midcredits score: 32nd percentile of all films
La calda vita (not in the MovieCove catalog yet)(1964)
The Empty Canvas (not in the MovieCove catalog yet)(1963)
Adultero lui, adultera lei (not in the MovieCove catalog yet)(1963)
The Condemned of Altona(1962)
Midcredits score: 73rd percentile of all films
Arturo's Island (not in the MovieCove catalog yet)(1962)
Madame(1961)
Midcredits score: 40th percentile of all films
Unexpected (not in the MovieCove catalog yet)(1961)
Letters of a Novice (not in the MovieCove catalog yet)(1960)
Appointment in Ischia (not in the MovieCove catalog yet)(1960)
The Apartment (not in the MovieCove catalog yet)(1960)
A qualcuna piace calvo (not in the MovieCove catalog yet)(1959)
Fiasco in Milan(1959)
Midcredits score: 80th percentile of all films
The Great War(1959)
Midcredits score: 98th percentile of all films
Esterina (not in the MovieCove catalog yet)(1959)
Un uomo facile (not in the MovieCove catalog yet)(1959)
I sette contadini (not in the MovieCove catalog yet)(1958)
Il marito (not in the MovieCove catalog yet)(1958)
The Guilty (not in the MovieCove catalog yet)(1957)
Parola di ladro (not in the MovieCove catalog yet)(1957)
What a Woman!(1956)
Midcredits score: 43rd percentile of all films
The Swindle (not in the MovieCove catalog yet)(1955)
Woman of the River(1954)
Midcredits score: 48th percentile of all films
Days of Love (not in the MovieCove catalog yet)(1954)
La Strada(1954)
Midcredits score: 97th percentile of all films
I Vitelloni(1953)
Midcredits score: 97th percentile of all films
A Husband for Anna (not in the MovieCove catalog yet)(1953)
Melody of Love (not in the MovieCove catalog yet)(1952)
Rome 11:00 (not in the MovieCove catalog yet)(1952)
Midcredits score: 88th percentile of all films
Variety Lights (not in the MovieCove catalog yet)(1950)
Bitter Rice(1949)
Midcredits score: 95th percentile of all films
Career shape
A full career of 84 titles from 1949 to 1990.
Biggest box office
The Master and Margaret (1972)
Highest rated
The Great War (1959)
Most popular right now
Burnt by a Scalding Passion (1976)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Roberto Gerardi's films land?
Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 26; across their 20 films with reception data, the typical film sits in the 39th percentile for acclaim.
- 75th and up7
- 50th to 74th2
- 25th to 49th10
- Below 25th7
Shape of the crowd
9 of their 26 titles are Mixed.
- Universally Loved4
- Divisive1
- Crowd Pleaser6
- Broadly Agreed6
- Mixed9
Reviewers score the cinematography 64/100 in their films, across 12 reviewed titles; fans 73, detractors 39. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Roberto Gerardi work with?
People who share at least 2 of Roberto Gerardi's MovieCove titles, grouped by what they did on them; Catherine Spaak shares the most, 4.
Directors
- Fernando Di LeoShared titles: To Be Twenty (1978), Nick the Sting (1976), Loaded Guns (1975)See all 3 shared titles with Fernando Di Leo
- Vittorio De SicaShared titles: Marriage Italian Style (1964), The Condemned of Altona (1962)See all 2 shared titles with Vittorio De Sica
Writers
- Alberto SilvestriShared titles: Nick the Sting (1976), The Wind's Fierce (1970), Una ragazza piuttosto complicata (1969)See all 3 shared titles with Alberto Silvestri
- Luciano VincenzoniShared titles: Burnt by a Scalding Passion (1976), The Great War (1959)See all 2 shared titles with Luciano Vincenzoni
- Franco VerucciShared titles: The Wind's Fierce (1970), Una ragazza piuttosto complicata (1969)See all 2 shared titles with Franco Verucci
- Luigi MagniShared titles: Madamigella di Maupin (1966), 3 notti d'amore (1964)See all 2 shared titles with Luigi Magni
Actors
- Catherine SpaakShared titles: Burnt by a Scalding Passion (1976), Una ragazza piuttosto complicata (1969), Madamigella di Maupin (1966), 3 notti d'amore (1964)See all 4 shared titles with Catherine Spaak
- Gabriele FerzettiShared titles: Nick the Sting (1976), End of the Game (1975), Fatevi vivi, la polizia non interverrà (1974)See all 3 shared titles with Gabriele Ferzetti
- Vittorio GassmanShared titles: Where Are You Going All Naked? (1969), Fiasco in Milan (1959), The Great War (1959)See all 3 shared titles with Vittorio Gassman
- Sophia LorenShared titles: Marriage Italian Style (1964), The Condemned of Altona (1962), Madame (1961)See all 3 shared titles with Sophia Loren
Composers and editors
- Amedeo GiominiShared titles: To Be Twenty (1978), Nick the Sting (1976), Loaded Guns (1975)See all 3 shared titles with Amedeo Giomini
- Ennio MorriconeShared titles: End of the Game (1975), The Last 4 Days (1974), The Master and Margaret (1972)See all 3 shared titles with Ennio Morricone
- Adriana NovelliShared titles: Marriage Italian Style (1964), The Condemned of Altona (1962), The Great War (1959)See all 3 shared titles with Adriana Novelli
- Eugenio AlabisoShared titles: Un'australiana a Roma (1987), Africa Express (1975)See all 2 shared titles with Eugenio Alabiso
Producers
- Carlo PontiShared titles: Marriage Italian Style (1964), The Condemned of Altona (1962), Madame (1961)See all 3 shared titles with Carlo Ponti
- Armando NovelliShared titles: Nick the Sting (1976), Loaded Guns (1975)See all 2 shared titles with Armando Novelli
- Mario Cecchi GoriShared titles: The Wind's Fierce (1970), Where Are You Going All Naked? (1969)See all 2 shared titles with Mario Cecchi Gori
Mixed roles
- Maximilian SchellShared titles: End of the Game (1975), The Condemned of Altona (1962)See all 2 shared titles with Maximilian Schell
