Kubec Glasmon
Writer · Died March 13, 1938, aged 40 · Raciaz, Poland
- August 12, 1897
- March 13, 1938 (aged 40)
- Raciaz, Poland
- Writer
- 8 on MovieCove · 19 credits in all
What are Kubec Glasmon's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 2 · Serious 5 · Dark 1
Grounded 6 · Stylized 2 · Heightened 0
Gentle 1 · Charged 4 · Intense 3
Steady 2 · Shifting 6 · Whiplash 0
A split, not a type: Straight-faced 5 · Some laughs 2 · Funny 1
Slow burn 2 · Even-paced 3 · Relentless 3
Casual 4 · Engaged 4 · Full focus 0
Easy watch 1 · Affecting 6 · Heavy 1
Resolved 8 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
- Tragic3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Kubec Glasmon's films?
As of October 24, 2026, 3 of their 8 MovieCove titles stream on a subscription or free service, most on HBO Max (2).
Subscription and free streaming for Kubec Glasmon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 8 with a MovieCove page.
Saleslady(1938)
Midcredits score: 24th percentile of all filmsThe Man in Blue (not in the MovieCove catalog yet)(1937)
This Is My Affair(1937)
Midcredits score: 66th percentile of all films
Parole! (not in the MovieCove catalog yet)(1936)
Show Them No Mercy! (not in the MovieCove catalog yet)(1935)
Men Without Names (not in the MovieCove catalog yet)(1935)
The Glass Key (not in the MovieCove catalog yet)(1935)
Jealousy (not in the MovieCove catalog yet)(1934)
Handy Andy (not in the MovieCove catalog yet)(1934)
Bolero (not in the MovieCove catalog yet)(1934)
Rockabye (not in the MovieCove catalog yet)(1932)
Three on a Match(1932)
Midcredits score: 79th percentile of all films
False Faces (not in the MovieCove catalog yet)(1932)
The Crowd Roars(1932)
Midcredits score: 49th percentile of all films
Taxi(1931)
Midcredits score: 65th percentile of all films
Union Depot (not in the MovieCove catalog yet)(1932)
Blonde Crazy(1931)
Midcredits score: 84th percentile of all films
Smart Money(1931)
Midcredits score: 72nd percentile of all films
The Public Enemy(1931)
Midcredits score: 93rd percentile of all films
Career shape
A full career of 18 titles from 1931 to 1938.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Kubec Glasmon's films land?
Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th1
- Below 25th1
Shape of the crowd
None of their 8 titles divides audiences: 5 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser5
- Broadly Agreed1
- Mixed1
Reviewers score the dialogue 57/100 and the plot and story 49/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Kubec Glasmon work with?
People who share at least 2 of Kubec Glasmon's MovieCove titles, grouped by what they did on them; John Bright shares the most, 6.
Directors
- Roy Del RuthShared titles: Blonde Crazy (1931), Taxi (1931)See all 2 shared titles with Roy Del Ruth
Writers
- John BrightShared titles: The Crowd Roars (1932), Three on a Match (1932), Blonde Crazy (1931), Smart Money (1931), Taxi (1931), The Public Enemy (1931)See all 6 shared titles with John Bright
- Lucien HubbardShared titles: Three on a Match (1932), Smart Money (1931)See all 2 shared titles with Lucien Hubbard
Actors
- James CagneyShared titles: The Crowd Roars (1932), Blonde Crazy (1931), Smart Money (1931), Taxi (1931), The Public Enemy (1931)See all 5 shared titles with James Cagney
- Joan BlondellShared titles: The Crowd Roars (1932), Three on a Match (1932), Blonde Crazy (1931), The Public Enemy (1931)See all 4 shared titles with Joan Blondell
- Guy KibbeeShared titles: The Crowd Roars (1932), Blonde Crazy (1931), Taxi (1931)See all 3 shared titles with Guy Kibbee
- Ann DvorakShared titles: The Crowd Roars (1932), Three on a Match (1932)See all 2 shared titles with Ann Dvorak
Cinematographers
- Sidney HickoxShared titles: The Crowd Roars (1932), Blonde Crazy (1931)See all 2 shared titles with Sidney Hickox
Producers
- Darryl F. ZanuckShared titles: This Is My Affair (1937), Three on a Match (1932), Blonde Crazy (1931), The Public Enemy (1931)See all 4 shared titles with Darryl F. Zanuck
