
George Givot
Actor · Died June 7, 1984, aged 81 · Ekaterinoslav, Ekaterinoslav province, Russian Empire [now Dnipro, Ukraine]
Dapper American character actor and radio personality, born in Omaha, Nebraska. After attending Chicago University, Givot entered show business as a comedian with the Ziegfeld Follies. His particular forte was mimicking a variety of ethnic dialects. Performing in vaudeville and in nightclubs, he scored an immediate hit with his comic creation, the "Greek Ambassador of Good Will", an English-fracturing Greek immigrant. He took this character with him to radio, where he worked for some time on the Jimmy Durante Show. Continuing popularity led to appearances in two-reel comedies and feature films. By the end of the 1930's, Givot had intended to settle down as a 'gentleman farmer' on his estate in Tarzana, California. However, a messy marital break-up and debts incurred in a failed business venture forced him back into the acting profession, albeit mostly in dramatic parts. However, his aptitude as a dialectician continued to be put to good use in Road to Morocco (1942) (as Neb Jolla), Behind the Rising Sun (1943) (as the hearty Russian newspaper man Boris), Captain Pirate (1952) (Tomas Velasquez) and China Gate (1957) (as ex-Parisian policeman Pigalle). From 1944, Givot took time out from the movies to return to Broadway, appearing in the musical comedy "Mexican Hayride" as Lombo Compos, partnering fellow vaudevillian Bobby Clark in a numbers racket. Towards the end of his career, Givot returned to his roots as a voice actor and is probably best remembered for voicing the gentle Italian restaurateur Tony in Lady and the Tramp (1955).
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Biography from IMDb.
- February 18, 1903
- June 7, 1984 (aged 81)
- Ekaterinoslav, Ekaterinoslav province, Russian Empire [now Dnipro, Ukraine]
- Actor
- 15 on MovieCove · 37 credits in all
What are George Givot's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 13
Light 11 · Serious 1 · Dark 1
Grounded 3 · Stylized 7 · Heightened 3
Gentle 5 · Charged 6 · Intense 2
Steady 8 · Shifting 4 · Whiplash 1
A split, not a type: Straight-faced 3 · Some laughs 4 · Funny 6
Slow burn 4 · Even-paced 9 · Relentless 0
Casual 9 · Engaged 4 · Full focus 0
Easy watch 11 · Affecting 1 · Heavy 1
Resolved 12 · Open-ended 1 · Ambiguous 0
Roles they play
- Shadowas Emilio Rossi in Three Sailors and a Girl (1953)
Moods and endings
- Happy10
- Bittersweet1
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch George Givot's films?
As of October 24, 2026, 5 of their 15 MovieCove titles stream on a subscription or free service, most on HBO Max (2).
Subscription and free streaming for George Givot's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
37 credits, 15 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Dragon by the Tail (not in the MovieCove catalog yet)(1961)

The Barbara Stanwyck Show (not in the MovieCove catalog yet)(1960)

China Gate(1957)
Midcredits score: 51st percentile of all films
The Benny Goodman Story(1956)
Midcredits score: 72nd percentile of all films
Ain't Misbehavin'(1955)
Midcredits score: 26th percentile of all films
Lady and the Tramp(1955)
Midcredits score: 90th percentile of all films
The Racers (not in the MovieCove catalog yet)(1955)

Three Sailors and a Girl(1953)
Midcredits score: 45th percentile of all filmsLost in a Turkish Bath (not in the MovieCove catalog yet)(1953)

April in Paris(1952)
Midcredits score: 38th percentile of all films
Captain Pirate (not in the MovieCove catalog yet)(1952)

Riffraff(1947)
Midcredits score: 71st percentile of all films
Midcredits score: 63rd percentile of all films
Government Girl(1943)
Midcredits score: 26th percentile of all films
Du Barry Was a Lady(1943)
Midcredits score: 48th percentile of all films
Behind the Rising Sun(1943)
Midcredits score: 22nd percentile of all films
Leather Burners(1943)
Midcredits score: 49th percentile of all filmsTwo Saplings (not in the MovieCove catalog yet)(1943)

Road to Morocco(1942)
Midcredits score: 83rd percentile of all films
Flying with Music (not in the MovieCove catalog yet)(1942)

Fiesta (not in the MovieCove catalog yet)(1941)

Young as You Feel (not in the MovieCove catalog yet)(1940)

Hollywood Cavalcade (not in the MovieCove catalog yet)(1939)

Beg, Borrow or Steal(1937)
Midcredits score: 59th percentile of all films
45 Fathers (not in the MovieCove catalog yet)(1937)

Step Lively, Jeeves! (not in the MovieCove catalog yet)(1937)

The Hit Parade (not in the MovieCove catalog yet)(1937)
The White Hope (not in the MovieCove catalog yet)(1936)

Paddy O'Day (not in the MovieCove catalog yet)(1936)

Riffraff (not in the MovieCove catalog yet)(1936)

Hollywood Party(1934)
Midcredits score: 40th percentile of all filmsEd Sullivan's Headliners (not in the MovieCove catalog yet)(1934)

Roast-Beef and Movies (not in the MovieCove catalog yet)(1934)

Howd' Ya Like That? (not in the MovieCove catalog yet)(1934)

The Chief (not in the MovieCove catalog yet)(1933)

Gobs of Fun (not in the MovieCove catalog yet)(1933)

Nothing Ever Happens (not in the MovieCove catalog yet)(1933)
Career shape
Star power in the 73rd percentile of 239,109 people with a billed film role, over a full career of 37 titles from 1933 to 1961.
Film career
- 1942Screen debut· Road to Morocco
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do George Givot's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 15; across their 13 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 75th and up2
- 50th to 74th5
- 25th to 49th7
- Below 25th1
Shape of the crowd
None of their 15 titles divides audiences: 7 are Crowd Pleasers.
- Crowd Pleaser7
- Broadly Agreed2
- Mixed6
Reviewers score the acting 66/100 in their films, across 13 reviewed titles; fans 74, detractors 45. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does George Givot work with?
People who share at least 2 of George Givot's MovieCove titles, grouped by what they did on them; Howard Jackson shares the most, 3.
Directors
- Roy Del RuthShared titles: Three Sailors and a Girl (1953), Du Barry Was a Lady (1943)See all 2 shared titles with Roy Del Ruth

- David ButlerShared titles: April in Paris (1952), Road to Morocco (1942)See all 2 shared titles with David Butler

Writers
- Devery FreemanShared titles: Ain't Misbehavin' (1955), Three Sailors and a Girl (1953)See all 2 shared titles with Devery Freeman
Composers and editors
- Howard JacksonShared titles: China Gate (1957), Three Sailors and a Girl (1953), April in Paris (1952)See all 3 shared titles with Howard Jackson
- Victor YoungShared titles: China Gate (1957), Road to Morocco (1942)See all 2 shared titles with Victor Young

- Ray HeindorfShared titles: Three Sailors and a Girl (1953), April in Paris (1952)See all 2 shared titles with Ray Heindorf

- Irene MorraShared titles: April in Paris (1952), Road to Morocco (1942)See all 2 shared titles with Irene Morra


