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Anita Gershman

Producer

Works as
Producer
Titles
21 on MovieCove · 26 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 21% in 30 days

What are Anita Gershman's films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Drama12 titlesTypical Midcredits score: 15th percentile
: browse their Drama movies
Action4 titlesTypical Midcredits score: 20th percentile, at or above their average across these genres
: browse their Action movies
Crime3 titlesTypical Midcredits score: 16th percentile
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
39%
Self
21%
Bonds
19%
Survival
15%
Power
5%
Society
1%
Identity6 titles, browse their movies with this themeDeception6 titles, browse their movies with this themeFamily bonds6 titles, browse their movies with this themeJustice5 titles, browse their movies with this themeObsession4 titles, browse their movies with this themeRevenge3 titles, browse their movies with this themeGrief3 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this theme

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 8 · Dark 11

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 18 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 12 · Intense 7

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 8 · Shifting 12 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 20 · Some laughs 1 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 14 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 6 · Engaged 14 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

Easy watch 3 · Affecting 13 · Heavy 5

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 15 · Open-ended 6 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
19
Dread
10
Melancholic
5
Warm
3
Contemplative
4
Other
9

How their films linger

Unsettling10 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertasteThought-provoking6 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteCathartic4 titles, browse their movies with this aftertaste

How their films end · 7 with a twist

  • Happy6
  • Bittersweet10
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anita Gershman's films?

As of October 24, 2026, all 21 MovieCove titles stream on a subscription or free service, most on Tubi (20).

Subscription and free streaming for Anita Gershman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 21 with a MovieCove page.

  • Clover Bend(2002)

    Executive Producer

    Midcredits score: 14th percentile of all films

  • She's No Angel(2002)

    Executive Producer

    Midcredits score: 16th percentile of all films

  • Face Value (not in the MovieCove catalog yet)(2001)

    Executive Producer

  • Blind Obsession(2001)

    Executive Producer

    Midcredits score: 10th percentile of all films

  • On the Borderline (not in the MovieCove catalog yet)(2001)

    Executive Producer

  • Facing the Enemy(2001)

    Executive Producer

    Midcredits score: 13th percentile of all films

  • Malpractice(2001)

    Executive Producer

    Midcredits score: 13th percentile of all films

  • The Perfect Wife(2001)

    Executive Producer

    Midcredits score: 21st percentile of all films

  • A Mother's Testimony(2001)

    Executive Producer

    Midcredits score: 19th percentile of all films

  • Rain(2001)

    Producer

    Midcredits score: 27th percentile of all films

  • Spirit(2001)

    Producer

    Midcredits score: 11th percentile of all films

  • Touched by a Killer(2001)

    Producer

    Midcredits score: 16th percentile of all films

  • Living in Fear(2001)

    Executive Producer

    Midcredits score: 14th percentile of all films

  • Doomsday Man (not in the MovieCove catalog yet)(2000)

    Executive Producer

  • The Stepdaughter(2000)

    Executive Producer

    Midcredits score: 5th percentile of all films

  • Above Suspicion(2000)

    Executive Producer

    Midcredits score: 38th percentile of all films

  • Alone with a Stranger(2000)

    Executive Producer

    Midcredits score: 12th percentile of all films

  • The Perfect Nanny(2000)

    Executive Producer

    Midcredits score: 28th percentile of all films

  • Farewell, My Love(2000)

    Producer

    Midcredits score: 10th percentile of all films

  • Perilous (not in the MovieCove catalog yet)(2000)

    Executive Producer

  • Rites of Passage(1999)

    Executive Producer

    Midcredits score: 44th percentile of all films

  • Her Married Lover(1999)

    Executive Producer

    Midcredits score: 12th percentile of all films

  • Time Served (not in the MovieCove catalog yet)(1999)

    Executive Producer

  • Can't Be Heaven(1999)

    Producer

    Midcredits score: 36th percentile of all films

  • Sam Churchill: Search for a Homeless Man(1999)

    Producer

    Midcredits score: 42nd percentile of all films

  • Total Stranger(1999)

    Executive Producer

    Midcredits score: 25th percentile of all films

Career shape

A full career of 20 titles from 1999 to 2002.

Highest rated

Rites of Passage (1999)

Midcredits 44th

Most popular right now

Can't Be Heaven (1999)

By role

only this rolewith another role
Producing20 of 20: 20 only producing, 0 with another role · typical Midcredits score14th

By decade

1990s4 · crew2000s16 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Anita Gershman's films land?

Their typical MovieCove film has a Midcredits score in the 16th percentile, the median of all 21; across their 21 films with reception data, the typical film sits in the 17th percentile for acclaim.

Acclaim · how much people like their films

17thpercentile
Typical film, the median of 21

Approval · how many liked their films

17thpercentile
Typical film, the median of 21

Reach · how many have seen their films

38thpercentile
Typical film, the median of 21

Midcredits score across 21 titles, by percentile

  • 25th to 49th7
  • Below 25th14

Shape of the crowd

17 of their 21 titles are Mixed.

  • Cult Classic3
  • Broadly Agreed1
  • Mixed17

Most divisive · producer

Sam Churchill: Search for a Homeless Man (1999)

77th percentile spread · 25% rated it 4 or lower

Most loved · producer

Rites of Passage (1999)

Midcredits 44th · 47% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Anita Gershman work with?

People who share at least 2 of Anita Gershman's MovieCove titles, grouped by what they did on them; Larry Gershman shares the most, 21.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles